Classical music
David Nice
Did anyone find the aged-rocker thrash of Mark Anthony Turnage's new work at the Proms, Hammered Out - a bit of a disappointment to Edward Seckerson - oddly familiar? This brilliant YouTube remix will tell you why. And for all the orchestral flash, which struck me too as a bit vieux jeu, give me the dazzling Beyoncé Knowles and her sensational dance routine in that video over the Turnage piece any day.
Jasper Rees
No woman has ever achieved a higher profile on the French horn than Sarah Willis. Why? It's not as if she is a renowned soloist. But she is the first and only woman to join the brass section of the world's most celebrated and widely followed orchestra. It will be no surprise if this Saturday the BBC cameras as usual pick her out from row upon row of Teutonic males in the second of the Berlin Philharmonic’s two Prom 2010 appearances. But in addition to her Berliner duties, this year Willis has stepped out from under the orchestra’s giant shadow for the first time.She has recorded a CD of Read more ...
igor.toronyilalic
Yet again I leave a Herbert Blomstedt concert with a sense of wonderment and bemusement. Wonderment at the extraordinary music-making that this man is capable of. Bemusement as to why he is not better known, his talents not more widely recognised, his services not more often called upon in this, his 83rd year. Last night's masterful Prom saw him leading the youngsters of the Gustav Mahler Jugendorchester first into the heavens of Hindemith's Mathis der Maler Symphony and then into the fiery wastes of hell in Bruckner's terrifying Ninth. Sure, if I passed the tall, mousey, seraphically Read more ...
stephen.walsh
The Presteigne Festival, which has just ended after a packed long weekend of events of various shapes and sizes, is a music fest with a profile very much its own. Presteigne is one of those enchanting pocket county towns that proliferate along the Welsh borders (Monmouth, Montgomery and Denbigh are others): towns whose municipal status seems to belong in some child’s picture book, and is in fact a thing of the distant past.Even Presteigne’s county – Radnorshire – is no more, long since swallowed up by the huge, Celtic-sounding, but geographically meaningless Powys, then regurgitated as one of Read more ...
alexandra.coghlan
Australia has many fine exports – wine, women, gap year anecdotes – but increasingly it is her orchestras that are setting the standard. With a magnificent Proms performance from the Australian Youth Orchestra still fresh in the ears (as well as a significantly reinvigorated Sydney Symphony courtesy of Ashkenazy), last night it was the turn of the smaller and still-deadlier Australian Chamber Orchestra to fly the national flag, in what may well prove to be the finest concert of the summer.Peteris Vasks is hardly the name on everyone’s lips, but the music of this contemporary Latvian composer Read more ...
igor.toronyilalic
Short of rolling around the podium like a delirious pig in a mudbath, Sir John Eliot Gardiner couldn't have hidden his enjoyment of the warm, plush sounds and well-upholstered vibrato of this wonderfully old-fashioned orchestra, the Czech Philharmonic, less well at last night's Prom. As he embarked on one of the broadest, most unashamedly Romantic openings to Dvořák's Eighth Symphony I have ever heard, I wondered what the hell his years of all-out warfare on modern performance techniques had been about. Was Sir John doing a Kim Philby? Was the period movement's greatest propagandist Read more ...
igor.toronyilalic
A great deal of scepticism greeted the release of a new Beethoven symphony cycle from Osmo Vänskä and the Minnesota Orchestra in the mid-2000s. Would this lot really be able say anything that hadn't already been said by the hundred or so other cycles? Could anyone really find anything very new or fresh to say about these warhorses? The answer then was yes. And the answer last night in their Prom's performance of Beethoven's Ninth was also a resounding yes. Hardly surprising if you'd heard Vänskä's Bruckner the night before or his Sibelius cycle earlier this year. In Vänskä-land even stale Read more ...
ash.smyth
Since winning the Symphony Orchestra of Sri Lanka Concerto Competition at the tender (and record-setting) age of 16, Tanya Ekanayaka has become one of Sri Lanka’s pre-eminent concert pianists. Last month she was the first from her country ever to appear in the long-running Pianists of the World series at St Martin-in-the-Fields, with a programme featuring Bach, Beethoven, Ravel and her own improvised composition, Adahas: of Wings of Roots.A Fellow of Trinity College London and Licentiate of both the Guildhall School of Music and Drama and the Associated Board of the Royal Schools of Music ( Read more ...
igor.toronyilalic
One usually has to wait until the fourth movement of a Bruckner symphony before one gets a decent, foot-tappin', knee-slappin' polka to dance to. But at last night's Prom Osmo Vänskä was jitterbugging - and, I think, even moonwalking - from the off, swinging his classy Minnesota Orchestra into the Fourth Symphony's opening fortissimo brass triplets like they were a seasoned jazz band, and making Bruckner boogie. Not the easiest of things to get this granitic old Austrian bumpkin to do.
Vänskä managed it by looking beyond the score. The slur that links the first two notes of Read more ...
David Nice
Which of the following has the thorniest dissonance: an early 18th-century dance-drama by Rebel, a symphony by Bizet, a concerto by Poulenc or a new work by South African composer Kevin Volans? If you think it's a trick question, you'll guess the right answer: the earliest. And which of the four sounds the least fresh and novel? My own take on that is the most recent. If Volans's Edinburgh International Festival commission had flashed up a few individual ideas, and a little more rehearsal time had been given to the Bizet, this would have been an evening of sheer delight from the SCO and its Read more ...
edward.seckerson
When Mark-Anthony Turnage presents a piece called Hammered Out, that’s pretty much what you expect to hear. Prior to starting work on this co-commission between BBC Radio 3 and the Los Angeles Philharmonic, Turnage was quoted as saying, “I don’t want to write an old man’s piece.” The trouble is that this 15-minute juggernaut for large orchestra sounds like an elder statesman – ie the symphony orchestra – masquerading as a mover and shaker: or to be brutally frank, an old swinger in urgent need of a hip replacement. As a seasoned Turnage fan, I hesitate to say that there’s more than a hint of Read more ...
Ismene Brown
To be interestingly disappointed isn’t bad - it’s being uninterestingly disappointed that is. This was an intriguing Prom with a full house, possibly because of Hélène Grimaud’s presence in the Ravel piano concerto, as well as Vladimir Ashkenazy on the podium. Surely it wasn’t for Scriabin’s Third Symphony, unheard here for almost 80 years? Or perhaps Richard Strauss’s Der Rosenkavalier is so well beloved that even a dubious orchestral suite made from it lures the thousands?Whatever the reason, the point in such intriguing programmes is not to come out cursing at being served minor-league Read more ...