New music
Tim Cumming
South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for kora player Ballake Sissoko and cellist Vincent Segal at the Roundhouse in January, he received a lengthy ovation for his 30 minute set, having demonstrated an uncanny ability to play the audience as dexterously as he plays his cello.A few months later, he appeared with the Manchester Collective at the Southbank Centre, performing some of the pieces that make up his debut album on Warner Classics, Where is Home, alongside works by Stravinsky, Vivaldi and Read more ...
joe.muggs
Beth Orton has never rushed her music. Her first four albums came one every three years, then since 2002 it’s averaged at a five year gap each time. So it’s no wonder also that there can be stylistic schisms from one to the next.In contrast to its rootsy, bluesy predecessors, her last record, 2016’s Kidsticks, was a clattery, electronic affair co-produced with Andrew Hung of synth noisemongers Fuck Buttons while living in LA. It felt like she was experimenting her way into a new sound that could evolve into a whole new phase of creativity.But, it turned out, the hyperactive energy of that Read more ...
Barney Harsent
The word “immersive” has, of late, been hijacked. Now used with conspicuous abandon by everyone from estate agents offering piss-poor 3-D renderings of bang average houses to fancy-dress film screenings, its true meaning has been immolated to the gods of mediocre marketing.Step forward Engineers multi-instrumentalist Mark Peters, whose new solo album, Red Sunset Dreams, does much to rebalance the scales and restore order for those who like their dives deep and their sound surround. The follow-up to 2018’s critically lauded Innerland, this new collection is a largely instrumental and wide Read more ...
Kathryn Reilly
Utterly, utterly gleeful. This 22-track double album oozes exuberance, joy and hope despite being yet another made-in-lockdown production. Its pace and positivity leaves you slightly bewildered, thinking “what, another great pop tune, how does he do it?” And once you find a favourite (the bontempi-powered madness of “Curiosity”, sweet and sentimental “Flamingo”, the multi-voice celebration of “Kinetic Connection”, the throwaway jubilation of “Here Comes the Weekend” perhaps), there’s another following straight behind (string-rich “Quarter to Eight” with it’s reference to Roddy Frame Read more ...
Kieron Tyler
In summer 2001, The Best of Roxy Music reached number 12 on the album charts. The 18-track compilation tied-in with the band’s reunion tour, which kicked off that June. Original band members Bryan Ferry, Andy MacKay, Phil Manzanera and Paul Thompson came together for the dates. They’d last played live in May 1983, after which they split.The Best of Roxy Music was CD-only and now reappears as a double album to coincide with the band’s 50th-anniversary shows, presently on-going in the US. The UK dates begin in October. Between the 2001 shows and what’s in this year’s diary, there were tours in Read more ...
joe.muggs
This album – and its already multi-100 million stream single “Pink Venom” – starts off with a twang of Korean traditional instruments, a background chant of “blaaaackpink”, a monumentally crunching hip hop beat and – OH DEAR GOD ARE THEY DOING A JAMAICAN ACCENT? Well yes, Korean pop gigastar Jennie of Blackpink does indeed start their second album with a patois-inflected “kick in the door, waving the Coco”. Amazingly that’s not even the weirdest thing about the opening either. That line is an interpolation of a classic Notorious B.I.G. intro: “kick in the door, waving the four-four”, but Read more ...
Barney Harsent
“I can still taste you and I hate it/That wasn’t a choice in the mind of a child and you knew it/You took the first slice of me and you ate it raw/Ripped at it with your teeth and your lips like a cannibal/You fucking animal.” The opening lines of “Cannibal” the first track on Self-Titled, the solo debut from Marcus Mumford – are the first indication this might not be the album you’ve been expecting. Even if you’re already aware of the childhood abuse the singer suffered, and which inspired this collection songs, prior knowledge does little to prepare you for the visceral punch those Read more ...
Kieron Tyler
Marina Allen’s singing voice fluctuates between the conversational and the flutingly melodic. In one song, she can be asking “Why do I sing my song for you” in a no-nonsense Randy Newman manner and then shift into a series of spiralling, ascending arpeggios. Centrifics, her second album, is about contrasts.While the LA-based Allen is most probably aware of Judee Sill and Laura Nyro, there’s a jazziness (especially on “New Song Rising” and “Foul Weather Jacket Drawing's" vocal vamping) and a fondness for songs with multiple counter melodies which places her as more than a Seventies-influenced Read more ...
Guy Oddy
If anyone was going to produce a raucous musical response to Vladimir Putin’s invasion of Ukraine, it was always likely to be Gogol Bordello. After all, the band has both Ukrainian and Russian members (among other nationalities), they have a tendency to champion the underdog and aren’t timid about flagging up injustice.New album, Solidaritine is indeed Eugene Hutz and his gang’s take on the things that are presently taking place in Eastern Europe. However, while it’s clear where Gogol Bordello’s sympathies lie, they don’t resort to sloganeering or explicitly calling out the Butcher of Moscow Read more ...
Nick Hasted
Suede were both prototypes and outliers of the Britpop pack, and their 2010 reunion managed a rare, creatively substantial second act; given their resurrection after guitarist Bernard Butler’s fractious 1994 exit, this may even be the band’s epic, open-ended Act 3.Where their first three reunion albums restored Suede’s sense of conceptual art, Autofiction brings back the pop, the glamour and fizz of their early singles and feverish gigs. Rather than rehash that past, it looks to post-punk for its attitude and sound, imagining a Suede born into the hard monochrome of 1979, not the hedonism and Read more ...
Kieron Tyler
“We played the Rolling Stones concert at Long Beach Arena. The Stones came on, and it was the first time that any band had ever done better than us. I was very angry about that.” Randy Holden was The Sons of Adam’s guitarist. He was pretty certain of his own band’s impact in November 1964.The quote comes from the booklet accompanying Saturday’s Sons: The Complete Recordings 1964-1966, a definitive, long-overdue collection of his band’s work. The Sons Of Adam issued just three relatively obscure singles over 1965 to 1966 but their reputation was certified when “Feathered Fish,” the Read more ...
mark.kidel
The Star Feminine Band are from Benin, all of them under 18, the youngest only 12. They hail from a village in the north of their small country tucked between Togo and Nigeria. Their pop-inflected mix of high life, Congolese rhumba and other trans-African styles is as ebullient as it comes, and probably very infectious on the dance floor.Their second album features once again guitars, electronic keyboards and percussion. It’s mostly up-tempo, and as with so much African music, as well as in the musics of the African diaspora, the fun of the dance is inseparable from messages about how to live Read more ...