The real reason Enron flopped on Broadway? | reviews, news & interviews
The real reason Enron flopped on Broadway?
The real reason Enron flopped on Broadway?
Thursday, 06 May 2010
This week, after a performance of Enron at the Noel Coward Theatre, I chaired a Q&A session with director Rupert Goold, writer Lucy Prebble, actor Sam West and most of the rest of the cast. What no one in the room knew then, though Goold and Prebble would have, was that at 11pm EST the show’s Broadway closure would be announced for this Sunday, only two weeks after it opened on 27 April. Enron was famously a rare beneficiary of the credit crunch. Now, at least in America, it would appear to have become a victim of it. Why?
This week, after a performance of Enron at the Noel Coward Theatre, I chaired a Q&A session with director Rupert Goold, writer Lucy Prebble, actor Sam West and most of the rest of the cast. What no one in the room knew then, though Goold and Prebble would have, was that at 11pm EST the show’s Broadway closure would be announced for this Sunday, only two weeks after it opened on 27 April. Enron was famously a rare beneficiary of the credit crunch. Now, at least in America, it would appear to have become a victim of it. Why?
Share this article
more
L'Olimpiade, Irish National Opera review - Vivaldi's long-distance run sustained by perfect teamwork
Sporting confusions and star-crossed lovers clarified by viivacious singing and playing
Red Eye, ITV review - Anglo-Chinese relations tested in junk-food thriller
Richard Armitage returns in another preposterous potboiler
Love Lies Bleeding review – a pumped-up neo-noir
There's darkness on the edge of town in Rose Glass's sweaty, violent New Queer gem
Music Reissues Weekly: West Coast Consortium - All The Love In The World
Top-drawer British harmony pop band whose promise was unfulfilled
Remembering conductor Andrew Davis (1944-2024)
Fellow conductors, singers, instrumentalists and administrators recall a true Mensch
Brancusi, Pompidou Centre, Paris review - founding father of modernist sculpture
Uplifting quest for form and essence
CVC, Concorde 2, Brighton review - they have the songs and they have the presence
Welsh sextet bring their lively Seventies-flavoured pop frollicking to the south coast
Extract: Pariah Genius by Iain Sinclair
A form-defying writer explores the troubled mindscape of a Soho photographer
Hallé, Wong, Bridgewater Hall, Manchester review - meeting a musical communicator
Drama and emotional power from a new principal conductor
Nezouh review - seeking magic in a war
A movie that looks on the dreamier side of Syrian strife
Album: Dua Lipa - Radical Optimism
An admirable attempt to catch the magical groove that helped us through lockdown
Laughing Boy, Jermyn Street Theatre review - impassioned agitprop drama
Strong ensemble work highlights the plight of people with learning disabilities
Add comment