CDs/DVDs
graham.rickson
Released in 1962, František Vláčil’s The Devil’s Trap (Ďáblova past) is the first in a loose trilogy of historical epics, the second instalment of which (Marketa Lazarová) is often cited as among the greatest of all Czech films.Shorter and sparer than its successor, The Devil’s Trap is no less enthralling, Vláčil’s visual style and unusual use of sound fully evident. Based on a novel by Alfréd Technik and set in rural Bohemia during the 17th century, the film follows Probus the priest (Miroslav Machácek, pictured below), charged by Cestmír Randa’s Regent with investigating Spálený ( Read more ...
Guy Oddy
“Maybe it’s just me, but I think you need some weed” chants B-Real on “Come with Me”, just one of the hymns to getting high on Cypress Hill’s tenth studio album of tales about gang-banging and smoking industrial volumes of cannabis. However, while their tunes used to very funny and even inspired, as they forced you to get up on your feet and shake a leg, Back to Black sees the formula start to get a little thin.Things start well with “Takeover”: a statement of intent with a dirty, stoned groove. “Open Ya Mind” is a call for a consistent implementation of weed legalisation across the United Read more ...
Nick Hasted
Britpop-era favourites have been critically buried for the most part, unwelcome reminders, much like a hangover, of a wild party now seen as a regrettable generational aberration. The Boo Radleys were outsiders even at the time, Wirral experimental pop classicists not far off thirty when 1995’s “Wake Up Boo!”, a deliberate hit as atypical as REM’s “Shiny Happy People”, hit the Top 10 and introduced Chris Evans’ hedonistic Radio 1 Breakfast Show. They were gawky, shoegaze-y relics of the old Creation Records now Oasis were its cocky figureheads and, behind the single’s euphoric rush, Read more ...
Kieron Tyler
After a count in, the first lines of album opener "Commune" are “I’ve been away now far too long, lost and alone with no commune.” Fair enough. For the Sake of Bethel Woods is Midlake’s first album since 2013’s Antiphon.The second track is “Bethel Woods”. Eric Pulido sings “I could get rid of it all for the sake of the Bethel Woods, to a time and place where peacefulness was stood.” Upstate New York’s Bethel Woods was the site of 1969’s Woodstock Festival. Midlake’s flute/keyboard player Jesse Chandler grew up in Bethel. The album’s sleeve image draws from a fleeting shot of his now-passed Read more ...
Thomas H. Green
Seems odd now, but there was a time when many Brits found country music laughable. It was a common thing. For instance, when Keith Richards embraced country, Jagger initially thought it a joke. By the time I was coming up in the Eighties, post-punk still a long shadow, my peers and I mostly felt the same; country was corny schmaltz dominated by middle-aged rhinestone blandness. I soon realised the error of my ways, but The Shires’ fifth album reminds me that, back then, we did also have a point.On their debut, The Shires sang, “We can build our own Nashville underneath these grey skies.” The Read more ...
Katie Colombus
Norwegian artist Jenny Hval is a novelist as well as a singer-songwriter, and her new album certainly has a literary approach to music making.Classic Objects is made of up little stories set to music - standalone units of narrative outside of the usual verse and chorus structure. They’re not quite the made-up fables of folk but not quite a straight up representation of reality either, meandering between real life observation and constructed philosophical sketches.The title track, “Year of Love” introduces a theme which flows through the album – the analysis of a musician during a time when Read more ...
Graham Fuller
“Don’t judge a book by its cover,” the John Ford scholar Tag Gallagher quietly observes in the penetrating – and deeply moving – video essay he contributes to Masters of Cinema’s Blu-ray disc of Ford’s 1953 masterpiece The Sun Shines Bright. It’s good advice. There’s plenty in the movie for cancel culture advocates to sink their teeth into – should they be so blinkered. Gallagher asserts here, as he did in his book on Ford, that the film might well have been titled Intolerance, such is its condemnation of bigotry.The Sun Shines Bright, which Ford claimed in 1968 was his favourite of his films Read more ...
Guy Oddy
Dead Awake may be the first album by London-based trio Black Doldrums, but it is one with very deep roots that grow from dark psychedelia, early Goth sounds and those ever-reliable touchstones, Suicide and the Velvet Underground. In short, it harks back to a time before the Acid House revolution, when all the cool kids dressed in black and were rarely to be seen shaking a leg on the dancefloor.Opening tune “Sad Paradise” explicitly sounds like an outtake from Darklands-era Jesus and Mary Chain, with fuzzy guitars and mumbled vocals drenched in reverb riding on the back of a driving drumbeat. Read more ...
Barney Harsent
Seven and a half years ago, Loop frontman Robert Hampson retired the band's back catalogue in front of a live audience. “You won’t hear these old songs again,” he told the audience at Islington’s Garage.As shocks go, it might not have been up there with Bowie handing Ziggy Startdust – and most of his unsuspecting band – their P45s live on stage, but it was still a searing statement of intent. It signalled Loop as a continuing concern, but one determined not to trade on past glories.With Sonancy, Hampson has made good on his promise. While some might hear the muscular riffing and relentless, Read more ...
Thomas H. Green
Demonstrating how much the world really can change in a very short time when things spin out of control, Swedish power-metal five-piece Sabaton’s album now seems especially tasteless. It’s also a scalpel-sharp example of how important context is to creative acts. The band have made a career of absurdly OTT story-telling songs of real world battles and those who fought them. They’re Amon Amarth for military history geeks. But when military history is actually happening in Europe in all its bloody grotesquery, The War to End All Wars doesn’t seem so appetizing.When they planned and played this Read more ...
Tim Cumming
I tried, I really did. Took a shot at my best, and fell short, Yup, I couldn’t get beyond the opening chapters of Dolly Parton’s first novel, written with that veteran of popular page-turnin’, James Patterson. The best bit for me was on the first page, and it was pure Dolly, but in 22 little words, not 80,000. “Is it easy? No it ain’t. Can I fix it? No I cain’t. But I sure ain’t gonna take it lying down.”That, more or less, is the country zen koan that encapsulates the adventures of the young heroine singer, Ms AnnieLee Keyes, budding on the precipice of stardom and catastrophe that is the Read more ...
joe.muggs
Eamon Ivri, from Cork on the Irish south coast, is a polymath. He’s a poet (his nom de techno is taken from minimalist poet Aram Saroyan), a fascinating political thinker, and a searing online satirist of cultural mores (or “shitposter” as the vernacular has it). He is also one of the most exciting electronic music talents in the world right now. His first two solo albums, Gore-Tex In The Club, Balenciaga Amongst The Shrubs and Holy Light, and his recent Entropy in collaboration with Claire Guerin, are flat-out masterpieces, blurring the Read more ...