Birmingham Royal Ballet, 2011-12 Season | reviews, news & interviews
Birmingham Royal Ballet, 2011-12 Season
Birmingham Royal Ballet, 2011-12 Season
Family-favourite storyballets dominate the Midlands company's repertoire
Thursday, 24 March 2011
Ashton's The Two Pigeons: Nao Sakuma and Robert Parker© Bill Cooper/BRB
Family-favourite storyballets dominate Birmingham Royal Ballet's 2011-12 season, as the company looks forward to a stringent year. Beauty and Beast, Hobson's Choice and Far From the Madding Crowd, three of director David Bintley's full-lengthers, and the iconic Peter Wright Nutcracker for Christmas aim to be money-spinners for three mixed programmes, culminating in a Bintley creation next summer on an athletic theme to chime with the 2012 Olympics.
Family-favourite storyballets dominate Birmingham Royal Ballet's 2011-12 season, as the company looks forward to a stringent year. Beauty and Beast, Hobson's Choice and Far From the Madding Crowd, three of director David Bintley's full-lengthers, and the iconic Peter Wright Nutcracker for Christmas aim to be money-spinners for three mixed programmes, culminating in a Bintley creation next summer on an athletic theme to chime with the 2012 Olympics.
Explore topics
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Dance
The Winter's Tale, Royal Ballet review - what a story, and what a way to tell it!
A compelling case for ROH's ballet-friendly rebrand
All You Need Is Death review - a future folk horror classic
Irish folkies seek a cursed ancient song in Paul Duane's impressive fiction debut
MacMillan Celebrated, Royal Ballet review - out of mothballs, three vintage works to marvel at
Less-known pieces spanning the career of a great choreographer underline his greatness
Carmen, English National Ballet review - lots of energy, even violence, but nothing new to say
Johan Inger's take on Carmen tries but fails to make a point about male violence
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else
THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional
Swan Lake, Royal Ballet review - grand, eloquent, superb
Liam Scarlett's fine refashioning returns for a third season, and looks better than ever
First Person: Ten Years On - Flamenco guitarist Paco Peña pays tribute to his friend, the late, great Paco de Lucía
On the 10th anniversary of his death, memories of the prodigious musician who broadened the reach of flamenco into jazz and beyond
Dance for Ukraine Gala, London Palladium review - a second rich helping of international dancers
Ivan Putrov's latest gala was a satisfying mix of stars and young hopefuls
Nelken: A Piece by Pina Bausch, Sadler's Wells review - welcome return for an indelible classic
A new generation of gifted performers for us to get to know
Dark With Excessive Bright, Royal Ballet review - a close encounter with dancers stripped bare
The Royal's Festival of New Choreography launches with an unforgettable walk in the dark
La Strada, Sadler's Wells review - a long and bumpy road
Even the exceptional talents of Alina Cojocaru can't save dance adaptation of Fellini film
First Person: pioneering juggler Sean Gandini reflects on how the spirit of Pina Bausch has infiltrated his work
As Tanztheater Wuppertal Pina Bausch's 'Nelken' comes to Sadler’s Wells, a tribute from across the art forms
Add comment