Film
Adam Sweeting
So far Jon Hamm has had trouble finding himself movie roles which fit him quite as impeccably as Mad Men’s Don Draper – though he could do worse than throw his hat in the ring for James Bond – but his role here as an American diplomat in Beirut plays obligingly to his strengths. A tale of twisted loyalties and spookish double-dealing, it’s directed by Brad Anderson from a 25-year-old script by Tony Gilroy (a veteran of the Bourne franchise and writer/director of Michael Clayton), and gives Hamm room to probe the porous boundaries of love, loss, loyalty and betrayal.The story begins in 1972, Read more ...
graham.rickson
Jean Cocteau’s La Belle et la bête had been planned as a slice of wartime escapism, a distraction from the privations of war. The film was also a chance for Cocteau to give his male lead Jean Marais a less overtly sexy role than his fans were used to, though there’s still a lot of smouldering going on, some of it literal. Many would argue that this is the greatest cinematic fairytale, and it looks stunning in this high definition restoration (its first appearance in HD in the UK). Everything works here; Cocteau’s unfussy, poetic screenplay brilliantly served by Christian Bérard’s designs and Read more ...
mark.kidel
So much of Japan can be lost in translation, and yet the West is fascinated by a culture that articulates the possibilities of belief and being in such a different mode than our own. Paul Schrader’s now classic 1985 film on the writer and actor Yukio Mishima explores this universe through the lens of a remarkable life – a man who was as much drawn to the philosophies of Nietzsche and D’Annunzio as he was to the art, literature and customs of traditional Japan.The film has a character all of its own, and features stunningly reconstructed extracts from some of Mishima ‘s key novels to Read more ...
Tom Birchenough
Men in a wilderness, uneasy interaction with the locals, a horse… German director Valeska Grisebach’s third feature Western certainly does not lack the staples of genre that her title suggests. But there’s a vulnerable heart to this tale of cross-cultural bonding, with accompanying ruminations about changing human landscapes and fate, that moves it far beyond the expected.We first meet her protagonists, a group of German construction workers, at their dour backwater home base as they’re preparing for the next job, and sense something of the group’s dynamics. But the assignment ahead isn’t at Read more ...
Owen Richards
Childhood is an inimitable experience – the laws of the world are less certain, imagination and reality meld together, and no event feels fixed. A Sicilian Ghost Story recreates this sensation in the context of real world trauma, producing a unique and sometimes unsettling cinematic experience.Luna (Julia Jedlikowska, pictured below) is a rather typical 12-year-old girl: precocious, imaginative, and very much infatuated with her classmate Giuseppe. Although they don’t have the same interests, they share something deeper, a comfort and belonging in each other’s company. On the walk home Read more ...
David Benedict
What’s that? Joan Crawford had no sense of humour? Well, take a look at It's A Great Feeling. It’s a pretty bizarre (and pretty bad) 1949 musical with Jack Carson and Dennis Morgan playing themselves running round the Warner Brothers lot attempting to make a picture. For reasons too daft to explain, they want to turn waitress Judy Adams (Doris Day) into their leading lady and all three wind up at a swanky gown shop. Doris disappears to try on a red gingham number, when who should pop up in a fur stole knitting what looks suspiciously like a baby bootee? Real-life Joan.Appalled by Read more ...
Nick Hasted
Religion’s desire to fulfil humanity too often denies it instead. The cruelty of inflexible faith which breaks fallible adherents on its iron rules is at the core of this family drama, written and directed by former Jehovah’s Witness Daniel Kokotajlo. At times it seems a fictionalised, fly on the wall documentary on a secretive sect. More often, it’s a meditation on its female protagonists, observing their struggle in the flytrap of an unusual community.Alex Whitling (Molly Wright) has turned 18 when we meet her, an occasion marked not by wild partying, but her legal confirmation that she Read more ...
graham.rickson
That this Peter Rabbit took more money in the UK than Disney's sublime Coco is a tad depressing. I know I’m no longer a member of the film’s target demographic, but I can imagine many under-tens being underwhelmed by Will Gluck’s family comedy. We live in a golden age of children’s cinema, the recent Paddington sequel showing that it’s possible to update canonical source material with wit and affection.Tonally, Peter Rabbit is a mess, an unsavoury stew of mean-spirited slapstick held together with the flimsiest of plots. And maybe I’m being over sensitive, but aren’t many of the gags Read more ...
David Nice
The meanderings and bickerings of an extraordinary mother and daughter as they roam or lounge around a semi-derelict house and overgrown garden on Long Island have become a cult since the 1975 release of Albert and David Maysles' documentary Grey Gardens. "The Big" - as singing "mother darling" calls herself here - and "Little" Edie Bouvier Beales have been much impersonated, not least by drag artists (Jinxx Monsoon on the ever-amazing RuPaul's Drag Race won the film legions of new gay fans). Is there more to tell about what already seemed a little bit too much of a good thing?Absolutely. Read more ...
Adam Sweeting
This is the second Mission: Impossible movie written and directed by Christopher McQuarrie, the first time any director has been called back for an encore on the series. He did a smart job on 2015’s Rogue Nation, but this time he has pulled out every stop to deliver an escalating frenzy of action sequences that frequently leave you wondering how the hell they did that.The 56-year-old Tom Cruise continues to defy time and gravity. There's a batteringly physical rooftop chase in London where Cruise's Ethan Hunt has to make his way from the top of St Paul’s cathedral to the pinnacle of the tower Read more ...
Matt Wolf
Mamma Mia! has a habit of bursting upon us at crucially restorative moments. The Broadway production opened just after 9/11 and provided necessary balm to a city in shock. Now comes the celluloid prequel of sorts and, lo and behold, what could have been merely a crassly commercial exercise has exactly the right innocence and heart to act as a giddy summer corrective to our coarsened times. One doesn't want to overstate the case for material that ain't deep, but all involved deserve credit for sustaining a buoyancy right through to the genuinely touching finish. And for adding Cher to this Read more ...
Owen Richards
When director Jenny Lu graduated from university, the promise of a big city career quickly turned into a series of rejections. Around this time, a close friend of hers committed suicide by jumping off a bridge – unbeknownst to their circle of friends, this girl was working in the sex industry. Lu has mined these real-world experiences to craft an unflinching but deeply touching film.Taiwanese graduate Tina (Teresa Daley, pictured above right) is our gateway into this world. With post-university funds running low, and a boyfriend recently made redundant, her job hunt eventually leads her to a Read more ...