Edinburgh
theartsdesk
Bo Burnham says he doesn’t like the terms musical comic, internet sensation or teenage wonder. Well he’s all three, save the last now, as he turned 20 during this year’s Fringe - and anyway he prefers the term prodigy, he tells us in deadpan tones typical of the deeply ironic, faux offensive manner of his performance style. But sensationally talented he undoubtedly is, and this is an hour so stuffed with gags - verbal, visual and musical - that one almost doesn’t have enough time to savour each one before yet another rolls by.Bo Burnham, Pleasance Dome *****
Burnham began doing musical skits Read more ...
David Nice
Which of the following has the thorniest dissonance: an early 18th-century dance-drama by Rebel, a symphony by Bizet, a concerto by Poulenc or a new work by South African composer Kevin Volans? If you think it's a trick question, you'll guess the right answer: the earliest. And which of the four sounds the least fresh and novel? My own take on that is the most recent. If Volans's Edinburgh International Festival commission had flashed up a few individual ideas, and a little more rehearsal time had been given to the Bizet, this would have been an evening of sheer delight from the SCO and its Read more ...
theartsdesk
With the charm-cum-cheek of a naughty schoolboy, Patrick Monahan is an instantly likeable presence whose latest show, I Walked, I Danced, Iran, is a lop-sided but very funny hour-and-a-bit of observational comedy. Monahan is a veteran of several Fringes and a regular on The Paul O’Grady Show on Channel 4. His physical verve is dampened only slightly by ligament damage, caused by “pratting about” at the previous evening’s show but his pronounced limp doesn’t stop him sliding down the stairs from the balcony to make his arrival, although he does retreat to a stool at several points.Patrick Read more ...
theartsdesk
When Sarah Millican won the If.comedy newcomer award two years ago, it was with one of the most accomplished shows I had ever seen at the Fringe - by newbie or veteran - and now the South Shields stand-up has made critics reach for the superlatives again with another hour of superbly crafted comedy.Sarah Millican, The Stand ***** Entitled Chatterbox (a name she was given at school but a quality that, she slyly tells, she is now making a living from), is on the face of it Millican talking away to the audience about the everyday concerns of her life. But it’s much more than that as makes Read more ...
Veronica Lee
Comic Greg Davies has made us wait for his solo debut - he’s in his early forties, appeared at the Fringe as part of sketch group We Are Klang for a few years and more latterly has been starring in The Inbetweeners on Channel 4 as Mr Gilbert. Before that he was a drama teacher in a secondary school for 13 years. But boy, was it worth the wait.Greg Davies, Pleasance *****Firing Cheeseballs at a Dog is a run-through of his life so far, done as a sort of classroom lecture, complete with blackboard and chalk, and a book with short stories he dips into from time to time, including one about how Read more ...
theartsdesk
Rob Rouse is one of those hugely likeable comedians guaranteed to make you laugh and so it proves with The Great Escape, prompted by his family’s recent move to the Peak District, an expertly crafted autobiographical narrative with lots of fresh observational comedy thrown in for good measure.Rob Rouse, Underbelly ****
Although the Peak District has a slightly lower crime rate than south London, Rouse tells us drily, there’s still plenty going on that would shock their previous neighbours, including dirty dancing by septuagenarians at weddings and a bit of dogging in the local layby. Rouse Read more ...
Veronica Lee
He may call it Titting About, but Kevin Eldon’s show, his first as a solo performer (at the grand age of 49), should be made compulsory viewing for young comics. For this is a man who has learned his craft, the value of good writing, of stage presence, of timing and myriad other things while putting together a lengthy CV that includes Nighty Night, I’m Alan Partridge, Fist of Fun and Brass Eye. If you have seen him in any of those, you will know he's a comedic actor of great range and restraint.Kevin Eldon, The Stand ****
Eldon first comes on in the guise of “most promising poet of 1988” Paul Read more ...
theartsdesk
You may think the very well-presented comic Stuart Goldsmith - clean-shaven and wearing sensible Merrells (“which says I’m not wearing a fleece but I own one”) - is the sort of bloke your mum always hoped you would end up marrying or having as your best friend. His show is titled The Reasonable Man, and Goldsmith is indeed utterly dependable, he tells us, plus he comes from that most nondescript of towns, Leamington Spa. But he would like to break out a bit.Stuart Goldsmith, Pleasance Dome ****
There’s more to Goldsmith, though, than good looks, an extremely likeable manner and a bright Read more ...
theartsdesk
The premise of Jonathan Bate’s one-man play, directed by Tom Cairns, is simple but surprisingly effective: a trawl through the seven ages of Shakespeare, from babe to box, told through a mixture of biographical narrative illuminated by relevant scenes from Will’s work.Shakespeare – The Man From Stratford, Assembly Hall ****The aim is to fathom how a boy from an archetypal English market town became the world’s most celebrated wordsmith. We see how his life and work entwined; how the rhetoric and wordplay he learned in the schoolroom grounded him in the language of power and politics; how the Read more ...
Veronica Lee
Celia Pacquola made her Fringe debut last year after storming various comedy festivals in her native Australia with a show about her boyfriend’s infidelity and, while it was entertaining enough, it lacked a bit of oomph. But her new show packs a real emotional and comedic punch and displays a noticeable development of her writing and performing talents.Celia Pacquola, Gilded Balloon ****
It’s again an autobiographical story and ostensibly Flying Solos is about those moments in life when we have no choice but to go it alone. To illustrate the point, Pacquola describes the task she set herself Read more ...
theartsdesk
Daniel Kitson only occasionally performs at comedy venues at the Fringe these days - perhaps a late-night spot here and there, though not a full set - but it has become almost a tradition that he writes a new piece for the Traverse each year. On the cusp of comedy and theatre is, surely, storytelling and Kitson, winner of the Perrier comedy award 2002, has become a storyteller of excellence.It’s Always Right Now, Until It’s Later, Traverse *****And so it proves again with this enigmatically titled piece about the glory of being alive. He tells the stories of William Rivington and Caroline Read more ...
Veronica Lee
Doc Brown comes on stage in the hip-hop uniform of all-black clothing, lots of bling and black-out shades, and starts rapping “It’s all about me” in suitably bombastic tones. But Brown isn’t all he seems, as the rap peters out, the gear comes off and he is no longer a rapper, but a stand-up making his debut at this year’s Fringe. It's a terrific and captivating opening to an hour that speeds by.Doc Brown, Pleasance Courtyard ****Brown spent 10 years on the hip-hop scene, and this show, Unfamous, charts his journey from young bad-boy rapper to the 31-year-old stand-up comedian he is now. He Read more ...