Film
Nick Hasted
Amsterdam is a multi-faceted anti-fascist shaggy dog story, like Jules et Jim scripted by an off-form Thomas Pynchon. Though it falters in many major ways, David O. Russell’s not especially funny, tense or well-acted spiritual sequel to American Hustle is carried by an enviable cast and benign, off-kilter charm.It's 1933, and Bert (Christian Bale) is a Catholic-Jewish doctor with a glass eye helping fellow traumatised Great War veterans in New York. His veteran best friend, lawyer Harold (John David Washington), asks him to autopsy their beloved commanding officer, whose daughter (Taylor Read more ...
Saskia Baron
Nitram is an object lesson in how to make a responsible film about a mass shooting, right down to not using the fame-seeking perpetrator’s real name as the title but the mocking ananym given to him by bullies at school.Scriptwriter Shaun Grant has drawn on accounts of the 1996 gun rampage at the heritage site Port Arthur in Tasmania. The 19th century convict colony became infamous as the scene of the worst massacre in modern Australia's history, leaving 35 people dead and another 23 injured. We don’t see the killings – there is no vicarious, visceral horror on screen. Instead Read more ...
Saskia Baron
What is it with pushy Finnish mums and their acrobatic teenage daughters? Just weeks after the release of the Gothic fantasy Hatching, which focused on a gymnast having a Cronenbergian breakdown under pressure from her influencer mother, comes Girl Picture. This time the camera is on an ice-skating prodigy torn between pleasing her mother or revelling in her new romance with the coolest lesbian in school. Best friends Ronkko (Eleonoora Kauhanen) and Mimmi (Aamu Milonoff) work in a juice bar in a mall. Over the course of three Fridays, the girls swap notes on their sex lives and Read more ...
Markie Robson-Scott
Mrs Harris Goes to Paris, based on Paul Gallico’s 1958 novel, is preposterous. But it’s as pretty as a pink cloud. The director, Anthony Fabian, knows that in these grim times, escapism is good box office.But still, would it hurt to get some things right? Why have a British charlady in 1957 saying, “You go, girl”? Never mind. It’s a mix of Mary Poppins and Emily in Paris (one of its stars, Lucas Bravo, plays a bespectacled, quasi-intellectual accountant here). You almost expect Dick Van Dyke to appear, bicycling through the smog. It’s sanitised and sweet, an Instagram dream, without a Read more ...
Sarah Kent
Remote is Mika Rottenberg’s first feature film. The New York-based artist was commissioned by Artangel, an organisation renowned for its promotion of interesting projects. Support also comes from art institutions across the world – Beijing, Denmark, Korea, Louisiana, Montreal and Stockholm. And to cap it all, the film is being premiered at Tate Modern during the week of Frieze, London’s major international art fair.With this level of global support, expectations are bound to be high – which makes it all the more shocking that Remote is irredeemably silly. Conceived during lockdown with writer Read more ...
Graham Fuller
Andrew Dominik’s Blonde is an atrocity – a ghoulish biopic of Marilyn Monroe that luxuriates in her maltreatment and misery, culminating in protracted images of the star’s lonely death from barbiturate pills distractedly swallowed like candies and washed down with Scotch in her Los Angeles bungalow.Ana de Armas’s expressions too often make Monroe a rabbit in the headlights, but that’s writer-director Dominik's fault. Whether the movie’s Monroe is on or off camera, De Armas speaks with that breathy undulating voice of incredulity Monroe impersonators use, but her real voice was softer and more Read more ...
Nick Hasted
Twenty-four hours in the life of a Korean woman, Sangok (Lee Hyeyoung), are caught in scenes which feel like real time in Hong Sangsoo’s latest. Moments and personal connections fall in and out of focus, the film seems sober then drunk. Hong learned from old masters such as Robert Bresson, and there is a similar spiritual focus to objectively small, ineffable moments in his 26th film of a prize-winning career.Sangok is a former film actress who has returned from the US to Seoul to stay with her sister Jeongok (Cho Yunhee, pictured below right with Lee). Though secretly carrying a heavy Read more ...
graham.rickson
Károly Makk’s Love (Szerelem) is full of silences and absences, this 1971 film’s premise as simple as its title is banal.The post-war setting is hinted at without ever becoming explicit, a device also used by Czech director Zbyněk Brynych’s in his WW2 thriller The Fifth Horseman is Fear, making the parallels between the past and the present sharper. Though the narrative, based on two short stories by Hungarian novelist and poet Tibor Déry, centres on a political prisoner awaiting release, we don’t meet him until Love’s final act, Makk initially choosing to focus on the lives of those he’s Read more ...
Sebastian Scotney
Juniper provides, above all, an absolutely unforgettable role for Charlotte Rampling. New Zealander Matthew J Saville, who devised the script and directed the film, based her character, Ruth, on his own feisty and well-travelled grandmother, who had led a full life, and then returned home – where she drank substantial quantities of gin every day.The other main character, her troubled grandson Sam (excellent newcomer George Ferrier), is also based on real life. In Saville’s own late teenage years, his time at a boarding school in Hamilton was beset by the experience of his contemporaries Read more ...
Demetrios Matheou
Olivia Wilde’s follow-up to her exceptional directorial debut Booksmart has been highly anticipated and, of late, accompanied by a torrent of behind-the-scenes bad press and viral virulence. It would be nice to report that the thriller itself transcends all the noise; but, despite yet another exceptional performance by Florence Pugh, it’s a misfiring, undernourished, disappointing affair.Pugh is Alice Chambers, who with husband Jack (Harry Styles) appears to be living the Fifties dream in Victory, an experimental town in the desert presided over by the guru-like Frank (Chris Pine) and his Read more ...
Saskia Baron
When Sidney Poitier died in January at the age of 94, the obituaries were warm and respectful to the pioneering black movie star. Now comes Oprah Winfrey’s nearly two-hour tribute, complete with famous interviewees, some great movie clips, and intriguing archival material. It’s a little on the adoring side (producer Winfrey cries on camera), but director Reginald Hudlin does an excellent job at covering the ups and occasional downs of Poitier’s long and fascinating career. His parents were poor farmers in the Bahamas. Poitier recounts how he was born two months prematurely and not Read more ...
Graham Fuller
How people dance always gives them away. Alone on the floor of a Sardinian coastal nitespot in Silent Land, the bourgeois Polish couple Adam (Dobromir Dymecki) and Anna (Agnieska Żulewska) fling themselves around as dementedly as if red ants are swarming on their bodies.Their manic grins are unnatural. When Anna is dragged into the locals’ folk dance in the town square, the unease that grips the pair in the film’s second half emerges on her face.Tall and Nordic-looking, projecting superiority and self-entitlement, Adam and Anna had earlier been questioned about the accidental Read more ...