Onegin, Royal Ballet | reviews, news & interviews
Onegin, Royal Ballet
Onegin, Royal Ballet
Ballet-drama by numbers, even with fabulous performances
Thursday, 30 September 2010
Alina Cojocaru and Johan Kobborg: A stellar pair of dance-actors do their damnedestPhotograph © Dee Conway/ROH
One gin is not enough, not two, or even three gins, to make me susceptible to the idea that John Cranko’s ballet Onegin is anything more than a second-league costume drama with a peachy ballerina role in the middle. But it’s box office, and with Alina Cojocaru and Johan Kobborg in the central roles last night for the Royal Ballet's opening salvo of the season, there wasn’t a hair's-breadth spare in the house, every place gone, even the standing ones in the gods where you can only see a sliver of the stage.
One gin is not enough, not two, or even three gins, to make me susceptible to the idea that John Cranko’s ballet Onegin is anything more than a second-league costume drama with a peachy ballerina role in the middle. But it’s box office, and with Alina Cojocaru and Johan Kobborg in the central roles last night for the Royal Ballet's opening salvo of the season, there wasn’t a hair's-breadth spare in the house, every place gone, even the standing ones in the gods where you can only see a sliver of the stage.
He shuts up like a clam on realising that this girl is dull little Jane Eyre, not gorgeous Blanche Ingram
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