The Seckerson Tapes: Petrenko's Shostakovich Eight

Hear about the latest installment of Vasily Petrenko's stonking cycle

by Edward SeckersonMonday, 03 May 2010

Vasily Petrenko and the Royal Liverpool Philharmonic's latest CD release

The charismatic St Petersburg-born Vasily Petrenko has really been turning things around at the Royal Liverpool Philharmonic Orchestra since he took over as principal conductor in 2005. With both standards and audiences on the up he has embarked upon his first major recording project – to record all 15 Shostakovich symphonies for the Naxos label. The two previous releases have received tremendous notices and in this exclusive podcast he talks about the project in general and the latest release - the war-torn Eighth Symphony - in particular.

Buy

Buy Vasily Petrenko's Shostakovich Eight

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Classical music

Bach Brandenburg Concertos, OAE, QEH review - forever young Zest, dash and fun in rejuvenated favourites

First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos On ignoring the composer's 'Basta, basta!' above the part for the original soloist

Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light Radical masterpieces by Sibelius and Stravinsky have never sounded more extraordinary

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand review - music in a resurgent venue Neglected London church now the home of a vibrant concert series

Classical CDs: Mandolins, multiphonics and multiple pianos Classical horn concertos, a Gallic record label celebrated and Seventies pop meets the French baroque

Kolesnikov, Hallé, Elts, Bridgewater Hall, Manchester review - the dude who dazzles Fun French music forms a foil to naked, virtuoso pianism

Fauré Centenary Concert 5, Wigmore Hall review - a final flight The master of levitation in transcendent performances from Steven Isserlis and friends

Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - grace and power in Brahms A time-travelling journey through the Austro-German Romantic tradition

Fauré Centenary Concert 1, Wigmore Hall review - Isserlis and friends soar Saint-Saëns is no also-ran in the opening event of a wondrous homage

'His ideal worlds embraced me with their light and love': violinist Irène Duval on the music of Fauré On the centenary of the great French composer's death, a fine interpreter pays homage

Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle Vibrant rendering filled with passion and delight

Hallé, Wong, Bridgewater Hall, Manchester review - Bruckner’s Ninth completed Kahchun Wong takes Manchester audience on an epic journey

Follow @theartsdesk