BBC Two
Veronica Lee
Halfway through its 10-week run, The People v OJ Simpson: American Crime Story appears to be running in real time as it slowly, painstakingly tells the story of how one of the US's biggest sports stars was accused of the murders of his ex-wife Nicole Brown and her friend Ronald Goldman in 1994. But moving at what is – by modern television drama standards, at least – a glacial pace allows the creators to burrow deep into the American psyche and, more pertinently, examine the deep-rooted racism lurking in parts of US society.Writers Scott Alexander and Larry Karaszewski have set out their stall Read more ...
james.woodall
For many pop-pickers, the presiding image of the Queen’s Golden Jubilee will be Brian May (he – yes, of course – of Queen) grinding out the national anthem on the roof of Buckingham Palace. For me, there was a much more meaningful moment later the same evening when Paul McCartney, Her Majesty and a tall grey-haired man gathered on the party stage, rubbing shoulders and so magically recreating a little trope of our recent cultural history. The grey-haired man was George Martin, who for a generation of Beatles fans was That Name printed on the back of most of their albums, certainly all the Read more ...
Marina Vaizey
The weekly magazine Country Life was founded in 1897, and is now perhaps improbably owned by Time Inc UK. Its popular image among people who do not necessarily ever look at it is defined by the famous (or infamous) girls in pearls: those portraits of well-groomed fiancées, a kind of weekly visual equivalent of – say – Desert Island Discs for prosperous young aristos, which introduce the articles of each issue. There have been 6,000 such young belles since 1897, interspersed with an occasional Prince Harry or William – not wearing pearls.This time round it was a Yorkshire lass, Ella Charlotte Read more ...
Jasper Rees
Three and a half years ago the writer Robert Jones and producer Kath Mattock came at the crime genre from an unusual angle. Instead of having characters in a murder case talk to one another, they all addressed the camera directly, each offering their own apparently unmediated viewpoint. The title took its cue from the direct style: Murder. Murder: Joint Enterprise won a Bafta. It has taken a while, but the single experimental film has given birth to a short series of three new cases.The first, The Third Voice, is set in small-town Scotland. Two brothers-in-law go fishing, but only one of them Read more ...
Jasper Rees
Who’s the Boss? occupies a square-eyed quadrant somewhere between Gogglebox and The Apprentice. If you like those, you’ll probably like this jaunty workplace experiment in which it’s not the boss who hires applicants for a new job, but the workforce. In Ancient Rome they called it Saturnalia, when for one day of the year the hierarchy was reversed. Nowadays you’d call it Siliconalia because like more or less everything these days the idea originated in Silicon Valley.It's quite a long way from California to a family fruit and veg distribution business in Hertfordshire. Reynolds needed a new Read more ...
Marina Vaizey
One novel and two movies, but the BBC cheekily claims that this three-part series was inspired by Deborah Moggach’s 2004 novel These Foolish Things, and the pair of films The Best Exotic Marigold Hotel – but not related. How did the programme-makers come up with this, and keep a straight face?We have here a contrived documentary, taking eight sexagenerians and septuagenerians, from the delightful and diminutive character ballet dancer Wayne Sleep and the horizontally challenged, formidably intelligent actress Miriam Margolyes, to the singer Patti Boulaye and newscaster Jan Leeming to Jaipur, Read more ...
Adam Sweeting
Though Alfred the Great was renowned for educational and social reforms as much as for whupping the Danes on the battlefield, I'd never pictured him the way David Dawson has been playing him in The Last Kingdom. Pallid and sickly-looking, and plagued by all-too-human frailties, this Alfred looked more like a weedy consumptive poet than the midfield dynamo of embattled Ninth Century England.Yet it paid off in the end, as Alfred summoned all the strength he could find to drag himself and his entourage out of the soggy Somerset marshes (where, last week, he burnt the cakes in finest 1066 and All Read more ...
Adam Sweeting
Well, they're saying this was the final episode, but these days you never know how long TV's ratings-hungry marketeers might eke a successful show out for. London Spy 2 would be a major ask, considering how this series somehow spun a bare minimum of content (even though it was shrouded in oodles of atmosphere) out to five episodes. Still, the ending didn't really end, so watch this space. London Spy got off to a flying start, but by the middle of episode three it was a racing certainty that great expectations were unlikely to be satisfied by a meaty and satisfying denouement. Rather Read more ...
Adam Sweeting
Had he not become one of the pivotal members of Pink Floyd, it's not difficult to imagine that David Gilmour might have become an academic like his father Douglas (who was a lecturer in zoology and genetics at Cambridge), or maybe a high-flying lawyer with leftish inclinations. Despite having been at the vanguard of rock music in its greatest and most extravagant years, Gilmour was never a likely candidate for a dissolute life of rock'n'roll hedonism.During this expansive TV profile, he pondered over this himself. Inspired back in the Fifties by Bill Haley's "Rock Around the Clock" and Elvis' Read more ...
Adam Sweeting
Critic and popular historian Dominic Sandbook understands the power of the soundbite, so he supplied one of his own to sum up his new series: "We do still make one thing better than anybody else – we make stories."This is a companion piece to Sandbrook's new book, The Great British Dream Factory, in which he upset a few readers by daring to criticise John Lennon. The thesis remains the same, however – Britain has been in decline since 1945, with the Empire gone along with our manufacturing base, but has compensated by applying the energy and ingenuity that made the Victorians great to Read more ...
Marina Vaizey
This was the fifth and last in a series of hour-long programmes amounting to a vivid, varied and extraordinarily lively history of Britain. Although ostensibly a history of portraiture, the images have been hooks for Simon Schama, that most ubiquitous historian who bears a rather charming resemblance to Tigger – very bouncy, very chatty, very enthusiastic, a little self-regarding – to subtly engage us in a journey through the political and social landmarks of British history. In this one, titled “The Face in the Mirror”, we did indeed bounce through nearly eight centuries of British artists Read more ...
Adam Sweeting
I always like watching Matthew Macfadyen, so I was appalled to see him horribly slain barely 20 minutes into this gutsy new adaptation of Bernard Cornwell's Saxon Stories. Not just slain, but then nailed to a post by the Vikings, who put a flipping great bolt in his mouth and hammered it through the back of his head.Despite this brutal display of bloodthirsty triumphalism, it was the Vikings, or some of them, who emerged as the slightly preferable faction in this tale of 9th century Saxon Britain, a murky, muddy country terrorised by the murderous Norse invaders. Unrecognisable from the Read more ...