A New Cello Concerto | reviews, news & interviews
A New Cello Concerto
A New Cello Concerto
Migratory geese and wartime exile inspire a new work for Robert Cohen
Thursday, 05 November 2009
Sally Beamish: 'I notated quite a few bird songs – such as black kites, warblers and corncrakes – and used them in the music'Ashley Coombes
Commissioning orchestral music is not for the faint-hearted. It is notoriously difficult to fund and satisfaction is by no means guaranteed. This however did not deter the leading British cellist Robert Cohen from asking the composer Sally Beamish to write a work to mark his fiftieth birthday, and on 12 November Cohen will give the world premiere of Beamish’s Cello Concerto No 2, The Song Gatherer, with the Minnesota Orchestra conducted by Osmo Vänskä at Orchestra Hall, Minneapolis, with a British premiere planned next year.
Commissioning orchestral music is not for the faint-hearted. It is notoriously difficult to fund and satisfaction is by no means guaranteed. This however did not deter the leading British cellist Robert Cohen from asking the composer Sally Beamish to write a work to mark his fiftieth birthday, and on 12 November Cohen will give the world premiere of Beamish’s Cello Concerto No 2, The Song Gatherer, with the Minnesota Orchestra conducted by Osmo Vänskä at Orchestra Hall, Minneapolis, with a British premiere planned next year.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more
Help to give theartsdesk a future!
Support our GoFundMe appeal
Kenny Barron Trio, Ronnie Scott's review - a master of the cool
Eloquent story-telling from jazz giant
Soundtrack to a Coup d'Etat review - jazz-themed documentary on the 1960s Congo Crisis
Musicians played different roles in the struggles of the newly independent African country
Gladiator II review - can lightning strike twice?
Sir Ridley Scott makes a big, bold return to the Roman Empire
Music Reissues Weekly: Magazine - Real Life, Secondhand Daylight, The Correct Use of Soap
The first three albums from Howard Devoto’s post-punk marvels hit the shops again
Bob Dylan, Royal Albert Hall review - cracked ritual from rock elder
A glorious mixture of mask and authenticity
Maddaddam, Royal Ballet review - superb dancing in a confusing frame
Wayne McGregor's version of Margaret Atwood's dystopia needs a clearer map
The Elixir of Love, English National Opera review - a tale of two halves
Flat first act, livelier second, singers not always helped by conductor and director
ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime
Despite anticipating disaster, this mesmerising voyage is full of hope
The Sound Voice Project, Linbury Theatre review - an art installation that has strayed into an opera house
A worthy project fails to ignite as art
Joy review - the birth pangs of in vitro fertilisation
Subtle drama about the quest to give women a childbearing choice
Wolves on Road, Bush Theatre review - exciting dialogue, but flawed plotting
New play about young black men and cryptocurrency is sadly predictable
Add comment