family relationships
Veronica Lee
Jerry Seinfeld, acclaimed New York stand-up and star of the eponymous American sitcom co-created with Larry David, last performed in the UK 13 years ago. He’s currently doing a brief European tour and, while keen fans were quick to snap up tickets at the O2 in London, there were noticeably bare areas in the vast arena last night. Lots of British comics have managed to sell out the O2 (some repeatedly), but those unsold seats should come as no surprise; ticket prices started at £75 and went up to an astronomical £300, so the burning question must be - was he worth it?For presentation, a Read more ...
graeme.thomson
David Frost and Richard Nixon. Melvyn Bragg and Dennis Potter. Parky and Ali. The list of seminal TV interviews is a relatively short one, and it's not about to get any longer. Alan Titchmarsh’s hopelessly mismatched bout with Prince Philip saw the Queen’s "liege man of life and limb" endure not so much a meaty grilling as an obsequious basting in Titchmarsh’s uniquely bland brand of conversational oil.The royals are enjoying a distinct upswing at the moment, what with Wills and Kate's nuptials and last week’s trip to Ireland. On 10 June, Prince Philip of Greece and Denmark (“Philippos – Read more ...
Matt Wolf
Surely, any film called Win Win and starring Paul Giamatti is being deeply ironic? After all, you don't expect the hangdog star of Sideways and Barney's Version to do the feel-good Hollywood thing, and it seems of a piece with Giamatti's baleful, ever-defeated demeanour that a scene of him jogging along should end with the actor coming to a panting halt.Life isn't easy in the Job-like landscape in which Giamatti has specialised on screen, to the degree that a clanking boiler beneath his Win Win character Mike Flaherty's New Jersey office begins to sound doomily apocalyptic. Even his six-year- Read more ...
Graham Fuller
At the end of Joanna Hogg’s acutely observed drama of bourgeois manners, Patricia (Kate Fahy) and her grown-up children Cynthia (Lydia Leonard) and Edward (Tom Hiddleston) restore to the living-room wall of their Scilly Isles holiday house a painting they’d removed for being “rather horrible". It turns out to be a dark, stormy seascape - a metaphor not only for their miserable vacation, which had been intended to give Edward a happy send-off to Africa where he is (or was) to work as a sexual-reproduction health volunteer during his gap year, but also for the family's compatability. William, Read more ...
Matt Wolf
Serenity hangs by a fraying thread in the thrilling Almeida Theatre revival of A Delicate Balance, Edward Albee's 1966 Pulitzer Prize-winner about remembrance, fear, and somehow facing a new day. This particular playhouse has long been associated with Albee, from its (overrated) Who's Afraid of Virginia Woolf? through to various UK and even world premieres. But James Macdonald's production of the play that follows Virginia Woolf in the Albee canon stands a league apart, perhaps in sympathy with the work itself. The audience last night laughed plenty, sometimes (if truth be told) strangely, Read more ...
Adam Sweeting
In a week unfeasibly packed with new drama across the BBC and ITV, the three-part Exile may prove to be the one that lingers longest. It was a thriller and a detective story, but what gave it its formidable grip was the way the central mystery was intricately entwined with the painful personal story of Tom Ronstadt (John Simm) and his father Sam (Jim Broadbent).Simm's character was a burnt-out journalist from the fictional London-based Ransom magazine. Until he got the sack, he had specialised in high-octane sleaze, his dirt-digging zeal cranked to a frenzy by drink and drugs. His Read more ...
Veronica Lee
As the audience files in, James Bond title songs accompany a looped clip from On Her Majesty’s Secret Service, which was George Lazenby’s sole outing as 007. There’s a reason, as this funny, touching but wholly unsentimental show is a sort of comic tribute to Des Bishop’s father, Mike, who auditioned for the role after Sean Connery hung up his Walther PPK in 1968.A strikingly handsome man, Mike Bishop was a model before he became an actor, and those of a certain vintage will remember him as “the Condor man” in 1970s advertisements for the pipe tobacco. But as he started married life he Read more ...
Tim Cumming
The Foundling Museum in Bloomsbury preserves the story of the Foundling Hospital, established in 1739 by Thomas Coram, the artist Hogarth and the composer Handel. At the end of April, American country singer Mary Gauthier performed The Foundling, a concept album telling of her birth and adoption in 1962 and the attempted reunion with her birth mother some 45 years later. Spiky-haired, in a black tee, waistcoat and black jeans, and sporting Lennon-style tinted specs, Gauthier cut a striking figure amidst the Rococo splendour of the Museum’s Picture Gallery, the lean, indomitable singer armed Read more ...
emma.simmonds
Matthew Bissonnette’s third feature Passenger Side is a mellow, honey-hued road movie which sees two discordant brothers combing the streets of Los Angeles with an initially mysterious purpose. A likeable diversion, for the most part it’s a nicely played two-hander depicting the rekindling of a sibling bond.The reluctant but ultimately obliging driver is Michael (Adam Scott), the older brother of Tobey (Joel Bissonnette), who takes his seat on the passenger side. Michael has agreed to chauffeur Tobey around for the best part of a beautiful sun-blushed day, without knowing why, and they make Read more ...
Veronica Lee
This film tells an extraordinary - scarcely believable - story. Throughout the 20th century, the UK sent tens of thousands of children from care homes and orphanages to the colonies, later the Commonwealth. Parents were routinely told their children had been adopted by British families, while the children were told in many cases that their parents were dead. Children had been sent to the colonies since the 1600s but in the 20th century there was a formal nationwide policy organised by churches, local authorities and Dr Barnardo’s homes, which stopped only as recently as 1970.Jim Loach's (son Read more ...
Adam Sweeting
Hailed by swarms of critics for its wit, warmth, compassion and daring challenge to conventional notions of gender and matrimony, Lisa Cholodenko's The Kids Are All Right strikes your correspondent as an exhaustingly solipsistic exercise in Californian smugness. The supposedly bold notion of casting two senior Hollywood dames - Annette Bening and Julianne Moore - as lesbian couple Nic and Jules does raise an eyebrow when Moore supposedly pleasures Bening under the bedclothes with a vibrator, while male gay porn plays on the TV.Yet otherwise, Nic'n'Jules's relationships with each other and Read more ...
Matt Wolf
The Knot of the Heart takes its title from a Sanskrit phrase, but David Eldridge's new play for the Almeida Theatre is likely to speak forcibly to anyone who has witnessed, not to mention experienced, the addiction unsparingly charted across two hefty acts. That the play may hit some too close to home was strongly evidenced on press night by responses ranging from audible sobs to walk-outs and a woman who fainted early on. Whatever one's reaction to the whole, expect kudos aplenty for Lisa Dillon's supreme lead performance in a role written expressly for her: as gift-giving goes, the part of Read more ...