Brighton
Thomas H. Green
This morning the largest annual, curated multi-arts festival in England launched and announced its programme of events. With Guest Director, British and Ethiopian poet-playwright-broadcaster Lemn Sissay, MBE, at the helm, Brighton Festival 2020 is themed as Imagine Nation and runs May 2-24. For the seventh year running, theartsdesk will be a major media partner, showcasing preview interviews and reviewing the best of the festival.No longer restricted solely to the city of Brighton & Hove itself, the Festival now takes place across the region with over 120 events, including 17 premieres, Read more ...
Thomas H. Green
18 years ago, Electric Soft Parade, centred around brothers Alex and Thomas White, were the latest hyped hope of indie kids and NME-type media. However, their might-have-been moment imploded when they moved too fast for their fans, rocketing off in wildly creative flourishes rather than sticking to a predictable formula. They – and associated break-away bands – have since produced a fascinating array of musical activity, often boasting an inventive yet old-fashioned feel for orchestration.Their latest album, their fifth, is a change of direction. Written and sung by Alex, recorded and Read more ...
Katie Colombus
Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason for the switch.After ChifChaff, her Edinburgh show last year, and a string of shows involving ballet, hula hooping and ice skating, the comic found herself in bed, paralysed from the waist down. What came next was corrective spinal surgery, adoption of two guinea pigs, a bout of depression, a break up, and a return to the stage.Her personal Read more ...
Thomas H. Green
The Ol’ Black Eyes is Back Tour celebrates Alice Cooper’s 50 years using his stage name. He’d been around under other names before 1969 but Alice Cooper – originally the title of the band rather than the man – achieved success as the Seventies began by combining trash-glam drag with stompin’ riffy music. He’s famed for his theatrical shows but needed to be on especially fine form tonight to match support acts who are both riveting.First on are MC50, a supergroup iteration of Sixties Detroit countercultural rockers MC5, consisting of original MC5 guitar warrior Wayne Kramer, Soundgarden Read more ...
Nick Hasted
Kano’s lyrics often sound like a wake, mixing mournfulness and anger as they raise a toast to fallen friends on abandoned estates, casualties of crushing pressures alien to the authorities who pronounce on them in the tabloids and parliament. Hoodies All Summer is the sixth of his increasingly ambitious albums mixing snapshots and panoramas of East London life, making notebook observations and cogent protest calls, during a fifteen-year career which has earned Kano his crown as a grime king. His musical sophistication, both slick and urgent, is a far cry from early hip-hop and grime gigs Read more ...
Thomas H. Green
One question springs immediately to mind on hearing that Romesh Ranganathan’s new stand-up show, The Cynic’s Mixtape, is touring: how does he find the time? Ranganathan has overtaken Jack Whitehall as Britain’s most media ubiquitous comic, with a deluge of TV shows and appearances, a column in the Guardian newspaper and even a recent autobiography. However, his TV CV is hit’n’miss, which leads to a second question: can he still cut it in the live arena?In short, yes, he can. With able support from Jake Lambert - who is heckled by that rarest of creatures, a Brighton Brexiteer – Ranganathan is Read more ...
Guy Oddy
It’s been a couple of years since Peter Perrett, the former frontman and creative force behind the much loved but commercially under-performing Only Ones decided that he’d had enough of being a mere legend and got back into the musical ring. He had made a brief reappearance in the mid-1990s under the guise of The One, but that was all very fleeting, and Perrett’s infamous bad habits soon reasserted themselves until a short Only Ones’ reformation tour 10 years ago. Again, that was followed by a period of silence. Now, however, Perrett has put together Humanworld, a second solo album in as many Read more ...
Thomas H. Green
This brilliantly conceived and executed show is about provenance in art. It’s also about our perceptions of the truth. However, it’s a show where it would be churlish to reveal too much of what goes on. This is, of course, perverse since some will be reading to find out exactly that, but the brain-frazzling thrill of True Copy, alongside the story it tells engagingly and with humour, is delivered by the stunning twists and turns it throws in, which would be ruined if even hinted at.Berlin are the most perversely named, unGoogleable company. They’re from Belgium and major in multimedia pieces Read more ...
Katie Colombus
Maya Angelou’s iconic poem Still I Rise is a good starting point for many things in life. But it’s a particularly good beginning for a piece of contemporary dance choreography, and Victoria Fox has done a great job of bringing the poet’s words to life.It’s a rigidly structured one hour work – definite sections of movement working to a contained pace and spacing, split up by sections of music ranging from intense strings and solo opera voice to upbeat club music.An all female cast dance in formation, side by side, performing detailed intricate, intimate gestures – moving from the softer, Read more ...
Thomas H. Green
Tonight comes with a caveat, delivered before proceedings begin by the one-woman show’s writer and performer Nicôle Lecky, who’s sitting in a chair centre-stage. She damaged her foot during Sunday’s matinee at the Brighton Festival, dancing about, and has since had to do the whole thing seated. She assures us it was this type of read-through-style show that made the Royal Court Theatre originally commission the production in the first place. She hopes it will, therefore, not disappoint. It does not.Lecky plays Sasha, a 24-year-old mixed-race woman who starts Superhoe living at home with her Read more ...
Thomas H. Green
Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is tonight. When frontman Bobby Gillespie leads the group on and asks the crowd to join in with their 1991 classic “Movin’ On Up”, they respond as if going into the encore, a mass roared chorus. The evening seems to peak at its start but then maintains that level of excitement throughout.This a warm-up for forthcoming gigs and festival appearances to Read more ...
Nick Hasted
Much of Rokia Traoré’s set on Saturday night comprised folk songs about Mali’s warrior kings, connecting with her country’s fabulously wealthy, proudly powerful past. They suit this diplomat’s daughter’s regal stature, which she has put at the service of a nation still enviably rich in musical resources, but battered by civil war, poverty and terrorist attack.Traoré has also helped give this year’s Brighton Festival an Afrocentric perspective, ignoring the comfortingly familiar in favour of often black British or African artists. Her commitment as Guest Director extends to three headline gigs Read more ...