TV drama
Markie Robson-Scott
The second episode of Bruce Miller’s brilliant dramatisation of Margaret Atwood’s The Handmaid’s Tale on Channel 4 finds Offred (the wonderful Elisabeth Moss) being penetrated by Commander Fred Waterford (Joseph Fiennes, looking conflicted). Of course, his barren wife Serena Joy (Yvonne Strahovski) is there too, lying on the bed with Offred’s head bouncing in her lap. Offred tries to take her mind off this no-fun threesome with thoughts of blue things from the time before. Her blue car, "Tangled up in Blue", Blue Oyster Cult – how alien the words sound. Especially as handmaids only wear red Read more ...
Jasper Rees
Playwrights have long migrated to the small screen in search of better pay and room to manoeuvre. Most don’t leave it as long as Conor McPherson, who was perhaps cushioned from necessity by the global success of The Weir. A quarter of a century after his stage debut, Paula (BBC Two) is his first go at television drama. In order not to frighten the horses, it features some conventional post-watershed thrillerish tropes: an extramarital affair, a psychopath, a murder, a police investigation.But some things never change: frightening the horses is a McPherson speciality. Tom Hughes plays white Read more ...
Jasper Rees
Television dramas about catastrophic events in broken Britain are meant to be cathartic. They knead the collated facts into the shape of drama for millions to absorb and understand. Then we all somehow move on, sadder but slightly wiser. The Murder of Stephen Lawrence. Hillsborough. The Government Inspector. And still they flow onto the screen: only recently there’s been Damilola: Our Loved Boy, The Moorside and Little Boy Blue.Now Three Girls, in which over three nights on BBC One redemption was dealt out with extreme parsimony. You knew it was going to end complicatedly when the guilty Read more ...
Mark Sanderson
Was it just a coincidence that budding serial killer Sam attended Ripley Heath High? Probably not. Born to Kill, written by Tracey Malone and Kate Ashfield, was keenly aware that it followed in the bloody footsteps of both real sociopaths such as Harold Shipman and fictional ones such as Patricia Highsmith’s Tom Ripley. And what a dance it led us!Over the past four weeks on Channel 4 we have seen the schoolboy move from the edge of things – a diving board, a wooded hollow where he hid his trophy tin, a birthday party for his only friend’s father – to the centre of a full-blown psychotic Read more ...
Adam Sweeting
Actor Oliver Chris, who plays William in Mike Bartlett’s ingeniously-crafted play about the monarchy, was doing some pre-transmission fire-fighting by going round telling interviewers he couldn’t see what anybody (eg the Daily Mail) could find to get upset about. Why would they? King Charles III only depicts the ghost of Diana speaking with forked tongue, a political and constitutional crisis, and an internal putsch within the Royal Family. There’s even a jibe about Harry’s paternity. And all this after having buried the Queen.To be sure, the piece has already enjoyed a lavishly-acclaimed run Read more ...
Jasper Rees
Barbara Windsor’s laugh belongs in the National Sound Archive. It’s a birdlike chuckle that wavers between innocence and dirt. We all know Babs’s laugh. But what about her tears? There have been plenty of those too according to Babs, BBC One’s feature-length drama which sifted through the jigsaw pieces of a tumultuous life spent in the public eye.Any fans of EastEnders hoping for a straightforward soup-to-nuts account of Windsor’s story may well have been thrown for a loop by Tony Jordan’s playful, metatextual script. Jordan made his reputation of EastEnders, before going on to flirt with Read more ...
Jasper Rees
Cop a load of that, then. Hana Reznikova is serving time for triple murder. Ted Hastings is on permanent gardening leave. The Huntleys have renewed their wedding vows on a family trip to Disneyworld. Just kidding. This is a Reg 15 alert to advise you that the following paragraphs contain almost nothing but spoilers.So what happened in the dense, pulsating finale to series four of Line of Duty, its first on BBC One? “It’s complicated,” DCI Roz Huntley told her grouchy kids. It certainly was. Ever since her eyes pinged open at the end of episode one, we’ve been waiting for Huntley to navigate a Read more ...
Veronica Lee
If Robert King and Michelle King, creators of The Good Wife, took the Joss Whedon line on sequels – “They are inevitably awful” – then we would not have The Good Fight (More4) gracing our screens. But, thankfully, this sequel (actually, more a spin-off) is far from awful – it's very, very good. You could say this is Frasier (born out of Cheers) rather than Joey (Friends).The Kings decided on a new USP for the legal drama set in Chicago – three women in the lead roles, rather than The Good Wife's one, Alicia Florrick (Juliana Margulies) – keeping some of the favourite characters from the Read more ...
Adam Sweeting
Turning the real-life murder of an 11-year-old boy into a four-part TV drama carries obvious risks (might it be exploitative, sick or in bad taste, for instance?), but judging by this opening episode of Little Boy Blue (ITV), screenwriter Jeff Pope has skilfully walked the line. His account of the shooting of Rhys Jones in Liverpool 2007 managed to combine sympathy with objectivity, and laid out the story with a careful restraint which was far more effective than shrill hysterics would have been.The way it’s told here, Jones was the unwitting victim of a local gang war between the so- Read more ...
David Benedict
“Take your pick. Who shall we talk to first?” DI Alec Hardy (David Tennant) and DS Miller (Olivia Colman) had their three prime suspects waiting for them in custody. The fact that none of them proved to be the guilty party was what was wrong not only with their investigation but with the construction of the third and final series of the dramatically serious, but seriously uneven, Broadchurch (ITV).On the absolute plus side was the handling of the subject matter. Following extensive consultation and research with women’s organisations and other bodies working in the area of rape, the Read more ...
Adam Sweeting
It was a long time coming, but Homeland’s sixth series at last awoke from its early-season slumbers to put on a late surge over the closing episodes. For a while, it had seemed that the story was barely advancing at all, as the screen was self-indulgently hogged by Carrie Mathison’s emotional life, particularly her anguish over her daughter being taken into care. Yet by the end, she found herself in the teeth of the hurricane as the USA was threatened by a brutal coup d'état.Homeland has always been about the personal cost of undercover work, where commitment to the greater cause tends to Read more ...
Jasper Rees
We’re three films into Rowan Atkinson’s tenure as Inspector Maigret and so far he’s barely twitched a facial muscle. Gone are the eye bulges and nostril flares, the rubbery pouts. There’s sometimes a hint of a frown, the odd twinge in a wrinkle around the eyes, but Atkinson’s performance continues mainly to be about keeping his cards superglued to his chest. Gnomic is about the size of it.The murder Maigret was investigating in Maigret's Night at the Crossroads (ITV) was of a Jewish jewel fence called Goldberg who, we later discovered, was recklessly eager to pull off one last high-yield deal Read more ...