chamber music
Gavin Dixon
The Takács Quartet is hard to pin down. The group was founded in 1975 in Budapest, but since 1983 has been based in Boulder, Colorado. Cellist András Fejér is the only remaining founding member, and the violist, Richard O’Neill, only joined in 2020. They also have a British first violin, Edward Dusinberre. So what performing tradition can we expect from them?Well, the sound is impressively unified, but it is not very sonorous or rich, at least on this showing. They have an impressively diverse repertoire, and regularly work with contemporary American composers. This programme was more Read more ...
Miranda Heggie
Kicking off a brand new partnership between the City of Birmingham Symphony Orchestra and Hockley Social Club, this first ever Symphonic Session saw a string quartet from the CBSO take centre stage at Birmingham’s latest street-food venue, Hockley Social Club, on Thursday evening. Hockley Social Club is the new, permanent Brum-based home for street-food stalwarts Digbeth Dining Club. Founded almost a decade ago, Digbeth Dining Club has brought its signature street food events to myriad Midlands venues, including the ruins at Coventry Cathedral and the stunning grounds of Warwick Castle. Read more ...
Bernard Hughes
The Conway Hall in London has hosted chamber music concerts since it was built in 1929, and for 40 years this included a composition prize, in abeyance since the late 1970s. This has now been revived by the hall’s enterprising director of music, pianist Simon Callaghan, to help young composers post-pandemic. Sunday night saw the final concert in which the shortlisted pieces were played and the winner announced.The competition rubric called for new string trios by composers under the age of 35 – the finalists ranged from 19-31 – and they gave a snapshot of the music younger composers are Read more ...
David Nice
First came the difficult decision: whether to experience performances by great musicians whose work I already knew in the second, Exmoor-based weekend of the Two Moors Festival, or to go for enticing programmes by others whom I’d never experienced live around Dartmoor. What was for me the more adventurous choice paid off: I heard six unforgettable concerts in four memorable Devon churches, as well as two inspiring talks on the wildlife of this tor-capped upland, and fell in love with a territory only fitfully encountered in childhood.Three cheers for the festival’s artistic director, top Read more ...
Miranda Heggie
A gem in Edinburgh International Festival’s classical music programming has always been the Queen’s Hall series. Hosting some of the finest chamber musicians on the international stage, that venue has seen countless incredible, more intimate performances over the years. While the doors of the Queen’s Hall remain closed for International Festival activity this year (there are still other concerts happening there), EIF’s chamber music programme is currently taking place just down the road, in a purpose-built outdoor venue housed in Edinburgh’s Old College Quad. And, despite the obvious concerns Read more ...
David Nice
The heading may be a bit misleading. There were no vocalists at this year’s ingeniously adapted East Neuk Festival – live events held exclusively in the big space of the Bowhouse, St Monans, to a compulsorily limited audience – and the only rain was that which pelted down on the roof of the venue during the most intimate moments of Beethoven’s D major Quartet, Op.18 No.3, with the Castalian Quartet valiantly persisting. But all the players in the six concerts I heard sang from the heart, as any good instrumentalist should, and the weather was wildly varied, with four seasons in rapid Read more ...
David Nice
Seven months might just about be enough time to have digested the deep and intense offerings of the Second Ragged Music Festival before moving on to more soul-shattering and transcendence in the third. That there hasn’t been a year between the two weekends - the October one came top of my "Best of 2020" choice - is due to the fact that renovation work has already started on the hugely atmospheric and treasurable Ragged School Museum in Mile End, and the next stage will entail a long lockdown. Ever brilliant in acting on every opportunity, master pianists and partners Pavel Kolesnikov and Read more ...
Bernard Hughes
The Polyphonic Concert Club is a collective of musicians – including Isata Kanneh-Mason and I Fagiolini – offering recorded chamber recitals released weekly through March and April. Like the festivals of Voces8 (I reviewed their Christmas series) they are aimed at a premium market: high-quality filmed content at a significant price, here £95 for the six concerts, not far off the cost of live tickets. Only the Club itself will know whether there has been enough take-up to make it financially viable, but on the evidence of yesterday’s recital by the Castalian Quartet, they have not compromised Read more ...
David Nice
Some pianists would take the chance of a birthday celebration to pioneer a solitary epic. Not the ever-collegial, unshowy, some would even say visionary Steven Osborne. For this ultimately unforgettable Wigmore Hall concert, he’s devised a programme of two Schubert and two Ravel masterpieces, trios from himself and four ladies encasing piano works duo and solo. It’s all first rate, but technical weaknesses in the sound presentation mean it only all comes into proper focus in the second half of what remains, owing to the nature of the times, a relatively short event.Why, you wonder, can’t we Read more ...
Robert Beale
There’s an atmosphere of tender restraint through most of the programme created by Ruby Hughes and Manchester Collective for Lakeside Arts at the University of Nottingham. It was streamed live yesterday afternoon, and, as is the way with most performances just now, was in an empty hall, with its slightly strange "empty" acoustic affecting the spoken word as the artists introduced their music.Talking to an audience is very much the style of Manchester Collective, though, and artistic director Rakhi Singh does it with natural ease even when she can’t see who she’s talking to. She and the other Read more ...
Christopher Lambton
Seated at the harpsichord, Maxim Emelyanychev introduces this concert in charmingly fractured English. “Hello from Queen’s Hall in Edimbourg, today with chamber group of musicians from Scottish Chamber Orchestra…” But he falters, the camera cuts away, and there follows a mumbled digression on whether the first piece is actually by Hasse, or maybe Richter. Poised with their instruments, the assembled string quintet looks puzzled, and then the music begins, and it’s clear that whatever skill Emelyanychev (pictured below) may lack as an orator is more than outweighed by his skill as a Read more ...
Sara Deborah Struntz-Timossi
Sara Deborah Struntz-Timossi is an international award-winning violinist who has toured with early music ensembles like the European Union Baroque Orchestra, Dunedin Consort and The English Concert, as well as performing across Europe as a soloist and chamber musician. She is also Artistic Director of the Spirit of Music Festival that brings music right into her east Hampshire community.Everything in my life as a musician and private person was facilitated by the mutual agreements within the EU. My studies in the UK as a German citizen were funded by reciprocal EU study regulations. Within Read more ...