family relationships
The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus
Gary Naylor
There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours barging into your eyeline – fluorescent yellow, eye-bleeding orange, vomity green. As quickly as you learn about this hitherto unknown spectrum that even van Gogh might think a little too much, you forget, the brain too addled by fatigue to retain any information from those shocking sleepless years. Until you go to see The SpongeBob Musical – then they’ Read more ...
Saskia Baron
Popped straight out to the streamers, Nicole Holofcener’s new film has apparently been labelled as insufficiently marketable for a theatrical release against the juggernaut of Barbenheimer. Surely by now a movie that doesn't feature either Ryan Gosling or Florence Pugh’s bare chests could be allowed in the cinema?Some of us might be craving dialogue we can hear and a 90-minute running time, or a script that doesn’t yammer on about the patriarchy while smothering us in pink. It's hard to believe that You Hurt My Feelings wouldn't have sold a few tickets in the cinemas that cater for Read more ...
David Kettle
The Death and Life of All of Us, Summerhall ★★★★Victor Esses was 16 when he first discovered his grandmother had a sister – someone the family had never discussed. It was just a year after his own first illicit visit to a gay sauna.Esses’s deceptively slight show – just him, a couple of microphones, some clips of video interviews and characterful musical contributions from guitarist Enrico Aurigemma – might begin as something of a whodunnit mystery tale, as Esses tracks down the mysterious elderly woman to a golf club outside Rome. But it quickly moves on to profounder – and, Read more ...
India Lewis
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek tragedy, or an epistolary short story nestled within the larger text. Underlying this, however, is a poetic tale of grief and loss, and of how it’s almost impossible to be free of the dead when they are still living (sometimes corporally) for the mourner.Beginning with a letter, sent in the period just after the American Civil War, a part of I Am Homeless is told by the mistress (Elizabeth/Miss Libby) of a Read more ...
Markie Robson-Scott
Céline Devaux, known for her award-winning short films, wrote, directed and drew the animations for her charming, funny debut feature, which takes the concept of the critical inner voice and runs with it.Blanche Gardin is brilliant as Jeanne, whose revolutionary invention, a structure that traps and removes microplastics from the ocean - it's called Nausicaa, which doesn't bode well - ends up as a dismal failure at its launch.Once woman of the year – come on, woman of the century, she tells herself in a grandiose moment – she’s humiliated on social media, bankrupt, all investors gone. Her Read more ...
Alice Brewer
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back / from the deep inside." The lines are broadly representative of the image-repertoire and diction of Laird’s latest work: glassiness, fish and questions of depth perception loom large.So too, does a concern with poetry’s definitions. In "Mixed Marriage", for instance, poetry is "the art of introducing words that haven’t met & getting them to sit together / in a small room". In "The Vocation", Laird restates Read more ...
Markie Robson-Scott
British-Moroccan director Fyzal Boulifa’s second feature is a departure from his first, the brilliant and disturbing Lynn + Lucy of 2020. That was set on an Essex housing estate; this one takes place in Morocco.Like Lynn + Lucy, it’s beautifully paced, outstandingly fresh and original, with some of the same themes of class, shame and identity, and takes its title from Vincent Sherman’s 1950 film noir starring Joan Crawford as a woman who claws her way out of poverty.Boulifa follows a close-knit mother and son. Sleeping on the same small mattress, they're constantly on the move, barely getting Read more ...
Helen Hawkins
Lucky Will Young: the production of the Simon Stephens monologue Song from Far Away that he is delivering at the Hampstead Theatre is directed by Kirk Jameson, not Ivo van Hove.The modish Dutch director of the initial UK staging, seen at the Young Vic in 2015, stripped his actor naked for much of the performance. Young, though, is allowed a loose white shirt and black trousers throughout. Van Hove’s literal laying bare of Willem was presumably a visual aid to what he thought the monologue was setting out to do. Willem is a hollow man: a determinedly private individual, a hedgie and Read more ...
Markie Robson-Scott
Set on the lands of the Oglala Lakota in South Dakota, War Pony focuses, in a hazy way, on the lives of 23-year-old Bill (Jojo Bapteise Whiting), who has two toddler sons with two different mothers, and 12-year-old Matho (Ladainian Crazy Thunder) who seems to have no mother at all. Both are struggling to get by. Drugs, violence and chaos rule on the Pine Ridge reservation. The women are mainly exasperated with the men. A poodle called Beast also plays an important role.It’s an extraordinary film: bleak, gritty, tragic, sometimes funny, and a seemingly unlikely directorial debut from actress Read more ...
Graham Fuller
Needy, truculent, and aggressive, an in-your-face stick of intensity and guilt-inducing melancholy, privileged young Amanda in Carolina Cavalli’s downbeat comedy is the girl no one wants to end up talking to in the kitchen at parties. So empathetic is Benedetta Porcaroli’s portrayal of this emotional aggressor, however, that it’s difficult not to root for her. Especially if, per William Blake, one’s bag is eternal night rather than sweet delight. Newly returned from studying in Paris, Amanda has been welcomed back into the matriarchal family’s bosom like a virus and is staying in a Read more ...
Matt Wolf
Love may change everything, as we're reminded multiple times during Andrew Lloyd Webber's rabidly polyamorous Aspects of Love, but certain things about this 1989 London hit (and subsequent Broadway flop) are fixed.The sexual shenanigans tracked across this adaptation of David Garnett's 1955 romantic novel are destined to remain a challenge to playgoers to varying degrees, especially amid a current climate of properly heightened sensitivities. But it seems equally true, at least to me, that this score is one of its composer's most beautiful - not so much because of the earworm, "Love Changes Read more ...
Matt Wolf
Life's journey is a challenge, and then some, for Beau Wasserman (Joaquin Phoenix), the beleaguered Odysseus/Job (you choose!) equivalent figure at the savage heart of Ari Aster's new film Beau is Afraid. But imagine surviving unimaginable ordeals on the long road of existence only to be met at the end by the Broadway legend Patti LuPone?Some trips are worth the destination and, running a fully felt three hours, this film is one of them, if not for a final sequence that lets the Juilliard-trained LuPone let rip: we all know she played Eva Peron but on this evidence, I'd love to have Read more ...