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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...
Blu-ray: High and Low
Akira Kurosawa’s mastery of different genres is a given and one of High and Low’s strengths is a seamless blending of various...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...
Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...
Cyndi Lauper, OVO Hydro, Glasgow review - still having chaot...
Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the...
Music Reissues Weekly: Beggars Arkive - The Lurkers’ 1978 Jo...
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...