BBC Two
Jasper Rees
In a revelatory interview for the Royal Court’s playwright’s podcast series, David Hare admits to a thin skin. In his adversarial worldview, to take issue with him is – his word – to denounce him. He’s quite a denouncer himself, of course. In Collateral (BBC Two), the denunciations were directed at something rotten in the state of, in no particular order, the Church of England, the Labour Party, the British Army, the Fourth Estate, the security services, the body politic, the establishment, old Uncle Tom Cobbleigh and all. Somewhere in there there was also a police procedural. This has been a Read more ...
Marina Vaizey
Lord Clark – “of Civilisation”, as he was nicknamed, not necessarily affectionately – presented the 13 episodes of the eponymous series commissioned by David Attenborough for BBC Two in 1969; it was subtitled “A Personal View”, and encompassed only Western Europe (from which even Spain was excluded). The whole guide, narrated in that upper-class accent, wrapped in bespoke suiting and accompanied by full-scale orchestral throbbing, was the kind of documentary that families stayed home to watch. It proved, said those rightly enthralled by that authoritative patrician presence, that the Read more ...
Jasper Rees
This week brings a tale of two comedies. Both half-hour sitcoms are about widowed mothers with grown-up sons still at home. Each woman has an unattached admirer. Both shows star fine comic actresses who learned much of their craft in the films of Mike Leigh. And the new series started two days apart. On BBC One was Hold the Sunset. Back for a second series on BBC Two was Mum.I greeted the arrival of the former with a review to which John Cleese, who stars as the admirer of Alison Steadman, took great exception on Twitter. Humour is of course subjective. But commenters under theartsdesk’s Read more ...
Adam Sweeting
It says something about the state of television that sooner or later every actor has to play a cop or a spy. Latest in line is Carey Mulligan, starring as DI Kip Glaspie in David Hare’s new four-parter Collateral.This is, on the face of it, a thriller. The wheels of detection spun into action after the puzzling death of Abdullah Asif, a pizza delivery man who’d just delivered a quattro formaggi to harassed mother of two, Karen Mars (Billie Piper). Karen indignantly pointed out that the pizza in question lacked its requested additional topping, though this did not prove to be the motive for Read more ...
Jasper Rees
Talk about laughter in the dark. With every successive episode, the fourth series of Inside No 9 (BBC Two) has perceptibly turned a shade blacker. "Zanzibar" was a festive farce mashing up half the plots of Shakespeare from Macbeth to A Comedy of Errors. "Bernie Clifton’s Dressing Room" was a mournful reunion with a twist featuring a failed comedy double act. "Once Removed", told in reverse like Pinter’s Betrayal, featured a murder hit gone hilariously wrong. The fourth episode, "To Have and to Hold", featured no clever-clever tricks and actorly flourishes. Instead it worked its way Read more ...
Marina Vaizey
Michael Portillo has barely been off a train since leaving politics, taking journeys blending scenery and history: it must be a relief receiving plaudits for edutainment instead of the abuse habitually heaped on politicians.Herewith the third American series, around the East Coast, its history perhaps intentionally a subtle rebuke to Trumpian values. Ten hours of film divided into 20 programmes detail an 1,100 mile journey from Boston to Toronto. Long-distance American railroad journeys in the 21st century are an odd enterprise: once a country where great fortunes were made by the railway Read more ...
Owen Richards
Over 25 years since his modest inception as a parody sports reporter, Alan Partridge has become one of comedy’s most enduring icons. With a new BBC series expected in 2018, we were treated to a tribute (or Partribute, if you will) to the impressive and varied career of Norfolk’s favourite fictional broadcaster.Alan Partridge is an oddity – most comic creations never leave their original show, and the rare successes that did (Frasier, Ab Fab, Mork & Mindy) never strayed from the formula. However, the Partridge character has developed across many different platforms, from surreal sitcom to Read more ...
Owen Richards
Luca Changretta got his just desserts, Alfie Solomons made a last gasp for the quiet life, and Thomas Shelby revealed his true enemy – Peaky Blinders wrapped up another exciting series in a high-octane and neat finale.Tommy always has a way out; four series in and we still fall for it. In tonight’s final episode, it looked like his reckoning had finally arrived; Arthur’s death snapped Tommy into a violent rage in scenes reminiscent of last series’ capture of Vincente Changretta. It’s in these moments we witness the real Tommy; a terrifying and dangerous man who drags his family down with Read more ...
Veronica Lee
In 1994, a group of students at Bretton Hall drama school – Jeremy Dyson, Mark Gatiss, Steve Pemberton and Reece Shearsmith – began writing and performing together. They took as their name the title of a Jack Hawkins film, The League of Gentlemen, and in 1997 won the Perrier Comedy Award at the Edinburgh Fringe. The show, set in a fictional village peopled by some colourful characters, was on BBC Two between 1999 and 2002 and was made into a film in 2005. The four members, meanwhile, have gone on to write and/or star in various projects, singly or in various permutations.So it was a mightily Read more ...
Owen Richards
Laid Bare – it has a lurid implication which is all too suitable for Joe Orton’s work. During a time where the straight-laced British struggled to ease into sexual liberation, Orton stretched acceptability to its very limits. Salacious acts had been going on behind closed doors long before the Sixties, but everyone hid behind a modest front. In his brief career, Orton’s plays challenged this hypocrisy with razor wit and poetic eloquence.Despite the title, Joe Orton Laid Bare was not as scandalous nor revolutionary as his writing; indeed, it was a rather traditional piece of programming. Read more ...
Owen Richards
BBC Two’s flagship crime drama Peaky Blinders returns for another guilty dose of slo-mo walking, flying sparks and anachronistic soundtracks. In the opening episode “The Noose”, we’re served a familiar course of family disputes, sinister threats and violent outbursts – but when the delivery is this exciting, who cares if it’s not anything new?We pick up where the last series left off: the Shelby clan imprisoned and facing the rope. Of course, family patriarch Tommy always finds a last-minute reprieve, but that close call has taken its toll and there’s only one man to blame. A year later Read more ...
Barney Harsent
As Motherland settles down into its first series proper after last year’s pilot, it still seems to be going at a fair gallop. For those of you who haven’t seen it, the sitcom, written by Graham Linehan and Sharon Horgan along with Helen Linehan and Holly Walsh, deals in the pitfalls of parenthood and the primary politics of the school gates, combining smart one liners with slapstick, painfully embarrassing resolutions and a small smattering of farce.What it also manages to do – and quite brilliantly – is to come up with ideal situations on which to hang the comedy. Having already addressed Read more ...