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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
First Person: singer-songwriter Sam Amidon on working in Din...
Walking in the morning from my Airbnb along the road in West Kerry...
EFG London Jazz Festival 2024 round-up review - from Korean...
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues...
All's Well That Ends Well, Sam Wanamaker Playhouse revi...
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught...
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall rev...
There were points when this concert felt like the musical equivalent of watching the atom...
Album: Alice Ivy - Do What Makes You Happy
What’s to be said about an album that’s half well-executed body-moving,...
Music Reissues Weekly: Stefan Gnyś - Horizoning
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...
Wicked review - overly busy if beautifully sung cliffhanger
"No one mourns the wicked," we're told during the immediately arresting beginning to Wicked, which concludes two hours 40 minutes later...
Akram Khan, GIGENIS, Sadler’s Wells review - now 50, Khan re...
London-born Akram Khan has come a long way in a 35-year career. He performed as a young teen in Peter Brook’s production of The ...
Snow Leopard review - clunky visual effects mar a director...
Pema Tseden's final film Snow Leopard is a Chinese Tibetan-language drama that addresses wild animal preservation. It serves as a kind of...