Benedict Cumberbatch
Karen Krizanovich
Benedict Cumberbatch leads a superb cast in The Imitation Game, the highly-anticipated biopic of Alan Turing, gifted mathematician and father of modern computing. The opening film for the LFF this year, this beautiful period drama, adapted from Andrew Hodges’ book The Enigma by debut screenwriter Graham Moore, travels between Turing’s formative days at boarding school and miserable existence in the 1950s, centring on his unique and crucial work defeating the Nazi’s Enigma encryption device during WWII.The English-language debut by Norwegian director Morten Tyldum (best known for the Read more ...
Katie Colombus
Blood is thicker than water. Or is it? For anyone who’s struggled with this proverb, August: Osage County is a fascinating exploration of the ties that bind us. Examining an extended, quintessentially American family in the sticky summer heat of small town Oklahoma, Meryl Streep leads the film as Violet, a volatile matriarch addicted to pills, suffering from “a touch of” mouth cancer and awaiting news of her alcoholic husband’s disappearance. The aftermath of this dysfunctional family’s crisis allows deep insight into their darkest secrets and biggest fears. The cast, which includes Read more ...
David Nice
Nearly everything may have been said or written about the relationship of artist-filmmaker Steve McQueen’s masterpiece to Solomon Northup’s 1853 book relating how he was kidnapped and sold into slavery. But there can be no end to observations on how the true story is unfolded. We know from the title that the protagonist begins, and will end, as a free man, so it’s a question of pacing the narrative. Which McQueen does with absolute mastery, binding the visual beauty or horror of every frame to a genius art of storytelling in film.There are countless examples of dramatic juxtaposition which Read more ...
Karen Krizanovich
Anything planned as Oscar-bait never works – although the Pulitzer Prize-winning play that underpins the film August: Osage County has a pedigree to please the Academy. By some accounts, it began with a lunch between Harvey Weinstein and Emmy-winning director/producer John Wells (The West Wing). Before you knew it, Meryl Streep and Julia Roberts were cast, along with Chris Cooper, Ewan McGregor, Juliette Lewis, Benedict Cumberbatch and Sam Shepard.Tracy Letts's black comedy - seen on stage first in Chicago and then Broadway and the National Theatre in London - was a deft mix of funny and Read more ...
Adam Sweeting
As Benedict Cumberbatch's Sherlock reached the end of its latest brief span, Timeshift [****] surveyed the history of dramatic interpretations of Baker Street's finest with a wry eye, in a narrative sprinkled with nutritious facts and anecdotes. The account by Margaret Robinson from the Hammer Films art department of how she designed the latex horror mask for The Hound of the Baskervilles (the title role was played by a Great Dane called Colonel) was notably priceless.Aided by zesty interviews with Christopher Lee, Tim Pigott-Smith, PD James and more, and pinned together by an outrageously Read more ...
emma.simmonds
Some films quite rightly have awards glory etched into their DNA, and when the admirably uncompromising Steve McQueen announced that his next project, focussing on the subject of slavery, would feature that cast, only a fool would have bet against it collecting armfuls of prizes. Moreover, the brutality and societal impact of slavery has seldom been seen on screen; thus in the words of its director, 12 Years a Slave fills "a hole in the canvass of cinema".Based on the memoir by Solomon Northup (as told to David Wilson) and adapted for the screen by John Ridley, 12 Years a Slave sees an Read more ...
Adam Sweeting
In our big-bang globalised environment, Sherlock Holmes is now more like a Marvel Comics superhero than a mere "consulting detective". We take it for granted that his deductive powers can peel open the physical and psychological secrets of a complete stranger within milliseconds, while the scope of his ambitions has advanced from solving quaint Edwardian mysteries to unpicking global conspiracies and phantasmagorical terror threats. The game is afoot, but now it's in fibre optic HD 3D with 7.1 surround sound and added social networking.Happily, Mark Gatiss (who wrote this series three opener Read more ...
Demetrios Matheou
One of this year’s Oscar contenders, Lincoln, covered the ending of the American Civil War as it played out in the comfortable confines of the Capitol. 12 Years a Slave, an exceptional film that will surely be in the running next year, reveals the “fearful ill” that set the country alight in the first place.It’s based on a true story that is shocking even for antebellum America, of a free man from upstate New York, Solomon Northup (Chiwetel Ejiofor), kidnapped and sold into slavery in the South. Compared to Steve McQueen’s previous films, Hunger and Shame, the narrative style is conventional Read more ...
Jasper Rees
There is no end to The Fifth Estate. Instead, like those outtakes at the end of cartoons and comedies, there are cut-ups from an interview with Julian Assange holed up in the Ecuadorian embassy. “A WikiLeaks movie?” he says wryly. “Which one?” Well quite. Assange is box office, and it’s the argument of both The Fifth Estate and the documentary We Steal Secrets that deep down this is what he always wanted: to be a screen hero.This isn’t the real Assange, of course, but Benedict Cumberbatch’s beguiling take. Quite what constitutes a convincing impersonation of such a slippery and unknowable Read more ...
Adam Sweeting
If JJ Abrams's first shot at reinventing the Star Trek franchise in 2009 was a memorable coup de cinéma, blending a plausible back story with a fresh cast imbued with the spirit of the TV originals, this follow-up is more about consolidation. There's bags of vertiginous interstellar action, retina-scorching 3D effects and earth-in-peril terror, though by the time you totter from the multiplex 130 minutes older, you may be asking yourself where the big payoff went.Still, to Abrams's credit, his cast is terrific and he wrings more genuine actorly mileage out of them than you might reasonably Read more ...
Emma Dibdin
"There used to be among families...a position, a certain...call it 'parade'." So stammered Benedict Cumberbatch's rigidly principled, increasingly broken Christopher Tietjens at the climax of last week's penultimate Parade's End, echoing his own line from the series' first episode as he struggled to justify his fidelity to adulterous wife Sylvia (Rebecca Hall).In the kind of verbally shrewd reversal that has defined Tom Stoppard's meticulous, occasionally magnificent script, a frustrated General Campion told him "there are no more parades for that regiment". Tietjens was the last Read more ...
fisun.guner
Television schedules seem not to matter much any more, since we can now watch on repeat more or less any time we choose. But it still seems strange that the BBC are airing their new five-part period drama, which is part-funded by the HBO network to the tune of £12 million, on a Friday evening in the middle of August – even though it’s turned out to be ideal weather for staying in. And Parade’s End ticks all the right boxes, too – all bar one, perhaps: it’s lovely to look at, it features a top-drawer British cast, and there’s the screenplay by Tom Stoppard.In other words it reeks of serious Read more ...