Iceland
Russ Coffey
When an artist calls the people of their hometown their family, it's usually a metaphor. In the case of Björk Guðmundsdóttir it’s actually true. Reykjavik has a population of only 200,000 and everyone is somehow related. But she's more than just the capital's favourite daughter: to the outside world the diminutive singer has become as emblematic of Iceland as its volcanoes and midnight sun. In turn, the uniqueness of the country helps fuel Björk’s individualism.Her early work may be best remembered for a series of dance-pop singles, but there has also always been plenty of musical Read more ...
Kieron Tyler
Sometimes, it doesn’t matter who you are. You might be a charismatic performer, or the most energetic band in the world. But some settings can’t be outperformed. Holding Berlin Festival at the city’s astonishing out-of-commission Tempelhof airport sets a challenge that’s almost impossible to rise to. Although it began working in the late 1920s, the surviving buildings were completed in 1941 and form a single block over a kilometre long, wrapped around an open quadrangle. The gleaming, pale buildings dwarf anything.The entrance hall is a cathedral to Albert Speer’s vision of a modern, world- Read more ...
Kieron Tyler
Iceland’s kings of heavy metal Momentum are launching into an assault called “The Creator of Malignign Metaphors”. It’s broad daylight and they’re playing about 10 meters from the kitchen window of a suburban-looking house. The stage is sited on an AstroTurf football pitch, with one of the goals pushed to the side of it. On the opposite side, kids are shimmying down a blow-up slide. Very little about G! conforms with the standard festival experience.G! is the Faroe Islands’ – The Føroyar - annual celebration of its own music. The chocolate-box coastal village of Syðrugøta is the host ( Read more ...
Kieron Tyler
The use of Sigur Rós’s aural drama for the soundtracks of Life on Earth, Vanilla Sky and its subsequent sound bed ubiquity has meant their music has become divorced from who they are. The enthralling Valtari emphasises that these four Icelanders are a band rather than a machine supplying lazy directors with ready made atmospherics. Even so, Valtari’s “Ekki múkk” and “Varúð” are so spectacular they’ll no doubt warm the hearts of filmmakers world wide.Thankfully, Sigur Rós have ditched the outside elements that made their last album, 2008’s Með suð í eyrum við spilum endalaust, a compromised Read more ...
alexandra.coghlan
Relentlessly energetic, opinionated, and never less than passionate about music-making, Ilan Volkov is a close as you get to a prodigy in the world of conducting. Appointed as Young Conductor in association with the Northern Sinfonia at just 19, at 28 Volkov became the youngest ever chief conductor of a BBC orchestra, and almost 10 years later still continues his relationship with the BBC Scottish Symphony Orchestra as their Principal Guest Conductor. Most recently appointed as Music Director and Chief Conductor of the Iceland Symphony Orchestra, and with a growing schedule of international Read more ...
alexandra.coghlan
It’s 11pm on a Thursday night. The kind of weather that makes balloon animals of umbrellas, that raises a tsunami in a bird-bath, is raging outside. Inside the Harpa concert hall some 300 people are gathered in attentive silence while five musicians, each sat at a brightly-coloured piano barely two feet tall, play hairdryers, flippers, and drop small change from boxes onto the floor, in a solemn performance of John Cage’s Music for Amplified Toy Pianos. Only in Reykjavik; only under Ilan Volkov; only as part of the Tectonics festival.When youthful maverick Volkov was appointed Music Director Read more ...
Kieron Tyler
Although the four days of Norway’s 15th by:Larm Festival were dominated by the presentation of the second annual Nordic Music Prize, there were plenty of other distractions: a sobering tour of Norwegian black metal’s infamous sites, a talk by legendary Nigerian drummer Tony Allen, what felt like millions of shows in millions of venues, and weather confounding all expectations of what Oslo ought to be like in February.Previous visits to by:Larm have involved negotiating snow three-foot deep, urban pack ice and temperatures of minus 18 centigrade. This year, the sun shone, temperatures hovered Read more ...
Kieron Tyler
The surprises linger longest. The things you’re not prepared for, the things of which you’ve got little foreknowledge. Lykke Li’s Wounded Rhymes was amazing, and she was equally astonishing live, too. Fleet Foxes's Helplessness Blues was more than a consolidation on their debut and The War On Drugs’s Slave Ambient was a masterpiece. But you already knew to keep an eye on these three. Things arriving by stealth had the greatest impact.This year, music again proved it has the power to surprise. Terrific albums from unknown quantities (of varying degrees) like Rayographs, Huntsville (from Norway Read more ...
Kieron Tyler
Iceland is remote. Strategic too. Vikings stopped off there on the way to North America. It hosted the Reagan-Gorbachev summit 25 years ago. On the anniversary, visitors from America, Canada and across continental Europe are in Reykjavík for the 13th annual Iceland Airwaves. Over its five days the festival brings an extraordinary range of music to Iceland’s capital. Three years on from the country’s financial meltdown, Iceland remains strategic. Culturally strategic.Reykjavík, though, is small. Walking from the dockside to the fringes of the built-up area takes 20 minutes. The city's streets Read more ...
joe.muggs
An album that encompasses pan-global collaborations, iPad/Phone apps, internet jiggery-pokery, art installations, live multimedia shows and even a tuning system, with the “Ultimate Edition” of the album coming complete with a set of tuning forks to demonstrate this. As ever, Björk Guðmundsdóttir is showing no shortage of ambition. But is it any good?The unimaginative answer is: yes, if you like that sort of thing. Björk sounds so completely unlike anyone else, and so standard criteria don't apply. There is a notably meditative air to many of the tracks, though, as demonstrated on the opening Read more ...
Kieron Tyler
Björk’s Biophilia is a five-headed organism: the album (itself issued in five different editions), the app, the documentary, the live show and the website. Here in Harpa, Reykjavík’s spanking-new concert hall, Björk is in her home town, delivering the live show, performing the music. She’s playing residencies rather than touring. Instruments have been specially made. A giant spark arcs between two Tesla coils. Four massive pendulums swing.Manchester’s Campfield Market Hall snagged the premiere in June, and now her residency in Reykjavík has begun. Last night – timed to coincide with the Read more ...