street art
Jasper Rees
Witnesses will have been puzzled. In a southern suburb of Paris, a group of maybe 16 figures trudge with purpose along the pavement at the witching hour of half past four in the morning. Some are carrying rucksacks. We are mostly male. Mostly tattooed. We loiter, attempting anonymity.In groups of five we are instructed to march across a main road, then slip furtively out of sight behind a low barrier. The grammar of the covert military operation is unmistakable, it occurs to me, as we scuttle into position and skulk behind the wall at this ungodly time before dawn. I look at the faces around Read more ...
Jasper Rees
New York, late August 2010I am at the opening of a swanky new gallery. Around me, the latest daubs by the hottest names adorn the walls of room after room. It’s worth mentioning a couple of discrepancies from your regular opening. This is a canapé-free environment, for one. There is no chilled white wine, no pretentious appraisal of carefully lit works. Nobody has come dressed to thrill. In fact, nobody has come at all. Apart from me.As it happens, I am the only person who will ever be invited to view the complete collection, and it’s not as if I’m even a guest. I am here as an independent Read more ...
mark.hudson
Monaco, dormitory town of the discreetly super-rich, isn’t the most obvious place to find a major exhibition of street art, the subject on which many recent commenters on theartsdesk are impassioned. The pavements of this city within a principality on the scale of village, clinging to a precipitous Mediterranean hillside above a gleaming marina, betray barely a trace of chewing gum or dog excrement, let alone graffiti. Gaining professional access to The Art of Graffiti – 40 Years of Pressionism in the glass bunker of the Grimaldi Forum, the journalist is subjected to a level of Read more ...
theartsdesk
It’s not the first time we have showcased the work of Will Robson-Scott. Nearly two years ago we published a set of images from Crack & Shine, a portfolio which documented the nocturnal habits of a set of London street artists. Crack & Shine International takes the story beyond the UK to watch artists at work in other centres of street art culture - New York, Los Angeles, Paris, Berlin and Amsterdam. A photographer who specialises in shooting street artists at work, Robson-Scott incurs many of the same risks as his subjects. Unlike them, his work is in no danger of being erased or Read more ...
josh.spero
Before Banksy's work became the object of desire for champagne-sipping, canapé-snaffling hedge fund managers at auction houses' private views, there was something of the curled lip about street art. Indeed, for years it wasn't known as street art but graffiti - the painted defacement of walls. London in the Noughties saw the evolution of that view: there could be a legitimate artistic value of this sort of work. However, not all graffiti qualified - much was still mindless vandalism. That is what Graffiti Wars on Channel 4 last night tackled: the battle between art and spray-painting, between Read more ...
Jasper Rees
The elusive street artist Banksy was invited by Matt Groening to script an opening sequence for The Simpsons. "MoneyBart", the episode it fronted, was broadcast in America yesterday, and comes to the UK on 21 October. The sequence is inspired by recent reports that The Simpsons gets its animation done in South Korea. Banksy has taken that ball and run with it, producing a pitch-black satirical fantasy in which Bart himself is a graffiti artist, while lifeless drones, fluffy furry things and fantasy creatures are all alike put in the service of the great marketing machine that is the animated Read more ...
mark.kidel
Bristolians were invited to make history last weekend. The city saw the opening of the Museum of Stokes Croft, a one-room cabinet of contemporary urban curiosities that includes fake neighbourhood relics and archaeological finds, an early Banksy T-shirt, a large, totemistic multi-coloured bear full of mirrored surfaces by street sculptor Jamie Gilman, a cheap plastic urn containing the ashes of “Bear” - a popular homeless street poet who died last year - evocative children’s drawings of local landmarks, quirky fragments of oral history, politically tinged poems, and a map of Bristol’s world- Read more ...
sue.steward
This week I discovered Irving Penn’s little-known portraits of anonymous street traders, taken in Paris, London and New York between 1950 and 1951. Previously unseen in the UK, they are now appearing at Hamiltons’ Mayfair gallery: 33 examples from a series of almost 252 full-length portraits collectively titled Small Trades. While they lack the instant glamour of the celebrity Portraits currently showing at the National Portrait Gallery, these sensitive depictions of skilled street traders – including a Parisian cheese-seller, a London house painter, a New York flower delivery man - are Read more ...
joe.muggs
My abiding memory of The Foundry is being held aloft by my throat by the landlord, Falklands veteran and notorious band manager Alan "Gimpo" Goodrick, as he accused me of stealing a Shirley Bassey album. I had been DJing for a book reading by Mark "Zodiac Mindwarp" Manning, and there was a lot of absinthe being drunk thanks to some fellow from The Idler. I knew at that point I shouldn't have begun the evening by playing the line "there may be trouble ahead" from Bassey's version of "Let's Face the Music and Dance" over and over on a loop. It's a dreadful cliché to say knowingly of a bar "it Read more ...
joe.muggs
Original Cultures is an artistic collective with bases in the UK, Italy and Japan, dedicated to audiovisual collaborations inspired by street art, graffiti, hip hop and electronic music. It is staging its first London event over the course of a week from 27 February to 5 March this year, in which artists Ericailcane, DEM, Will Barras, Hiraki Sawa, Om Unit, Tatsuki and Tayone will be joining to create new works in a series of public events and workshops in and around the Old Truman Brewery, Brick Lane, London.The schedule of activities for Original Cultures London 2010 is as follows:
Original Read more ...
joe.muggs
A 15ft aardvark constructed from raw timber with a light-up robotic face and gigantic hands is climbing up one of the support pillars of the Westway, next to the body of a full-sized helicopter the front of which has been shaped into a grinning skull. Life-size rearing horse torsos made of white marble-like resin, with real horse skulls instead of heads, are mounted on the wheels of Victorian perambulators, while a man rides a clanking, hissing, fire-spitting motorised beast with stamping front legs and huge rear wheels around through the crowd as children caper about and their parents drink Read more ...