New music
Kieron Tyler
On Brian Christinzio’s sixth album as BC Camplight, he wants listeners to know about his recent experiences and their effect on him. Herewith, a mostly unembroidered account of how he sees things. When allusiveness arrives, the metaphors are easy to interpret. The last three tracks are titled “Going Out on a Low Note”, “I'm Ugly” and “The Mourning”.The Last Rotation of Earth follows-up 2020’s Shortly After Takeoff. That also drew from his then-recent past: being removed by immigration authorities from his adopted home of Manchester – he’s from Philadelphia; his father’s death, and the Read more ...
Kieron Tyler
Amongst the stranger recordings surfacing in 1977’s summer of punk was the version of Sex Pistols’s “Pretty Vacant” appearing on the budget Hallmark label album Top Of The Pops Volume 60 – the latest in a long-running series collecting ostensibly sound-alike versions of current hits recorded by anonymous session musicians and singers in a Wembley studio.This “Pretty Vacant” just-about caught the heft of the original but was in no way a convincing facsimile. The singer tried though. He adopted a voice along the Old Man Steptoe lines which might have caused the then Johnny Rotten to chuckle. Read more ...
Tim Cumming
“YOUR NEW ALBUM IS FUCKING DEADLY!” hollers a voice from the depths of a full house at the Barbican on Thursday night, the first date on the north Dublin band’s UK tour for their stunning new album, False Lankum.Queue it up for your listening pleasure, and you’re going to be submerged in a sonic netherworld raised up by the four-piece’s panoply of organic drones seemingly captured in an echo chamber of epic proportions, with funereal drum taps, singer Radie Peat’s voice at its most haunted and disembodied, and more reminiscent of Heathen Earth-era Throbbing Gristle than anything heard before Read more ...
Sebastian Scotney
New Orleans “is not a music business city, it’s a music culture city,” says David Shaw of The Revivalists, one of the interviewees in Jazz Fest: A New Orleans Story.This documentary sets out to describe that multiracial culture and heritage through the particular prism of the New Orleans Jazz & Heritage Festival, known as “Jazz Fest”, which is held on the last weekend in April and the first weekend in May. It had a celebratory fiftieth anniversary edition in 2019 before being forced to close for two years by the pandemic.The film does a good job of explaining the festival’s Read more ...
Thomas H. Green
Some rock bands base their career around being musically fluid, an ever-changing what-will-they-do-next? conundrum. Others, such as, famously, Motörhead and The Ramones, simply go on doing their thing, honing it, repeating ad infinitum, with an almost zen devotion. The results, at their best, are vigorously on-point.It’s not only rock bands, though. Some of those swept up in the 1990s rave-olution also knuckled down, stuck to the cause, purposefully focused. One such is Steve Mac and his new album combines aspects of old and contemporary production to salute the history and ongoing potency of Read more ...
joe.muggs
Aaron Jerome has always cut his own path through British music. After a few jazzy, groovy experiments under his own name in the 00s, he came dramatically to prominence at the end of that decade as SBTRKT. He was always associated with the post-dubstep moment where the UK bass subcultures of dubstep and grime folded back into house and techno, launching big names like Hessle Audio and Disclosure – but in fact he didn’t quite fit there.There was always something a bit restless about his music. As a British Asian producer coming to fame working with a Black singer (Sampha) yet making music that Read more ...
Kathryn Reilly
Those kooky ex-child-actors from Long Island are back again, all flares and mullets. And they’ve got something to tempt us. What kind of musical cake might you expect to savour if you mixed a little bit Simon and Garfunkel, a soupçon of Fleet Foxes, a dash of Bread, the occasional smattering of the Everly Brothers, a twist of Beach Boys and a dollop of the Carpenters? A Lemon (Drizzle) Twigs cake, that’s what. And it’s a bit sickly sweet.Deeply unfashionable as that concoction might sound, it doesn’t quite close the cool/not-cool circle as they’d probably hoped. The trouble is that it simply Read more ...
Tim Cumming
Reuniting with Russ Titelman, the producer of her eponymous 1979 debut and its follow-up 1981’s Pirates, Rickie Lee Jones approaches the great American songbook as if she was reuniting with an old flame, the thrill of it smouldering and concentrating itself in 10 elegant, soulful jazz-blues performances. These Pieces of Treasure open with the shimmering vibes of “Just in Time”, takes in a very different realisation of “Nature Boy”, a languid version of “One for My Baby” that burns the midnight oil, and closes up shop with a walk on “The Sunny Side of the Street” and “It’s All in the Game Read more ...
Jonathan Geddes
Before even a note was struck, Yard Act’s singer James Smith was setting the bar high. “Over the past two days everyone we’ve met in Glasgow has been telling us this is the best gig we’ll ever play”, he declared, as soon as the Leeds band arrived onstage. They then proceeded over the following 70 minutes to deliver on that expectation, with an evening that’s among the best the storied old Barrowland has ever seen.That might sound like overzealous hype, but this was a beefed up set that possessed power, passion and playfulness all at once. This current short jaunt for the group is essentially Read more ...
Kieron Tyler
One of the essays in the booklet accompanying Loma Northern Soul describes the titular label as an “outlet aimed at secondary or tertiary record markets, issuing product that it was hoped would prove strong in R&B radio, yet had the potential to crossover and do battle with Motown in the pop charts”.In this reading, Loma Records was either addressing distinct markets – as other labels specifically did for, say, country – or was a dumping ground for recordings which didn’t make the grade as records which could be promoted as chart friendly or for pop radio. Or some of both at the same time Read more ...
peter.quinn
The seed for this wonderful third album on ACT from the Vancouver-born vocalist, pianist and songwriter Laila Biali was first sown in 2013 when, in advance of a gig in the Canadian port city of Hamilton, she opened up the floor and asked fans what songs they’d like to hear her sing. Cue a deluge of requests.A trio of these suggestions – beautiful reharmonisations of Coldplay’s “Yellow” and David Bowie’s “Let’s Dance”, plus a ruminative take on Randy Newman’s “I Think It’s Going To Rain Today” – ended up on Biali’s impressive 12-song, self-titled ACT debut released in 2018, for which she Read more ...
Thomas H. Green
My associate for the evening has recently returned from Breaking Convention, a conference on psychedelics, celebrating their renaissance in recent years. He’s been microdosing regularly. Around us the crowd sways, many with eyes closed, bobbing, silhouetted by two screens and a stage backdrop on which a dancing silver-grey blob-humanoid grooves itself to liquid, splatters flowing off it.Equally shadowy onstage, two dark-haired men are clapping. The one on the left is singing too. “Can't say it’s what you bargained for/It’s forever at the push of a button/Up to the edge of the edge of the edge Read more ...