CDs/DVDs
Thomas H. Green
Being such a massive phenomenon has made The Hunger Games an easy target to tilt at but the truth is that, staying close to the Suzanne Collins novel, this film adaptation is a lean, smart science fiction thriller that there’s much to like about. The premise is that in the future the USA has become a nation called Panem, 12 serf states ruled by the Capitol who organise an annual televised competition designed to engender obedience in the populace. On it a pair of "tributes" from each district fight to the death on the live TV show of the title. Sixteen-year-old poacher Katniss Everdeen ( Read more ...
Peter Culshaw
If the name is both banal and irritating – seemingly you are expected to spell it kNIFE and fORK – this album is a triumph on its own terms. Despite it being at times overly self-conscious, there are occasional flashes of dark genius.The band are a duo, Laurie Hall and Eric Drew Feldman, who last made an album eight years ago. They have attracted raves from PJ Harvey and Frank Black, although as Feldman has worked with both artists, and they are probably mates, how seriously should we take their plaudits? Still, it gives you some idea of the aesthetic parameters, as does the fact that the Read more ...
igor.toronyilalic
Even though their names are bound together in the portmanteau title, the directors of the four short films that make up RoGoPaG - Rossellini, Godard, Pasolini and Gregoretti - don't go for any sort of narrative tie-ins. The only thing that links the films are the Sixties themes: nuclear annihilation, the shifting role of women and the rise of consumer capitalism. The largely unsatisfying results would only recommend themselves to the dedicated arthouse fan or movie historian were it not for Pasolini's inspired contribution, La Ricotta.The generosity of vision in Pasolini's La Ricotta Read more ...
theartsdesk
Lee Hazlewood: A House Safe for TigersGraham RicksonLee Hazlewood’s voice can still invoke awe. It's gravelly, sonorous, rasping, but incredibly affecting – even when he’s scraping around in the depths it always sounds musical. A reissue of a hard-to-find 1975 LP, A House Safe for Tigers was originally the soundtrack to a Swedish TV movie directed by Hazlewood’s friend Torbjörn Axelman. Hazlewood had moved to Sweden in 1970, partly to ensure that his son wouldn’t be drafted to Vietnam. He continued to record and release new material, most of which slipped under the radar.A House Safe Read more ...
bruce.dessau
Growing up in public is never easy. After all the attention that The Vaccines attracted with their post-Strokes smash-and-grab debut What Did You Expect From The Vaccines? they have plenty to prove with their follow-up. Do they duplicate the Ramones-meets-Ronettes-in-the-Hadron-Collider template or go for something different and sophisticated? Well, they’ve got a new look, ditching the leather for denim and growing their hair, and the sequel certainly sounds different, but whether it is more sophisticated is another matter entirely.Come of Age is a tremendously easy album to like but a hugely Read more ...
Kieron Tyler
Nine albums and almost 10 years in, Animal Collective show no signs of smoothing the edges from their herky-jerk, ADHD psyche-pop. Vocals carry a melody, but everything else in the mix counters that – pinging sounds, Afro-inspired percussion, bloops, stabs of synth. Beyond Animal Collective, only a bear with a sore head could make psychedelia this twitchy.Obviously, Animal Collective are doing something right and I’ve tried and tried to get my head around their output. Seeing them live was confusing. I just wished they would stick to the song they had started and take it to its conclusion, Read more ...
mark.kidel
With the overwhelming acclaim that welcomed their first album, Très Très Fort, the musical paralympic champions Staff Benda Bilii faced a challenge with their second. Would their unusually stirring backstory as disabled polio victims and destitute street children in Kinshasa become a burden rather than a draw?Bouger Le Monde doesn’t disappoint, although there are moments when their very exuberance becomes a little excessive, as if they were responding to audiences that clearly preferred the super-charged frenzy of their up-tempo rumba to the slower songs that brought greater balance and Read more ...
Lisa-Marie Ferla
You’ll know by now, perhaps, that Sun is supposed to represent a “rebirth” for Chan Marshall, the famously intense singer-songwriter who performs as Cat Power. Since the release of 2006’s The Greatest Marshall has shunned her own material, instead reinterpreting Memphis soul and Delta blues in a sensual, dusky croon. When your songs are as personal, as taut and extreme as some of Marshall’s work can be, however, there must be times it pays to take a step back.It may sound as if I’m trying to say that Sun is one of those albums is difficult to listen to, but it’s not like that at all. It’s Read more ...
graeme.thomson
It’s remarkable how many of the 20th century's most culturally significant popular musicians – from Louis Armstrong to John Lennon – emerged from a childhood defined by lack or absence. As Kevin MacDonald’s epic and enlightening documentary about the life of Robert Nesta Marley illustrates, much of his righteous anger, steely determination and elusive nature stemmed from the dubious legacy of a shady, philandering English father who was white, feckless and an almost entirely ghost-like figure in his son's life.This is a vivid and balanced portrait, neither hagiography nor hatchet job, which Read more ...
Thomas H. Green
Before acid house came along and saved our souls, there was no nation-embracing socio-musical phenomenon to latch onto. Outside of mainstream pop and niche heavy metal, there was hip hop, but that was adamantly American at the time, there was retro “rare groove” funk, and there was post-C86 indie. C86 was a tape put together by the NME of a generation of bands – Shop Assistants, The Pastels, Primal Scream and so on – who applied a shambling Velvet Underground aesthetic to whimsical English tweeness. It turned out to be a dead end but kept thing ticking over until the ecstasy arrived.It was Read more ...
Russ Coffey
It’s been 17 years since Alanis Morissette’s Jagged Little Pill gave “complaint rock” a feminine make-over. With a captivating combination of therapy-angst and offbeat melodies, it didn’t matter that Alanis didn’t understand the word ironic, the whole package was iconic. Since then, however, her efforts to recreate the same magic have been patchy.Havoc and Bright Lights is no exception. Let’s start with the good stuff. At its best it turns the clock right back to the mid-Nineties. Subjects like motherhood (“Guardian”) may be new, but her idiom is still feisty, confessional, kooky and Read more ...
theartsdesk
Green Day: The Studio Albums 1990-2009Thomas H GreenPrior to a trilogy of new albums, ¡Uno!, ¡Dos! and ¡Tré!, all to be released by the end of the year, a box set arrives containing the eight albums that brought Californian trio Green Day to this point. At the dawn on the Nineties, parallel to grunge’s hairy existential rock, there was another American punk explosion more directly imitative of Seventies originals such as The Clash and The Ramones. Alongside groups such as Rancid and The Offspring, Green Day led the charge and their first two albums, on the independent Lookout! label, lay out Read more ...