romantic comedy
Helen Hawkins
The Canadian-Korean director Celine Song burst onto the scene with her debut feature, Past Lives, two years ago, a bittersweet film about a woman torn between her first love, a Korean, and her current one, her American husband. Song is back with another woman at a crossroads, but in Materialists her heroine’s decision is much less painful to make, and far less affecting. This film is a curio: if Song’s name didn't appear in the opening credits, you would see it as a well cast mainstream romcom for grown-ups, with passages of seemingly sober analysis of the nature of love and marriage. It Read more ...
Helen Hawkins
A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr Darcy at his gorgeous country pile tries to reset her life post-breakup with a grown-up new job in London. Welcome to Bridget Jones country as seen through the lens of New Yorker Lena Dunham. The 10-part Netflix series that Dunham and her English musician husband Luis Felber have created, Too Much, is just that: a welter of verbiage, weird characters and relentless squelchy sex – though the sex scenes are virtually the only occasions our heroine stops Read more ...
Helen Hawkins
Can a romcom be intellectually challenging while hitting all the sweet spots of the genre? Jonás Trueba, the director of the award-winning Spanish film The Other Way Around (Volveréis, literally “you will return”), has confected something close to that.The bare bones of his storyline are that a couple in Madrid, after 14 or 15 years (they don’t seem sure), have mutually decided to separate, and to throw a party in celebration of their split. Like people entering a marriage, they want to be sure their party is like a wedding, but “the other way around”. The action follows their elaborate Read more ...
James Saynor
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As we brave the salutes on this side of the Channel to arch irony-spinner Jane Austen’s 250th birth-year – from gushing BBC documentaries to actually quite witty Hallmark cable movies – France offers up Jane Austen Wrecked My Life, a cordial, low-energy rom com that sets out to Austenify the lovelorn of Paris.In Laura Piani’s debut feature, Agathe (Camille Rutherford) works at the Shakespeare and Company English bookshop on the Left Bank and is a ultra- Read more ...
Anthony Cecil
I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles.In the earlier film, an unexpected love affair develops on a remote Scottish island that is cut off by stormy weather. The fictional Wallis Island is off the coast of Wales, not Scotland, yet director James Griffiths makes the same poetic use of landscape that characterises the Powell and Pressburger classic. Both movies are about love and nostalgia, but whereas the primary conflict of I Know Where I’m Going! is class, the corresponding fault line in The Ballad off Read more ...
Helen Hawkins
When the world’s darkness is too much, there is a Netflix rabbit-hole you can disappear down to a kinder place: the Korean romcoms section. This is a recommendation for romcom fans, a warm indulgent bubble bath of a watch. It's like turning the clock back to more innocent times, while full of contemporary pizzazz. The latest series to drop, a Netflix coproduction, is the most accessible yet, and the funniest. Having said that, The Potato Lab sounds as if it comes from the People’s Republic in the north. It’s a variant of the workplace comedy that’s been in TV’s DNA since The Rag Read more ...
David Nice
As Fiona Shaw’s shiningly free and easy narration told us, Shakespeare’s sparring Beatrice and Benedick are merely counterpoint to a supposedly comic plot that becomes a potential tragedy, and tests the japers’ seriousness. Berlioz wanted none of that in his last opera, all southern sunlight and moonshine, caprice and reverie. Last night we got the best of all possible worlds in a concert performance that showed an ideal way forward for this beauty of a numbers opera.Irish National Opera seems to have an infallible instinct for casting. Admittedly it has a seemingly inexhaustible well of Read more ...
Adam Sweeting
Last year Jennifer Lawrence won critical plaudits for her war-trauma drama Causeway, which seemingly signalled a bold new direction for her career, but how she got from there to No Hard Feelings is a bit of a mystery. Nothing about it feels quite right. Sometimes it seems to want to be a gross-out comedy, occasionally it seems to think it’s distantly related to The Graduate and wants to give us a dose of ironic social commentary, and every now and again it gets a bit weepy and emotional, but never in a way that makes you want to join in.Lawrence, now a venerable 32, plays Maddie Barker, a Read more ...
Gary Naylor
There are better musicals in town, but can you find me a more spectacular show in a more comfortable theatre? I doubt it. Not that Jonathan Church's new production at Sadler's Wells is flawless. It's a 90-year-old blockbuster so, for all its references to breadlines, insecure employment and heat-or-eat decisions, one wonders if so much effort might be better expended on something a little more recent, a little less bound by the cliches of musical theatre? And there's also Les Dennis neither dancing nor singing. Why? If you set aside such minor gripes, one can delight in a show that Read more ...
Veronica Lee
Here's a question. A romcom stars a man and woman, friends from childhood, both straight and with no romantic history. He's a Muslim and has decided to pursue an arranged marriage; she has a chaotic love life. What are the odds that they will end up together at the end of the film?No prizes for guessing correctly. But first-time screenwriter Jemima Khan takes us on a nicely circuitous route to get to that ending, and provides lots of smart one-liners on the way. When Kazim (Shazad Latif) tells Zoe (Lily James) an arranged marriage is now called “assisted marriage”, she replies: “Like assisted Read more ...
aleks.sierz
Culture which arrives from the margins to the mainstream is a classic phenomenon. In the case of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons it has taken almost a decade for this two-hander to make the journey from a student production at Warwick University, via the Warwick Arts Centre in 2015 – plus outings to the National Student Drama Festival and Edinburgh Festival – to the West End. Since he first wrote it, the play has been a fringe favourite with several revivals, but this time the two-hander boasts a star cast familiar from TV: Aidan Turner (Poldark) and Jenna Coleman ( Read more ...
Matt Wolf
Not much happens but, in its way, everything does in The Band's Visit, the gentle, sweet-natured musical that rather unexpectedly stormed Broadway late in 2017 and is just now receiving a notably empathic London debut.Broadway isn't always hospitable to musicals that wear understatement on their sleeve (cue Moulin Rouge by way of an exact opposite), and there was no guarantee that this adaptation of the 2007 Israeli film of the same name might find the mainstream appeal that it did. Its London perch at the Donmar is in fact closer in vibe to the Read more ...