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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Three Sisters, Sam Wanamaker Playhouse review - Chekhov...
Russia.
It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to...
Album: Rizzle Kicks – Competition Is For Losers
After more than ten years away, Rizzle Kicks are finally back, and it feels long overdue. Their music was a huge part of my childhood -...
Surviving Black Hawk Down, Netflix review - the real story b...
Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous...
Churchill in Moscow, Orange Tree Theatre review - thought-pr...
Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career as a left-winger in the turbulent...
Bridget Jones: Mad About the Boy review - older, sadder Brid...
Bridget Jones has grown up: v.v.g. Our heroine is still prone to daft pratfalls and gaffes and bursts of sensational idiot dancing....
Album: Fantastic Twins - Suite of Rooms
This album is SHORT. At 27 minutes and just five tracks, one might wonder why Julienne Dessagne (this is a solo act) didn’t call it an EP. But...
Festen, Royal Opera review - firing on every front
So the Royal Opera had assembled a dream cast, conductor (Edward Gardner) and director (Richard Jones). The only question until last night was...
Northern Winter Beat 2025, Aalborg review - The Courettes, D...
The exhortations don’t seem necessary as the audience is already letting off the steam which has built up in anticipation of a full-bore show....
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...