Film
Jasper Rees
It’s an accepted flouting of reality that in films “based on a true story”, the first betrayal of the truth is in the casting. The reveal over the closing credits of The Fighter tells you just how well its two main characters have done out of Hollywood. For the preceding two hours these rough-edged veterans of the boxing ring have morphed into Mark Wahlberg and Christian Bale. Whatever else is a riff on reality in this thrilling addition to the canon of fight movies is mostly a matter for the extras. But to recreate the bruising lives of a struggling boxer and his smack-addicted half- Read more ...
Matt Wolf
Foodies will have a good laugh at Love's Kitchen, the British rom-com that casts Simon Callow as a bibulous restaurant critic and Gordon Ramsay as, well, himself. But cineastes are likely to chuckle, as well, at the filmmaking-by-numbers predictability of it all. Small wonder the movie makes a big deal over the trifle served up by Dougray Scott, playing a chef who gets a fresh start in both the kitchen and the bedroom. On the pudding front, it takes one to know one.That this is so trifling a film comes as a genuine shame, at least for those of us who salivate at the idea of venison fillet Read more ...
Jasper Rees
The adult craving for education isn't a well that film-makers visit often. Educating Rita gave Willy Russell his finest cinematic hour. Say what you like about Kate Winslet’s concentration camp guard in The Reader, but such was her love of a good book at least she learned to read. The First Grader, set in the dusty Kenyan outback, revisits the subject, but there all similarities stop. It tells the true story of a one-time freedom fighter who in 2003 arrived at his local school demanding to take up the government’s offer of free primary education. Unlike most new students, Kimani N'gan'ga Read more ...
Veronica Lee
It doesn’t augur well when the first comment you hear as the credits roll is, “Well, it wasn’t as bad as I was expecting.” That’s really not a great place to begin a review either, but let’s anyway. Or rather with a fnar, fnar moment - did nobody point out the other meaning of "beaver" to the film's makers?The story - for what it is - is about a depressed toy-company executive, Walter Black (Mel Gibson), whose wife, Meredith (Jodie Foster, who also directs), kicks him out because she can no longer cope with his long-standing self-obsessed depressive state, which no amount of medication or Read more ...
graham.rickson
The first part of Patrick Keiller’s trilogy, an attempt to address the "problem of London", begins just before the 1992 re-election of John Major. It’s a pseudo documentary ostensibly narrated by an acquaintance of one Robinson, a part-time art lecturer at the University of Barking. Nearly 20 years on, not much has changed – we’re in a place of bombings and bomb threats, with chaotic, privatised public transport. It’s a once civil society stretched to breaking point.
Paul Scofield’s arch commentary is so mellifluous that you’re willing to believe everything he says. Is there really a tunnel Read more ...
Matt Wolf
As if the education profession wasn't beleaguered enough at present in America, along comes Bad Teacher, the Cameron Diaz vehicle dedicated to the proposition that the only sector of society more deserving of contempt than students is filmgoers. Here's a movie that asks you to believe that the scarily thin Diaz can gorge out on junk food and retain her figure, that a teacher would steal from her student's parents (during Christmas dinner, no less), and that "dry fuck the fuck out of me" is the new "you had me at 'hello'". Not quite.It's been so long since Diaz has made a decent film - The Box Read more ...