New music
Guy Oddy
When Jamie T first appeared in the early noughties, he was trumpeted by some who should have known better as the musical heir to Joe Strummer, while actually sounding more like a Kate Nash acolyte. Six years since his last album, The Theory of Whatever dips into a range of genres from dreary indie rock to low energy hip hop and acoustic ballads fuelled by a seemingly endlesss word-spaghetti of clichés.Opening track “90’s Cars” is low tempo, early-80's sounding electropop which comes over like a tribute to Ricky Gervais’s short-lived band Seona Dancing, while the tepid indie rock of “The Old Read more ...
Kieron Tyler
“At all times, the film-makers have attempted to present an accurate portrait of the events depicted and the people involved.” The on-screen statement beginning each of Get Back's three parts acknowledges that definitions of accuracy can depend on points of view.And the point of view with director Peter Jackson’s interpretation of the 60-plus hours of film and over 150 hours of audio from The Beatles’s January 1969 attempts to make a film or television special and an album is his – and those who signed-off the 468 minutes first seen via streaming and now available on Blu-ray or DVD. None Read more ...
Thomas H. Green
Throughout the 1990s and the first decade of this century, Ben Harper achieved global stardom, although the UK was a territory where he never achieved lift-off. By contrast, in the US, Australia and much of Europe, he’s regarded as a heavyweight (he’s won three Grammys!).His career has combined the earnestness of Sixties/Seventies singer-songwriter political activism, with lively musical eclecticism, and, sometimes, a blander middle-of-the-road vibe redolent of his pal Jack Johnson. His latest album showcases the rawer end of his appeal.Bloodline Maintenance is Harper’s first “proper” album Read more ...
Thomas H. Green
Kathryn Williams’ creativity leaves most singers standing. She’s always up to something and it’s usually interesting. As well as multiple albums over two decades, including one themed around Sylvia Plath and another created with the poet Carol Anne Duffy, last year she had her first novel published, the ominous island-set tale, The Ormering Tides. She’s done loads else too, her work often loosely in the folk form, heavily seasoned with the hurts of loving and living. Her latest contains much of the latter, but its production is more opulent, electronic and experimental than her usual Read more ...
Sebastian Scotney
Maybe it’s inevitable that their fate is to receive just a fraction of the recognition they deserve. Gareth Williams is one of the crop of truly remarkable – and now fully-formed – jazz pianists from the UK born in the years 1968 and 1969. I can think of three of them – there may be more.So, to over-simplify radically: Liam Noble is the one who will always, without fail, take a listener off in a surprising direction, and do so again and again. Jason Rebello has the most naturally poetic touch and can overwhelm with the sheer beauty of his playing, and yet is Read more ...
Thomas H. Green
Jack White’s last couple of albums, Boarding House Reach from 2018 and Fear of the Dawn from April this year, were both driven by experimentalism, dipping into electronics, hip hop, noise and more. They were both, to differing degrees, admirable in intent, coming from an artist perceived as zealously retro, but they were also only partially successful.Entering Heaven Alive is a less wilful beast and, in terms of enjoyably straightforward songwriting, the better for it. It will, naturally, and as is undoubtedly intended, be viewed of-a-piece with Fear of the Dawn, since the latter only came Read more ...
Peter Culshaw
This one sounded implausible. Frida Kahlo, the great (and fashionable – collected by the likes of Madonna) Mexican painter interpreted by Indian classical music at the Elgar Room in the Royal Albert Hall. It was, however, entrancing, made a curious sense, and was a different way of immersing yourself both in the music and paintings.Presented by the enterprising Saudha Society of Poetry and Indian Music, the director TM Ahmed Kaysher, a Leeds-based poet was perched stage left and briefly described his own relation with Kahlo at a time in his life when he was suffering from depression Read more ...
Jonathan Geddes
Sweetness never lasts too long at a Haim gig. No sooner had Alana Haim, the youngest of the Californian siblings, finished a speech about her delight about being back in Glasgow by announcing she was going to “smell the f****** roses” then bass-playing elder sister Este piped up with “I’m smelling my armpits. They are ripe.” It summed up a chat-heavy show that at times felt like part gig, part stand-up comedy try-out.For all the banter, which reached such an amount that Alana quipped at one stage she felt all they’d done was talk, the trio have an assurance about playing large venues. An Read more ...
Thomas H. Green
Many of her fans initially came across Filipino-born, London-raised singer Bea Laus – Beabadoobee – via the massive TikTok sensation “Death Bed (Coffee for Your Head)” by Canadian producer Powfu, which was centred on the extremely catchy chorus to her song “Coffee”.But Laus, now 22, has been releasing music since she was 17, and her debut album Fake It Flowers, hit the UK Top 10 in 2020. Beatopia moves things forward sonically. Its sound is more interesting, hazy and stoned, but the songs don’t always match its ambitions.Where Fake It Flowers trod a path somewhere between Avril Lavigne pop- Read more ...
Kieron Tyler
As either a producer or songwriter Gary Usher worked with The Beach Boys and The Byrds, the two most consequential California bands of the Sixties.When he co-wrote “409” with Brian Wilson for the Beach Boys’s first Capitol Records single in mid 1962, he teamed the hot-rod fad with surfing in popular culture for the first time. By his own reckoning, Usher wrote and recorded more than 50 car songs in one month in 1963.Any of this would make Gary Usher a significant figure in pop music. But, of course, there’s a lot more. Much more. Getting to grips with his world means that bands or studio Read more ...
joe.muggs
You can’t really blame Lizzo for playing to her strengths. When she started putting out records some nine years ago, there wasn’t really a niche in the market for a flute playing, twerking, positive-thinking, plus-size rapper-stroke-disco-diva.Roundly ignored by the mainstream “urban” American music industry despite her obvious abundant talent, she went about building her own diverse – but leaning female and/or LGBTQ+ – cult following, which grew fast until she couldn’t be ignored. Without changing or dialling down her approach, this eventually resulted in her 2019 ascent to global mega fame Read more ...
Barney Harsent
Martin Jenkins, AKA The Head Technician, AKA Pye Corner Audio, is all about layers. From the stacked pseudonyms, to the dense, sound-steeped strata of his music, there’s lots going on.His Black Mill Tapes series, released over the last 12 years or so, blends elements of contemporary dance music, epic electronic soundtracks, music concrète and dense, brooding atmospherics. The sound of dark soot dust descending on a remote hillside, it’s simultaneously comforting and claustrophobic. 2021’s Entangled Roots, meanwhile, was inspired by the underground conversational pathways of plants, taking Read more ...