CDs/DVDs
Barney Harsent
Now, I don’t know about you, but if someone holding some tiny cymbals invited me into a room on the promise of hearing some devotional chanting to an oud-led raga accompanied by tablas, I’d probably also expect to find shaved heads, free dahl, and an awful lot of orange.In fact, far from the world of the Hare Krishna percussive parade, Trappist Afterland hail from Melbourne and tread the same musical topography as The Incredible String Band, Sandy Bull and, more recently, Six Organs of Admittance. On this, their latest album, they have found a home on small independent Sunstone, whose output Read more ...
Guy Oddy
When Lemmy famously declared himself unimpressed with the “live fast, die young” philosophy, preferring to “live fast, keep going”, he was clearly talking as much about his music as anything else, because 22 albums into a 40-year career, Bad Magic suggests that Motörhead will not be turning into purveyors of soft, tasteful rock any time soon.Opening track, “Victory Or Die” sets out Motörhead’s stall with a hefty dose of punk-flavoured biker rock. Mikkey Dee’s pounding drums and Phil Campbell’s gnarly, rock’n’roll guitar riffs back Lemmy’s rumbling bass and gruff vocals and there really is no Read more ...
Kieron Tyler
A now-canonical film like Eyes Without a Face has the potential to become over familiar. What was once shocking could now seem quotidian. Freshness is a quality which can be blunted. Yet seeing Georges Franju’s 1960 film anew reveals it as still heady, and still unlike any other film.Eyes Without a Face (Les yeux sans visage) may have given cinema one of its most enduring images with Edith Scob’s mask and lent its title to the Billy Idol song, but it remains potent. The story of Dr Génessier (Pierre Brasseur) seeking to give his disfigured daughter Christiane (Scob) a new face with the help Read more ...
David Nice
A heartbreaking, inexorable tragedy served by one stupendous visual composition after another, Abderrahmane Sissako’s Timbuktu is a masterpiece. The Mauritanian locations are a plausible stand-in for Malian Timbuktu and the desert around it – yes, I went there before it became a no-go zone - with luminous cinematography by Sofian El Fani, but the human interest is never secondary.Sissako gets magnetic performances from the actors playing the beautiful Bedouin family at the heart of the film (pictured below), but he also manages to make the men of Ansar Dine, the jihadist extremist Read more ...
peter.quinn
Playing that exudes a real joie de vivre, compositions that unfailingly get the synapses firing, fearless soloing, and a textural density and rhythmic punch that deliver a powerful emotional jolt. It's rare to hear music-making of this calibre, which is why this final piece of the magisterial Loose Tubes triptych – following Dancing on Frith Street (2010) and Säd Afrika (2012) from the same valedictory residency at Ronnie Scott's in September 1990 – is to be given the warmest of welcomes.The skip-proof collection opens with the circling riffs of “Armchair March”, one of four tunes penned Read more ...
mark.kidel
Queen and Country is a sequel to John Boorman’s Second World War autobiographical Hope and Glory and takes up the story of his alter ego Billy Rowan as he is packed off to National Service at the time of the Korean War.The enemy here are not so much the Communists but the hidebound hierarchy of the regular army, as the conscripts find ways of "skyving’" and undermining their tight-arsed superiors.David Thewlis shines as the shell-shocked sergeant-majorBoorman is a fine craftsman but his films have been uneven. While Hope and Glory evoked the chaos of suburban London during the Blitz with a Read more ...
Russ Coffey
Is it really 18 years since Natalie Imbruglia had her mega-hit “Torn”? Since then her musical career has been pretty low-key. This week, however, she returns with Male, an album of covers all originally sung by men. More significant, though, is that, as a playlist they wouldn’t sound out of place in a hipster coffee shop. So, is the former soap star reaching out for a bit of musical street-cred? Or is pulling off convincing versions of tracks by Death Cab for Cutie and Daft Punk just a little too ambitious?For the most part, it would seem so. As perky and likeable as her voice may be it’ Read more ...
Kieron Tyler
Various Artists: Ian Levine’s Stax Soul SensationsTaking 41 years to follow up a successful compilation is perhaps not sound in commercial terms. No matter. Ian Levine’s Stax Soul Sensations is not about marketability, but instead about celebrating the music heard. This new collection of tracks drawn from the Memphis operation and its related imprints comes not-so-hot on the heels of 1974’s Solid Soul Sensations, another Levine-compiled set, which was dedicated to the associated Scepter and Wand labels.Beyond his fascination with Doctor Who, Levine has dedicated his life to soul music. Read more ...
caspar.gomez
One of the anomalies of the early 1980s synth-pop boom was how few bands there actually were. Most scenes that blow up have the main faces and a plethora of lesser acts with lesser hits. There were a few one-hit wonders and vanguard acts – Landscape, John Foxx, Yello etc. – but not really very many. The bottom line was the Human League, Gary Numan, OMD, Soft Cell and Depeche Mode. There was only one band who ran alongside that electro-gold quintet, mustering low-level hits and even three that crept into the outer reaches of the Top 10: Blancmange.Somehow the duo of Neil Arthur and Stephen Read more ...
Barney Harsent
Billed as the hardest hitting Public Enemy album for years, Man Plans God Laughs has a lot to live up to; as far as sonic sledghammers go PE have more than their fair share. However, with lone Bomb Squad member Gary G-Wiz at the controls and the current socio-political climate in America built on the twin foundations of despair and anger, the stage is well-set for Chuck D to lay down the law at his direct, sloganeering best.“No Sympathy from the Devil” sees him dive right in, and just as well – the album clocks in at less than half an hour long so there’s no time to waste. Occasionally, Read more ...
Tom Birchenough
For sheer, visceral performances we’ll be lucky if we get anything as strong this year as the central roles from Jack Reynor and Toni Collette in Gerald Barrett’s Glassland. Their mother-son relationship has such an almost unbearable intimacy to it that comparisons to the last chapter of the Terence Davies Trilogy aren’t out of order.In Davies’s film the son was confronting the impending death of his mother, and here Reynor (very different from the confidence of his What Richard Did character) as the long-suffering John is all too aware that’s what faces his mum Jean unless she can battle her Read more ...
Guy Oddy
Bands who successfully emulate their heroes on their debut album, as The Strypes did with Snapshot, their 2013 homage to sharp-edged garage blues, sometimes find themselves wondering where to go next when the dust of critical and popular acclaim settles. Instead of the well-worn path of a timid, evolutionary change to their sound, the Strypes have decided to shake things up considerably by throwing something from all their favourite bands into Little Victories. Unfortunately this has led to the creation of an album that is unfocused at best and derivative at worst. It also suggests that the Read more ...