Paris
Flowers for Mrs Harris, Chichester Festival Theatre online review - a warmly open-hearted weepieMonday, 13 April 2020
18 months or so after it opened in Chichester, Flowers for Mrs Harris launches a sequence of streamed productions from the West Sussex venue just in time to allow a new British musical to join the ever-swelling ranks of theatrical offerings online.... Read more... |
Charpentier Christmas settings, Solomon's Knot, St John's Smith Square review - pastoral shadesTuesday, 10 December 2019
There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. It seems extraordinary that the master of the most intimate and moving of musical Christmas stories, L'enfance du Christ, knew nothing of the next... Read more... |
Svetlana Zakharova, Modanse, London Coliseum review - impeccably chic but soul-lessThursday, 05 December 2019
What price a pair of seats at the ballet? If you’re talking the latest starry Russian import then, with a few perks thrown in, you might not see much change from £800. And yet the size of the first-night crowd queuing for Modanse, a double bill... Read more... |
Orphée, English National Opera review – through a screen darklySaturday, 16 November 2019
Like almost everything that it touches these days, English National Opera’s autumn season of shows rooted in the Orpheus myth has enjoyed a fairly mixed reception. The company’s programme of visits to the Underworld concludes with another high-risk... Read more... |
Spiral, Series 7, BBC Four review - hard-hitting return of our favourite French cop showSunday, 20 October 2019
And welcome back to our favourite French cop show – perhaps our favourite cop show from anywhere, in fact – which has raced into its seventh series (on BBC Four) with some typically grimy storylines about death and lowlife in a very de-romanticised... Read more... |
Non-Fiction - adultery spices up digitisation dramaFriday, 18 October 2019
It isn’t provable whether adultery is more accepted in French bourgeois life than in that of other countries, but French films often suggest it’s nothing to get in a lather about. Olivier Assayas’s Non-Fiction, in which three of the four main... Read more... |
Manon, Royal Opera House review - splendid start to the seasonThursday, 03 October 2019
The Royal Ballet’s choice of season opener could be dismissed as safe and predictable. But as the glorious naturalistic detail of 1830s Paris unfolds in Kenneth MacMillan’s 1974 retelling, you see the reasoning. It’s only a year since the Royal... Read more... |
Classical CDs Weekly: Albert Roussel, Roy Budd, PropellorSaturday, 07 September 2019
Albert Roussel Edition (Erato)Be grateful that Albert Roussel became a composer at all. Born in 1869 and orphaned at a young age, he was a talented pianist who joined the French navy as a teenager. Music was an enjoyable distraction during his... Read more... |
The Son, Duke of York's Theatre review - a piercing drama of depressionTuesday, 03 September 2019
A tale of teenage depression and its family resonances, Florian Zeller’s The Son has a devastating simplicity. It’s the final part of a loose trilogy, following on from the playwright’s The Father and The Mother, but the new play eschews the... Read more... |
CD: Caravan Palace - ChronologicFriday, 30 August 2019
Parisian outfit Caravan Palace have now had a career that’s lasted over a decade. They’ve not busted the British charts open (although they have had hit albums in France), but they’ve long been festival favourites with multi-millions of YouTube... Read more... |
Classical CDs Weekly: Gounod, James MacMillan, Johannes PramsohlerSaturday, 17 August 2019
Gounod: Symphonies 1 and 2 Iceland Symphony Orchestra/Yan Pascal Tortelier (Chandos)Roger Nichols’ lucid sleeve note underlines the point that Berlioz's Symphonie Fantastique singularly failed to kick off a 19th century French symphonic... Read more... |
Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguingSaturday, 29 June 2019
Félix Vallotton is best known for his satirical woodcuts, printed in the radical newspapers and journals of turn-of-the-century Paris. He earned a steady income, for instance, as chief illustrator for La Revue blanche, which carried articles and... Read more... |
