Beatles
Russ Coffey
Normally we introduce these interviews with a few biographical details about the subject. With Yoko Ono, however, there hardly seems any point: she’s as much a part of late 20th-century history as an musician. But if the whole world knows who she is, her work is a different matter. John Lennon memorably described her as “the world's most famous unknown artist”. And despite recent critical success and an album out this week (Take Me to the Land of Hell), her reputation is still for being obscurely arty. Memorably, The Simpsons once affectionately sent her up as a woman who goes into Mo’s Read more ...
Kieron Tyler
What if John Lennon had left The Beatles in 1962? What if they had continued without him? And what if he had still become the acid-tongued, ready-with-a-quip character the real world became familiar with? Snodgrass took those what-ifs and ran with them to depict a parallel world that was less the “hilarious comedy drama” trailed by Sky and more a gloomy, slightly creepy oddity made even more so by Ian Hart’s deft, second-nature portrayal of a Lennon floundering on life’s scrapheap.Hart has played Lennon twice before and this third outing took him into an imaginary scenario originally created Read more ...
Adam Sweeting
The BBC has suddenly noticed that there used to be these really brilliant things called "albums", and now they're going out of style and out of date. Hence they're holding an Albums Season in all media (Danny Baker's Great Album Showdown, Steve Wright's Album Factoids, Johnny Walker's Long Players and many, many more). The rest of the planet has been living with the digital revolution in music for years, or even decades, so this late, lumbering response feels rather quaint. It's as if the Death of the Album can only occur when the Corporation says so, rather like pop music didn't Read more ...
Glyn Môn Hughes
Those of us growing up in the heady days of 1960s Liverpool knew that four local lads were taking the world by storm. Some really grown-up people might even have been to The Cavern and seen the phenomenon in their early days. And yet there was always an enigma in the background: the figure who made it happen but about whom we knew almost nothing.Brian Epstein – pronounced Epsteen – seemed to have it all: wealth, good looks, ability, contacts. He was the gifted businessman who launched several epic popular music careers, not to mention a major music business in Liverpool which continued well Read more ...
Kieron Tyler
Being told that Magical Mystery Tour was a home movie is bit tiring. Self-evidently, The Beatles’ filmic response to the psychedelic experience was not that. They tried, and failed, to hire Shepperton Studios. Known artists like Ivor Cutler and The Bonzo Dog Doo-Dah Band were brought on board. Gavrik Losey, then hot from being an assistant director on Modesty Blaise, worked on it. Masses of extras were employed. Although a self-originated vanity project, none of this points to it being a home movie. The negative reception received at the time seems to have skewed the collective consensus. Read more ...
joe.muggs
A confession: though very fond of the Beatles, I'd never seen their self-directed Magical Mystery Tour before this DVD release. Not that I have anything against psychedelic follies, but I felt like I'd had my fill of this sort of thing a long time ago and had never bothered seeking it out. Consider me chastened; it's a joyous film – yes, it's the result of a bunch of rich young men fooling about with drugs and looks like it, but there's so much warmth, so much colour, so much affection for the textures and quirks of a lost Britain shot through it that it's hard not to love.Two things make it Read more ...
Kieron Tyler
In Beatles’ lore, the Prince of Wales Theatre is totemic. Here, on 4 November 1963, the cheeky quartet played the Royal Command Performance before the Queen Mother and Princess Margaret. John Lennon quipped, “Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewellery”. Now, 50 years on from the release of their first single, a tribute of sorts is taking place on the same stage with the arrival of Let It Be in the West End.Let It Be tries to hide what it is – at the end of the show, the cast members are introduced for the first time as “on Read more ...
Kieron Tyler
“Bruce Lacey has had this unbelievable career,” says the Turner prizewinning artist Jeremy Deller. “His is an alternative version of British art history - people didn't seem to know that Bruce has intersected with British history. I felt he deserves to be looked at again." Deller has put his energies into a documentary, exhibition and film season, all celebrating this influential, but largely unsung and unique British artist.In the new documentary The Bruce Lacey Experience, Lacey himself says, “I’m a satirist or, to put it a crude way, a piss-taker. If I see something, I like to take the Read more ...
Peter Culshaw
With Euro 2012 about to end and the Olympics looming, we'll be hearing an awful lot of national anthems over the next couple of months. Don't we all agree that the majority of them are inadequate - often being turgid tunes with no reference to the culture of the countries involved? Isn't it about time we had some alternatives? Here are a few suggestions.United KingdomAnthem: God Save the QueenThe obvious alternative for Team GB would be "Jerusalem". Athletes could also sing along to the stirring strains of "Anarchy in the UK" by the Sex Pistols. Another possibility was suggested by Read more ...
theartsdesk
Paul and Linda McCartney: Ram (Deluxe Edition)Jasper ReesThe project to reissue the big moments in Paul McCartney’s solo career continues. McCartney and Band on the Run have already had the deluxe treatment. Now it’s the turn of 1971's Ram, the one and only time the uxorious former Beatle gave the lovely Linda equal billing. She takes a co-writing credit on half a dozen songs, supplies backing vocals and, most of all, sleeve shots of her hubby wrangling livestock and jamming. Ram is more notable for other things. Having played all the instruments on his first solo effort, it found McCartney Read more ...
graeme.thomson
My, what strange and wondrous treasures await the record producer given exclusive access to the private vaults of a Beatle. He will, for instance, find entire radio programmes preserved on multi-track tape, and recordings of F1 cars roaring past at some unspecified race track. He will stumble upon a humbled Fab being given his very first sitar lesson by Ravi Shankar, and be privy to a brief musical moment beamed in across the decades from a room at the Jaipur Palace Hotel. There will be a few decent songs, too.One day every last 1/4 inch of this eccentric audio trove may well be exposed to Read more ...
Jasper Rees
One day soon Beatles scholars and Professors of Fabology will emerge from their caverns and their ashrams to inform us that it was 50 years ago today. On 5 October 1962 “Love Me Do” was released and, to recycle a phrase often appended to lesser earthquakes, the world would never be the same again. There will be celebrations, doubtless, across the universe. Tribute bands will perform bootleg gigs in the likes of, probably, Indonesia and the Baltic, all booted and suited and moptopped up and harmonising like the Everlys etc etc. American Fab Fourists will, in the slightly imperialistic way that Read more ...