Brighton
Veronica Lee
“A real live audience,” said Arthur Smith delightedly as he kicked off the Brighton Fringe with Syd, his touching and funny tribute to his late father, “an ordinary man who lived in extraordinary times” – his life included a stint in Dad's Army (the Home Guard) and as a prisoner of war in Colditz Castle, and for decades he was a bobby on the beat in south London.Smith was glad to be in The Warren, as were the audience, in a pop-up space that he described as “a yellow metal Globe”, made from brightly painted shipping containers and metal railings, with the occasional, fitting, accompaniment of Read more ...
Thomas H. Green
The idea live music is back is worth shouting about. Indeed, the BBC News has been doing just that about this gig. In reality, though, while it’s a joy to be out (this is my first major venue concert for a year-and-a-half), Live is Alive is a stepping stone towards a ‘proper’ gig, rather than the real deal. The Brighton Dome is less than half full, the moshpit set with cabaret-style tables, everyone socially distanced. As the event’s MC, local radio presenter Melita Dennett, explains at the start, we are to stay seated, no dancing – “you can wiggle your bums!” - while drinks can be obtained Read more ...
Thomas H. Green
They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by conical horns that emanate a gentle angelic howling or lower end drone-hums. Eyes closed – and being music-geeky about it – this carefully calibrated tonal concerto assails the ears somewhere between US mystic Laraaji’s processed gong experiments and the final ethereal works of Spacemen 3.But this is about the experience. Artist Ray Lee Read more ...
Nick Hasted
Rory Graham was always stoically familiar with life’s knocks. With a stage-name inspired by Galton and Simpson’s fatalistic family tragicomedy Steptoe and Son, and an underground hip-hop career hinterland in Sussex and London, this big 30-something man with a big voice and vintage soul sound was already richly experienced when his breakthrough anthem, “Human”, confessed he was only that.His debut album Human reinforced the message that a lifetime left plenty of room for mistakes, and moving past them. On a record comfortable with religious language as well as gospel sounds, key track “Grace” Read more ...
Thomas H. Green
Indie rock has taken a commercial back seat, even if the music press still hasn’t quite caught up. Sure, there have been hit-makers, and bands that sell out stadiums, but overall, indie’s tide is very slowly retreating. Like any genre, it will always be about, like westerns in Hollywood, a classic formula, but the take-up of technologies far beyond the electric guitar renders it a retro curio. Like metal, it offers invigorating rejigs, rendered fresh by each new generation revelling in the classic singer/guitar/bass/drums chemistry. Black Honey from Brighton are just such a case, Read more ...
Adam Sweeting
We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off entirely. This new two-hour detective drama, adapted from Peter James’s novel Dead Simple, starred Simm as Detective Superintendent Roy Grace. No doubt the hope is that Grace will blossom into a hardy perennial destined eventually for permanent rotation alongside Poirot, Morse, Foyle and the rest of ITV3’s roster of indestructible ‘tecs.It's by no Read more ...
Charlie Stone
William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and film-makers, drawn from real life or entirely fictional, are regular patrons of his stories. Boyd’s latest novel, Trio, is no different. Taking place on a film set in Brighton during the summer of 1968, Trio follows the lives of its three protagonists as they encounter the usual – and unusual – challenges of life in showbusiness. Artistic creation is the watchword both for the setting and its inhabitants. Talbot, the film’s producer, Anny, its star, and Elfrida, a struggling Read more ...
Veronica Lee
It’s fitting that there’s another run of Dave Simpson’s terrific play about Brighton’s favourite son, Max Miller (aka The Cheeky Chappie), at this delightful pop-up on the seafront he knew and loved so well.Jamie Kenna, who has been playing the role on and off for several years, makes his portrayal so much more than an impersonation – as fine as that is – as his characterisation has great subtlety, not something that could be said of the comic himself when he was on stage.Kenna’s delivery is pure Miller – a nasal, slightly whining gorblimey – but it’s not just the vocal cadences he has Read more ...
Veronica Lee
The Warren is normally to be found in Brighton city centre, where it stages shows during the Brighton Fringe. But there's nothing normal about 2020, so its organisers are now producing The Warren Outdoor Season at a pop-up space on Brighton beach, in sight of the Pier and the Brighton Zip, and it's reassuringly Covid-secure.There's an obvious attention to detail: the well-spaced bench tables seat up to six and each has its own speaker, there's table service from the bar, plenty of loos and hand sanitisers, with a strictly (but politely) enforced one-way system in operation. And the Read more ...
Sarah Collins
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer, an intelligent and creative 18-year-old who had once harboured journalistic ambitions, that his pitch to develop a project about identity in his hometown had been successful. The Heritage Lottery fund had decided to award him £50,000.The news of his success came too late. On route to another life as a jihadi fighting for Jabhat al-Nusra, an Al Qaeda affiliated rebel group in Syria, Amer Deghayes had Read more ...
aleks.sierz
Armchair theatre-lovers rejoice. During the lockdown, the National Theatre is streaming a selection of its past hits for free for one week at a time. These shows, originally filmed as part of the flagship’s NT Live project (which broadcast beautifully produced recordings of shows to local cinemas nationwide and abroad), are now available on its YouTube channel. The first is Richard Bean’s gloriously silly farce, One Man, Two Guvnors, starring the irrepressible and Tony-award winning James Corden.Based on Carlo Goldoni’s 1746 Commedia dell’Arte classic, The Servant of Two Masters, Bean’s Read more ...
Nick Hasted
St. Patrick’s Day, and socialising itself, has been all but cancelled. But turn the rickety door-handle of a bohemian pub near Brighton station, and a poignant scene is unfolding. The Irish poet Brendan Cleary’s reading has been officially called off, and the boozy crowd whose raucousness he would have had to ride has evaporated. Instead, he continues unpaid for a scattered few. The sight of these last drinkers fondly listening under candlelight will warm me in the months to come. It’s not quite Weimar, because no human monster is approaching to destroy us. But the lights are going out.Cleary Read more ...