TV drama
Adam Sweeting
If nothing else, Game of Thrones has surely been the greatest boon to the British acting profession since they invented tights and greasepaint. Part of the fun is trying to think of somebody who hasn’t been in it yet. So far we haven’t seen Maggie Smith or Sean Connery (though we’ve had Diana Rigg as Olenna Tyrell), but new in series seven is Jim Broadbent, playing somebody called Archmaester Marwyn, a venerable sage at that seat of scholarship, The Citadel.Jim (pictured below) was his usual disarming self as he coolly dismembered the corpse of a deceased alcoholic on his anatomist’s slab, Read more ...
Jasper Rees
All’s fair in love and law in I Know Who You Are. BBC Four’s latest Euro-import hails from Spain and, as per the channel’s practice, is coming at you in intense double doses, two 70-minute episodes every Saturday night. Already it’s hard to imagine how the drama can possibly be spun out to the end without viewers getting RSI from repeatedly bitten fingernails, mopped brows and also scratched heads. It might be helpful to construct your very own wall map to keep track of the cat’s cradle of conflicting loyalties and rivalries that seem to be standard in both family life and legal practice in Read more ...
Jasper Rees
“Jodie is a remarkable young woman. She’s game. She’s a good actress, and she’s willing.” So said Peter O’Toole of the first female Doctor Who. Jodie Whittaker, born in 1982, is best known for Broadchurch on the small screen and Attack the Block on the big screen. But there’s a lot more to her than those two roles.At 23 and fresh out of drama school, she starred opposite O’Toole in Venus as a surly teenager from Yorkshire who captivates a withered old actor. The role, written by Hanif Kureishi, allowed her to paint with many colours. Her character Jessie is by turns sullen, unimpressed, Read more ...
David Nice
Rippling outward from the initial story of a seemingly nice WASP woman who finds herself having to adapt in a women's prison, Orange Is the New Black quickly developed into the most multilayered, almost indigestibly rich of American TV dramas. By the second series, it had become a tricky-to-balance polyphonic symphony, giving its mushrooming cast of important characters a plethora of vital story-lines, combining themes, forging unlikely alliances. Season Five, scripted by 11 writers including the creator Jenji Kohan, had a brainwave of an idea: focus on the three-day life of a prison riot, Read more ...
Jasper Rees
How much plotting went into GLOW? It has been gussied up by the people who brought you the jumbo Netflix hit Orange Is the New Black. Both shows are based on a true story and feature women of all ethnicities bitching and slapping in a contained environment. In Glow there’s less orange, and less black, but even more bitching and slapping.This time the perimeter wall is not a prison but the ropes of the wrestling ring. GLOW is based on the true story of the Gorgeous Ladies of Wrestling who were a cable TV hit in the late Eighties. Netflix supplies a complementary documentary all about the real Read more ...
Jasper Rees
The Catholic Church hasn’t enjoyed a good press on screen lately. Nuns punished Irishwomen for their pregnancies in Philomena. Priests interfered with altar boys in Spotlight. And in The Young Pope a Vatican fixated on conservatism and casuistry elects a pontiff who sees himself as a rock star. Broken was Jimmy McGovern’s agonised absolution for a church in crisis.Over six parts on BBC One, Broken has felt like walking along half a dozen stations of the cross. McGovern’s portrait of a broken priest – and by extension, a broken priesthood – was exceptionally short on levity or solace. The Read more ...
Adam Sweeting
Presumably it seemed like a good idea at the time. Broadcasting juggernaut Lord Bragg would undertake a sweeping survey of the way that television has transformed our lives and reflected British society in the last 70-odd years, soaring over dramas, documentaries, current affairs, soaps, reality TV shows etc with hi-def satellite vision. Clips of key programmes from the archives would cue up bouts of discussion among hand-picked experts.Only two major problems. At two hours it was far too long, yet paradoxically each section was much too short. It felt as if a collection of long lists had Read more ...
Adam Sweeting
Hugh Laurie, in his new role of forensic neuropsychiatrist Eldon Chance, tells us that he works with those who are “mutilated by life”, and we soon see that Chance himself falls into that category. He’s in the midst of a divorce, he only sees his daughter Nicole at weekends, and his work seems to fill him with a kind of morbid weariness.This is Laurie playing the flip side of Dr Gregory House, the brilliant and fearless diagnostician happy to break every rule and offend whomever it may concern in pursuit of the right result. Chance, on the other hand, is timid and full of doubt, and even his Read more ...
Adam Sweeting
There has always been an air of incipient doom hovering over Ripper Street, since the show is more of a laboratory of lost souls than a mere detective drama. Now, as it embarks on its fifth and final season, there’s every reason to suppose that the going will get seriously apocalyptic, not least because the unspeakably evil DI Jedediah Shine has been brought in to helm the Leman Street police station in Whitechapel.Studious viewers will recall that Shine, the godfather of all bent coppers, was not only the murderer of the Elephant Man but also the arch enemy of Matthew Macfadyen’s Edmund Reid Read more ...
Jasper Rees
Heaven alone knows we've pressing anxieties enough to preoccupy us, but if you have the emotional bandwidth to accommodate more, the iPlayer can oblige. Available now on BBC Three is the latest in what now becomes a trilogy of heartrending dramas with Murdered in the title. Murdered by My Boyfriend and Murdered by My Father, both of which won Baftas for actors in leading roles, is now followed by Murdered For Being Different.As expected of this immensely impressive strand, it doesn't get any less unbearable to watch an innocent young woman fall victim to inexplicable violence. And yet this Read more ...
Mark Sanderson
W Somerset Maugham, who knew a thing or two about the dark side, summed up the Riviera as “a sunny place for shady people”. On the evidence of this first episode, Riviera is a funny place for shitty people.The first few minutes flung us between London, Monaco and New York. Bright lights, big titties. The connection between money and sex was made straight away – and in the case of Christos Clios (Dimitri Leonidas, pictured below) in doggy style. Talking about money in Canary Wharf – “there is nothing more rigorous” – turns him on. According to him, the unregulated international art Read more ...
Jasper Rees
Emma Banville is almost too good to be true: a human rights lawyer who houses Syrian refugees, wins the most hopeless cases of wrongful conviction, won’t be bullied by anyone – coppers, prison wardens, the system. OK she smokes, presumably for the stress, and pints of lager don’t sit quite right in her hand. And she’s trying to adopt a child with, somewhat implausibly, John Bishop. But she’s played by Helen McCrory, who can do no wrong, and her heart is in the very epicentre of the right place.Fearless (ITV) began as a bog-standard drama about a cold case. Banville was called in to help Read more ...