comedians
Jasper Rees
You wait years for a female comedy duo to take up where French & Saunders left off, then two come along within a calendar year. Which just about counts as at once. Anna & Katy, who recently had a run on Channel 4, rely for most of their wit on a wide range of silly voices. Watson & Oliver, who have returned for a second series, feel like more traditional sketch artists. They observe and they spoof and even hint at pathos.Not that they were entirely welcome last time round. The comment stream for theartsdesk’s review of the first series divided unequally between the appreciative Read more ...
Jasper Rees
The cup of tea is a national institution that brings comfort and good cheer to millions. So is Victoria Wood. Blend them in a pot and you’ve got a pleasing brew called Victoria Wood's Nice Cup of Tea. It might not have been so. When Wood last ventured out into the former Empire it was to visit all the places in the world named after Queen Victoria. The concept felt slightly stewed. Not here.Broken down into two distinct chapters, Victoria Wood's Nice Cup of Tea spent the first hour explaining precisely where the humble cuppa came from. Put very reductively, its precious leaves were originally Read more ...
Veronica Lee
How do we know Jesus Christ was a Jew? He was still living with his mum at 33 and she thought he was God Almighty. Are you offended? I sincerely hope not and profuse apologies if you are, but that was the first religious joke I remember from my Catholic childhood, and which managed to take a swipe at two religions for the price of one.I also remember - and on my occasional forays into church still do - hearing priests crack jokes about God and the Pope from the pulpit. Maybe it's a Catholic thing, because I have never heard a left-footer make the complaint that Ann Widdecombe - former Read more ...
Lisa-Marie Ferla
As the second series of Zooey Deschanel-starring US sitcom New Girl gets underway on E4, it’s an interesting exercise to revisit first impressions. I note that when the pilot originally aired, theartsdesk was not as harsh as I was on a show which, over the course of its first year, quickly became one of my favourites. In her remarkably prescient conclusion, our Veronica Lee suggested that by toning down the central character’s kookiness and the stereotypes the show made of the rest of the characters, New Girl could turn out to be great.The strength of the show is in its ensemble castIn the Read more ...
Jasper Rees
The generation of alternative comedians who emerged around 30 years ago have long since elbowed their predecessors into the long grass and themselves become the establishment. Of no performer can that be said with more certainty than Rowan Atkinson. His rubbery physiognomy is instantly recognisable to billions, which is why he – or rather Mr Bean - was granted pride of place at the Opening Ceremony as guest artist with Sir Simon Rattle and the London Symphony Orchestra.His curriculum vitae barely needs restating. He is the only performer from Not the Nine O’Clock News who still makes a living Read more ...
Lisa-Marie Ferla
Pantomime is one of the great festive traditions and the version of Dick Whittington envisaged by John Bishop in this one-off comedy drama checked off every single one of the clichés. Taking a writer’s credit alongside Jonathan Harvey of Gimme Gimme Gimme fame, the Liverpool comic drew on his experiences on regional stages near the beginning of his showbiz career in pulling together the script.Bishop starred as Lewis Loud, a local radio DJ making his pantomime debut at the Grand Theatre Lancaster as part of a group of characters straight out of central casting. There was soap star Tamsin Read more ...
mark.kidel
Jacques Tati is probably the most famous French comic of all time. Monsieur Hulot is one of those well-loved outsiders, rebels by default rather than vocation and melancholy clowns pitted against the conventions of bourgeois society and the false promises of progress.The latest in the BFI’s very thorough re-releases of Tati’s major works include Mon oncle (1958) (the second Hulot which followed his celebrated holiday adventures), an eccentric's critique of modernist excess, and the earlier Jour de fête (1949), in which he plays François, the bicycle-riding postman, persuaded by his fellow- Read more ...
Kieron Tyler
Being dead – however recently – doesn’t necessarily mean reputations are immune from being rewritten or trampled on. Best Possible Taste was scheduled just before another channel’s documentary on Kenny Everett's fellow TV personality and BBC DJ Jimmy Savile, which raised allegations of his sexual assault of minors. Savile has been dead a year. Everett for seventeen.“We must construct our own universe,” Everett was told by his wife Lee in the latest BBC Four bio-drama based around the private lives (and pain) of Britain’s popular entertainers. Everett was lucky to get this treatment. That Best Read more ...
Veronica Lee
Now here's a thing. Why would you invite one of his generation's most acclaimed classical actors, who is also a huge star of popular culture, to make his debut as a light entertainer in that most clichéd role, a quiz-show host? Well, when that individual is David Tennant, a brilliant Hamlet and a former Doctor Who, you are guaranteed to attract some new viewers and it gives a neat reboot to what is a very tired format: a bunch of comics answering soft questions (in this case about the history of comedy) but in actuality being given a chance to trot out jokes and anecdotes.So is he up to the Read more ...
Karen Krizanovich
There are two kinds of people in this world: those who think The Three Stooges are funny and those who just don’t get it. People in the first category are much better people. In real life, The Three Stooges were three vaudevillians - Moe Howard, Curly Howard, Larry Fine and latterly Shemp Howard, Joe Besser and Curly Joe DeRita - famous for what is now called "extreme slapstick". Their career ran from approximately 1930 to, in various incarnations, the 1970s and their short films have not been off American TV since they first were broadcast in 1958. So, for the generations who grew Read more ...
Jasper Rees
Not everyone likes Lee Evans and his bespoke brand of simian gurning and jerky rubberised motion. But he is very much to the taste of a majority of the comedy-going classes. Few other stand-ups – you can count them on one hand – could spend a season touring the UK’s soulless edge-of-town arenas and not have to worry about performing to empty banks of raised seating. Evans tore into two sets of an hour each last night at Wembley Arena without, apparently, a thought of conserving any energy for the five nights still to come and the long list of bookings beyond. Such is his hypnotic hold that Read more ...
Jasper Rees
Lee Evans (b 1964) has been doing his brand of unruly physical comedy on stage since his teens. In recent years, however, he has laid to rest the perception, held since he won the Perrier at Edinburgh in 1993, that he is an effing and blinding reincarnation of gormless Norman Wisdom. He has played Hamm in Endgame followed by Leo Bloom in The Producers and then one of the two gunmen in Pinter’s The Dumb Waiter. He surprised critics and audiences alike with the depth and subtlety of his acting and the mercurial brilliance of his gift for musical comedy. But his job, he insists, is stand-up, and Read more ...