sci-fi
Markie Robson-Scott
Bliss gets off to a powerful start. Stressed-out Greg Wittle (an endearing Owen Wilson) is in his office, trying to do several things at once: draw his dream seaside home in great detail; talk to his daughter; renew his painkiller prescription by entering long lists of numbers in response to maddening robotic prompts, and get himself out the door to see his boss, whose assistant keeps demanding his presence with increasing urgency. Something is slightly off with Greg’s affect. “I have so many thoughts I wish you could see,” he tells his daughter on the phone. “Dad, are you sure you’re OK?” Read more ...
Laura de Lisle
The Doctor (Jodie Whittaker) has a simple routine: she gets up at the same time every day, tramps out for her allotted hour of exercise, and spends the rest of the day staring out of the window, yearning for freedom. Sound familiar? That’s a bit worrying, she’s in prison. Covid doesn’t exist in the Doctor Who universe, going blissfully unmentioned in this festive special allegedly set on 1 January 2021. The 13th Doctor has been banged up for various unclear misdemeanours – maybe pulling off a bob too well? – leaving mates Yaz (Mandip Gill), Ryan (Tosin Cole), and Graham (Bradley Walsh) Read more ...
Demetrios Matheou
The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn incomers to stay the hell away. As science-fiction premises go, it feels rather apt. With Clooney both sides of the camera, the film itself alternates between the Arctic and deep space, human drama and special effects spectacle, a certain novelty but with doses of sci-fi cliché. It’s quietly proficient rather than awe-inspiring, yet Read more ...
Adam Sweeting
Many have struggled to bring a new slant to the horror genre, but writer-director Brandon Cronenberg has managed it with Possessor, his second full-length feature. Being the son of David Cronenberg, a pioneer of so-called “body horror”, obviously didn’t hurt, but Brandon is shaping up as more than just a chip off the parental block.Possessor centres around Tasya Vos (Andrea Riseborough), an agent working for a sophisticated assassination corporation. Guided by her handler Girder (Jennifer Jason Leigh), Tasya hunts her prey by being implanted into the brain of an unsuspecting stooge, which she Read more ...
Adam Sweeting
Famous dystopian novels are reliably popular with TV adapters, so it’s strange that this is the first time Aldous Huxley’s treatise on a society controlled by technology and psychological manipulation has been turned into a TV series. Of course, these days you need a pretty good fictional dystopia to surpass the one already running amok outside your window. Still, this is written and produced by David Wiener, one of the masterminds of Fear the Walking Dead, so you might at least hope for a generous helping of horror and massed blood-letting.But last week’s first episode of Brave New World ( Read more ...
theartsdesk
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchiseEternal Beauty ★★★★ Craig Roberts's fantasy conjurs surreal images and magnetic performancesI'm Thinking of Ending Things ★★★★ Charlie Kaufman's eerie road trip through love and lossLes Misérables ★★★★★ An immersive, morally complex thriller set in the troubled suburbs of present day ParisMax Richter's Sleep ★★★★ Read more ...
Nick Hasted
Beavis and Butthead’s vicious grunge-era gormlessness remains interred, Wayne and Garth (and their stars’ careers) are too superannuated to revive. But here are the slightest of Gen X’s idiot double-acts, back again to save the universe in a time-travelling phone-box.Bill & Ted’s Excellent Adventure (1989) and Bill & Ted’s Bogus Journey (1991) were only ever cult hits, giving no studio impetus for this third film, whose script was being hawked around nine years ago. Keanu Reeves (Ted), Alex Winter (Bill) and original writers Chris Matheson and Ed Solomon instead made it as fans of Read more ...
Adam Sweeting
Could you cope with spending three years away from your family and loved ones while you went on the first crewed mission to Mars? This is the question that underpins Away, Netflix’s new space exploration drama.Certainly it’s a daunting ask, but if you were a career astronaut surely it’s something you’d have faced up to long before, even if it was only at some point during the long and arduous training programme that would precede a mission like this. However, for mission commander Emma Green (Hilary Swank) and her four companions, life on board their ship Atlas is full of awkward surprises, Read more ...
Joseph Walsh
It hasn’t been an easy ride for Josh Boone’s New Mutants. Delayed production, reshoots, the acquisition of 20th Century Fox by Disney, Covid-19, and accusations of whitewashing, have all contributed to it being dubbed a ‘cursed’ film. Now, with little fanfare, this YA horror has finally limped onto cinema screens three years after production wrapped.Updated from the original 1980s setting, the film opens in the mid-90s in the spooky surroundings of Essex House, an asylum for unruly teenage mutants (far removed from the hallowed halls of Xavier's School for Gifted Youngsters). This Read more ...
Joseph Walsh
Go back over Christopher Nolan’s films and count the clocks. He has an obsession that would give a horologist a run for his money. Time is a continual motif of his body of work and it finds its zenith in his latest work Tenet. Beneath the highly polished spy-thriller aesthetic lies a head-spinning, temporally warped plot, laced with concepts and conceits that will delight and baffle in equal measures. At the heart of the story is The Protagonist (John David Washington, pictured below with Robert Pattinson), a highly trained agent who stumbles upon a time-bending technology Read more ...
Nick Hasted
Queen, performances and production design drive this campest, funniest and sexiest of the post-Star Wars space boom. Flash Gordon is a film about a classic American comic-strip hero made by a cynical English director, Mike Hodges, and dreamy Italian producer, Dino De Laurentiis. As this 4K fortieth-anniversary edition makes clear, American leads Sam Jones and Melody Anderson were innocents abroad among arch British character actors and extravagantly erotic Italians, almost as much as their characters Flash and Dale Arden are on Mongo’s moons.The plot is straight from Alex Raymond’s 1934 comic Read more ...
Adam Sweeting
It fell out of the sky in the summer of 1947, and crashed on a ranch near Roswell, New Mexico. UFO-logists and conspiracy fanatics insist it was an alien spacecraft, but the US Air Force says it was a meteorological balloon.For the purposes of this entertaining, if slight, new US drama series (on ITV2), the object was a flying saucer, and unknown to the locals, unearthly survivors from the crash have been living among them ever since. The secrets of the past begin to unravel when Liz Ortecho (Jeanine Mason) returns to this “sleepy cowboy town” and starts re-establishing contact with her old Read more ...