1960s
Kieron Tyler
Spooky Tooth: The Island Years (An Anthology) 1967–1974After Spooky Tooth called it a day in 1974, various long-time members struck out in directions as unpredictable as their former band’s identity was hard to get a handle on. Drummer Mike Kellie joined the Lou Reed-influenced, punk-era band The Only Ones. Their main songwriter, co-vocalist and keyboard player Gary Wright scored a massive US hit in early 1976 with the fantastically atmospheric proto-yacht rock single “Dream Weaver”. Guitarist Mick Jones formed the immediately successful (in America) formulaic rock band Foreigner. Read more ...
Barney Harsent
This latest Friday night vehicle for archive footage and pop performances was the tour bus, as BBC4 invited us to hop into the back of the van for a quick spin through the "golden age" of touring rock bands (which the producers clearly felt ended with the Eighties).The designated driver was high priest of prog pomposity Rick Wakeman – but long gone are the flowing locks and gowns that were once his trademark, replaced by a look that falls somewhere between youngish Bill Maynard and overstuffed straw pillow. Given the subject matter – the often harsh reality of life for a touring band – this Read more ...
Kieron Tyler
The pupils at a girl’s school are afflicted by fainting. It’s spreading. A teacher is affected too. The epidemic began after Lydia and Abbie's friendship has irrevocably ended. Lydia became the first to faint. The school’s headmistress, Miss Alvaro, is determined to ignore what’s going on and ascribe it to baseless hysteria. The stern teacher Miss Mantel is equally unyielding. When medical examinations are finally undertaken, no causes are determined. Lydia is isolated and then expelled as a Typhoid Mary figure.The Falling is, after Edge, director Carol Morley’s second fiction feature. She is Read more ...
Kieron Tyler
The Falling, released in cinemas this week, charts the events surrounding an epidemic of fainting among pupils of a girls' school in the late 1960s. The trigger appears to be the end of the friendship between the intense Lydia and the outgoing Abbie. Much in the dream-like film is unexplained. Abbie’s difficult home life is perhaps a contributing factor, as may be the institution’s disconnection from the liberal world evolving beyond the school’s gates.The first major fiction film by director Carol Morley – best known for her affecting, evocative documentary Dreams of a Life – features Read more ...
Kieron Tyler
Bert Jansch: Bert JanschNorth Villas is a short street parallel to Camden Road, the main artery linking Camden Town to Holloway in north London. It’s off Camden Square, where Amy Winehouse lived and died. In August 1964, Bill Leader began recording what would become Bert Jansch’s debut album in his home at 5 North Villas. The first-floor flat had two living rooms, a bathroom and a kitchen. Leader would set up his tape recorder in the same room as who he was recording and monitor what was being caught on tape through headphones.At the same time as Leader was using his home as a recording Read more ...
Graham Fuller
Julie Christie ushered in the swinging sixties as Liz, the girl whom Billy (Tom Courtenay) loves but isn’t man enough to accompany to London in Billy Liar (1963); director John Schlesinger introduced her swinging her bag as she bounces along a Bradford street. Christie does exactly the same in London when Schlesinger introduces her as the grown-up Diana Scott in Darling (1965), now restored and re-released on DVD and Blu-ray for its 50th anniversary. (The original trailer is the disc’s sole extra.)Schlesinger, screenwriter Frederic Raphael and producer Joseph Janni must have asked, “What Read more ...
Hanna Weibye
After the second piece of last night's triple bill, Hofesh Shechter's Untouchable in its world premiere, my friend asked me why it had been put on the programme with the first piece, George Balanchines 1946 Four Temperaments. He wondered if there was some structural or thematic connection that he had missed between the two wildly different pieces. The Balanchine speaks obviously to the bill's last item, Kenneth MacMillan's 1966 Song of the Earth; both pair a cool neoclassical choreographic idiom with deeply felt but vaguely expressed melancholy. But the best I reason I can imagine for the new Read more ...
Heather Neill
Mustapha Matura's 1974 play is a celebration of liberation, both social and political, and a sly warning about the possible pitfalls of sudden freedom. Mas (or Masquerade) is the Trinidadian version of Carnival, an exotic mixture of Christian and African tradition played out just before Lent. It provides an opportunity to adopt a different persona, to drink to excess and to behave in ways unacceptable at any other time. But Matura's play is set on either side of colonial Trinidad's liberation from Britain in 1962; the acting out of roles and dressing up as policemen and generals takes on a Read more ...
Kieron Tyler
“A frivolous piece of hysteria. I liked it in a confused sort of way but when it was all over I must confess I couldn’t really see the point.” So ran the Daily Express review of The Manchurian Candidate on 5 November 1962. Other fascinating newspaper appraisals quoted in the booklet of this new Blu-ray/DVD edition of John Frankenheimer’s Cold War-era drama detect the shadow of Hitchcock looming over the film. Despite also mentioning Hitchcock, the Evening Standard’s Alexander Walker was less equivocal, saying it was “a fiendishly clever spy thriller that might have been devised specifically Read more ...
Kieron Tyler
Bridget St. John: Dandelion Albums & BBC CollectionPigeonholing Bridget St. John is gratifyingly difficult. Although generally categorised as folk, her early albums actually posited her as a singer-songwriter following her own path. Like her similarly restrained contemporary Nick Drake, she did not have a background in folk clubs. And also like him, her voice was huskily intimate. Her intonation was very English, yet there was a hint of Nico’s Teutonic drama.There was no traditional material in St. John’s repertoire, but she did cover Donovan. Buddy Holly too. She also interpreted Read more ...
Mick Houghton
Sandy Denny was well known within the folk world by 1968 (writes Kieron Tyler). Although the recordings were as-yet unreleased, in July 1967 she had recorded with The Strawbs. She featured on two albums which were in the shops in August 1967: Alex Campbell and His Friends, and Sandy and Johnny, made with Johnny Silvo. Early the next year, she was contemplating her next move.The story is picked up in Mick Houghton’s I’ve Always Kept A Unicorn: The Biography of Sandy Denny as Fairport Convention audition for a new singer in the wake of Judy Dyble being asked to leave the band. The group already Read more ...
Kieron Tyler
The Zakary Thaks: It’s the End – The Definitive CollectionGalloping with the urgency of a sweat-flecked horse running a steeplechase, the choppy guitar riff takes early Kinks raunch and filters it through a testosterone-driven sensibility that won’t let up. The drums are unremitting. Then, a solo guitar peels off a berserk fistful of notes which Dave Davies would have been proud of. A key change raises the intensity level even higher. And then, at just over two minutes, the relentless performance grinds to a halt. Sixties garage rock at its finest, “Bad Girl” is 126 seconds of Read more ...