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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Lonely Londoners, Kiln Theatre review - Windrush Generat...
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...
Album: Ludovico Einaudi - The Summer Portraits
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...
Prime Target, Apple TV+ review - the appliance of science
An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...
Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...
Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...
Amelia Coburn, Komedia, Brighton review - short set from ris...
The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...
The Brutalist review - we're building to something
There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a...
Album: FKA Twigs - Eusexua
It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that...
Out There, ITV1 review - drugs and thugs disfigure the Welsh...
If nothing else, ITV’s new thriller Out There is a fabulous advertisement for the Welsh countryside. Many scenes were shot in Brecon and...
William Tell review - stirring action adventure with silly d...
Despite Rossini’s banger of an overture and a Looney Tunes cartoon starring Daffy Duck as William Tell, I’ll wager that few non-German-speakers...