Bolshoi leader quits in porn scandal

Whispers of dirty tricks, but Russia's flagship company now leaderless

by Ismene BrownWednesday, 16 March 2011

Still reconstructing: The Bolshoi Theatre is due to reopen in October

The Bolshoi Ballet's company manager, Gennady Yanin, has resigned after pornographic pictures appeared on the internet that were linked to him, just as he was being considered to take on the job of artistic director, which became vacant that day. As a result the world's largest ballet company is now leaderless, with an inexperienced dancer appointed to hold the fort. SEE LATEST NEWS: Sergei Filin appointed artistic director for five years

A site seemingly created to resemble the Bolshoi's appeared with pornographic material aimed at implicating Yanin

Explore topics

Share this article

...

Permalink Submitted by Zo (not verified) on Thu, 17/03/2011 - 12:14

The more I read about what happened to Yanin, the more it looks like a set-up to me. And poor Godovsky does not know whether he is coming or going - a scapegoat by any other name. It is my experience from the old communist bloc that dance and theatre politics never mix. Many tried and it ended in tears. Let Tsiskaridze and other fools rush in. In the old days you could not say no, or you would have been marked. Surely the one single change has been that you can, in fact, say 'no' nowadays.

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Dance

Help to give theartsdesk a future! Support our GoFundMe appeal

Legacy, Linbury Theatre review - an exceptional display of black dance prowess An all-too-fleeting celebration of black and brown ballet talent that demands a reprise

Encounters, Royal Ballet review - exciting mixed bill with a gem of a premiere Pam Tanowitz's latest piece is a stunner that larkily subverts the rules

National Ballet of Canada, Sadler's Wells review - see this, and know what dance can do Yet again, Crystal Pite proves herself a ferocious creative force, alongside fellow Canadian exports James Kudelka and Emma Portner

Nobodaddy, Teaċ Daṁsa, Dublin Theatre Festival review - supernatural song and dance odyssey Michael Keegan-Dolan’s genius guides us through death, separation and loss

Alice's Adventures in Wonderland, Royal Ballet review - big, bold and ultimately brash It may be box-office gold, but Christopher Wheeldon's adaptation fails to find a beating heart down the rabbit hole

Resurgence, London City Ballet, Sadler’s Wells review - the phoenix rises yet again A new 14-strong company reviving a much-loved name is taking ballet to smaller theatres

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre review - a joyous celebration of differentness Kate Prince's hip hop take on Lewis Carroll is energetic, charming and moving by turns

Ballet Nights #006, Cadogan Hall review - a mixed bag of excellence Gala enterprise, 12 months on, will be a stayer if it keeps up this level of excitement

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia Bolshoi superstar who made her name in London returns with a new generation

Ashton Celebrated, Royal Ballet review - peerless delights from the master step-smith A delicious triple bill kicks off a worldwide Fred-fest

Rocio Molina, Sadler's Wells Flamenco Festival review - mystery and dark magic, with a giggle Annual Spanish showcase opens with a dancer intent on subversion by edgy games

Follow @theartsdesk