The BBC Scottish Symphony Orchestra’s Prom was a sombre contribution to an otherwise upbeat season. The mood was reflective – looking back on lockdown. The concert was given at City Halls, Glasgow, where the privations of social distancing were also more keenly felt than in the Albert Hall. Where London orchestras are able to spread out into the choir stalls, the BBCSSO had to severely restrict their numbers, even with the stage expanded significantly into the stalls. The result was a chamber orchestra programme, dominated by string elegies.Thomas Dausgaard had been due to conduct, but the Read more ...

So the bubble of reactionary brouhaha over the Last Night of the Proms quickly burst: there can be no argument about singing “Land of Hope and Glory” or “Rule, Britannia!” when they’re to be presented in their original Proms forms (Elgar’s Pomp and Circumstance March No. 1, where the tune preceded the words the composer so disliked, and Henry Wood’s 1905 Fantasia on British Sea Songs, all orchestral – only later did Malcolm Sargent rearrange the closing anthem to go with a solo voice). Apart from the death threats to conductor Dalia Stasevska and her family, what’s most lamentable is that Read more ...

 Beethoven: Symphonies 1-9 Pittsburgh Symphony Orchestra/William Steinberg (DG)Cologne-born Hans Wilhem Steinberg was a youthful Music Director of the Frankfurt Opera in the early 1930s. He was relieved of his role, mid-rehearsal, in 1933, owing to his Jewish background. After a spell with the Palestine Symphony Orchestra he arrived in New York, initially as Toscanini’s assistant at NBC. A naturalised US citizen from 1944, he anglicised his name to William and secured the directorship of the Pittsburgh Symphony Orchestra in 1952, remaining there until 1976. A few of Steinberg’s Read more ...

The Fidelio Orchestra Café is where you go for electric-shock and deep immersion therapy from the greatest of musicians. It happened last week with Steven Isserlis in Bach, and last night Alina Ibragimova sent high voltage shooting through the body with the very first gesture of Janáček’s Violin Sonata, joined in supernatural high wire acts by Samson Tsoy on the Bechstein now filling more than the space occupied last week only by the cellist. The two advertised sonatas are febrile masterpieces, but we hadn’t bargained for the deep-meditation extras by Arvo Pärt and Olivier Messiaen, the Read more ...

 Coriún Aharonián: Una carta Ensemble Aventure, SWF-Sinfonieorchester Baden-Baden/Zoltán Peskó (Wergo)Uruguayan composer Coriún Aharonián (1940-2017) was born in Montevideo to Armenian parents. His output is described here as “a complex melange of influences” – namely European modernism and indigenous music. Aharonián himself talked about mastering “the models created in the centres of cultural power… without losing connection to one’s own community” as the route to creating a distinct, independent style. Though stylistically very different, the pieces on this disc occasionally suggest Read more ...

Documentaries like this one make me sentimental for a time, until about 25 years ago, when classical music was a more or less weekly presence on terrestrial TV. Now fast disappearing from view altogether, on mainstream media and in school curriculums, the genre faced the most uncertain of futures even before COVID-19 wiped it off the face of public life, for those of us still accustomed to darkening the doors of churches, concert halls and opera houses. We should, the argument might run, be grateful for whatever crumbs are thrown our way, even more delighted by any attempt to enlarge our Read more ...

Last Tuesday’s offering from the Wigmore Hall’s series of live broadcasts was a fiery recital from Russian violinist Alina Ibragimova partnered by pianist Kristian Bezuidenhout. Beginning with Schubert’s Violin Sonata "Sonatina" in A minor, Bezuidenhout’s opening bars had a restrained urgency, giving just a hint at the passionate flourish Ibragimova was to provide as she entered. Dialogue between violinist and pianist was intense, as they moved very much as one unit through the movement towards a rounded end.The second, Andante movement opened with a serene poise with some Read more ...

In an atmosphere of uncertainty created by a government desperate to boost the economy despite the COVID-19 infection rate not reducing significantly, some UK venues and organisations are moving responsibly towards some kind of new normality. The Wigmore Hall has lunchtime concerts every weekday from 1 June, broadcast on BBC Radio 3 and livestreamed on the hall's website. The BBC Proms has announced live concerts for the last two weeks of "the biggest music festival in the world", with plenty online before that. Meanwhile, it's time to focus again on some great instrumentalists.Igor Levit in Read more ...

At last, it seems, one venerable British institution will be emulating what Scandinavian and Czech set-ups have been managing over the past month: live performances from an audience-less venue, though in sound only. In quickly reorganised scheduling along with BBC Radio 3, the Wigmore Hall features a host of its top regular artists in June lunchtime concerts.We’ll be announcing those nearer the time, and reviewing more than a few In the meantime, you can get the vision as well in films from the Wigmore’s splendid archive, with an incredible wealth of material available on its YouTube channel Read more ...

Time to face the elephant in the room. Five of the six set-ups listed below are free to access; one is not. While big organisations like the Met – despite not paying its artists or staff since lockdown – and the London Symphony Orchestra can use their generous archive releases to plead for funds, the fact remains that classical musicians are penniless right now, and find themselves staring at blank calendars which will in some cases extend way into 2021. Diminishing pleasures in from-home films don’t pay; middle-range groups and institutions already face at the very least a much-reduced 2021- Read more ...

 Beethoven Symphonies 1-3 – arrangements by Ries & Ebers Compagnia di Punto (Deutsche Harmonia Mundi)Just Beethoven’s first three symphonies in this two-disc set, so you wonder whether he’d still be described as a genius had he stopped after the Eroica? Of course; Symphony No. 1’s well-behaved façade conceals a wealth of radical detail, but the leap from there to No. 3 is enormous. Do we really need more Beethoven symphony recordings? Yes, if they’re like these, the eleven-piece Compagnia di Punto (named after a celebrated horn player) performing them in chamber arrangements by Read more ...

 Beethoven: Complete Piano Sonatas Fazil Say (Warner Classics)“This is a 605 minute piece containing 32 sonatas.” There's some bewildering verbiage from pianist Fazil Say near the back of Warners’ booklet, Say describing the creation of his ‘Fazil Say Beethoven Orchestra“, and practicing the piano sonatas in front of an ‘imaginary Beethoven’, “brimming with boundless energy and musical spirit.” It's easier to understand the relief felt by Say when 11 months of recording sessions came to an end in May 2019: “…a strange weight lifted from me. I felt like I was in a huge void.” Predictably Read more ...