Film
Adam Sweeting
Terence Davies's screen treatment of Terence Rattigan's play gets plenty of things right, not least its smoggy evocation of the seedy, exhausted London of the early 1950s, with its shabby colours, peeling paintwork and bomb damage. The piece is essentially a three-hander, and Davies's lead trio acquit themselves admirably. Rachel Weisz may be a little too fresh and luminous as Hester Collyer, repressed wife of High Court judge Sir William Collyer, but her determination to break free from her background and claustrophobic circumstances through her affair with ex-fighter pilot Freddie Page Read more ...
Adam Sweeting
"Find your inner soldier and stop the alien threat before it's too late!" runs the blurb for Hasbro's Battleship computer game. The movie of the game seizes this basic idea by the scruff of the neck, and pumps it up into a cacophonous effects-crammed military yarn with a deafening heavy metal soundtrack. Alien forces have landed in the Pacific, and the US Navy is forced to fight Pearl Harbor II.Director Peter Berg (pictured below) is the son of a US Marine, and he hasn't stinted on the patriotic flag-waving. Military veterans from World War Two and recent Middle East conflicts have been Read more ...
ronald.bergan
News that Nicole Kidman is to play Grace Kelly in a movie called Grace of Monaco convinces me that it is foredoomed. This time Kidman won’t have any prosthetics to help her resemble Grace Kelly, such as the long nose she wore as Virginia Woolf in The Hours (2002). Nor would it be possible, as attractive and talented as Kidman is, to replicate Kelly’s ineffable quality and patrician beauty.Unlike other biopics, those with film stars playing film stars fail because the originals exist to be compared with and appreciated in the same medium. In fact, they are attempting to simulate someone whose Read more ...
Dylan Moore
The Gospel of Us is a film about remembering. It is based on and was filmed at The Passion of Port Talbot, Michael Sheen’s triumphant theatre-event that took over his home town in south Wales to retell the Easter story this time last year. Writer Owen Sheers has novelised The Passion as The Gospel of Us. Continuing the chain of collaboration and adaptation, director Dave McKean has taken this title and managed the incredible dual task of producing a lasting memorial to the incredible events of that weekend while also making a film that stands in its own right as part of the pantheon that Read more ...
Graham Fuller
Although only a couple of shots are fired in Jean Renoir’s 1937 La Grande Illusion, its stature as one of the greatest of anti-war films is unquestioned; perhaps only All Quiet on the Western Front (1930) and Paths of Glory (1957) are comparable.Renoir’s film, though, is also a disquisition on the insurmountability of the barriers that divide men of different classes, religions, and ethnicities. National allegiances may count the most in wartime, but in peacetime it’s illusory that men who’ve fought together will stick together if they hail from the opposite ends of society. By 1937, the idea Read more ...
emma.simmonds
Like an adrenalin injection straight to the heart of a flagging horror genre, The Cabin in the Woods is fresh, funny and teeming with deliciously nasty surprises which - have no fear - will not be revealed to you here. Although it’s helmed by first-time director Drew Goddard (the Cloverfield scribe and co-producer of Lost and Alias), for many the key name attached to The Cabin in the Woods will be Joss Whedon, the film’s co-writer and producer. Whedon is the creator of Buffy the Vampire Slayer (on which Goddard also worked as a writer), Firefly and the lesser but still impressively ambitious Read more ...
Ismene Brown
Once again theartsdesk brings you its unmatched annual guide to Europe's music, film and arts festivals, complementing the UK festivals guide. With musicians and bands hunting out picturesque places to play in summertime, you can find an alternative Glasto in Serbia or Spain, combine an Italian film festival with your holiday plans. This year's listings include rock in Barcelona, Normandy and Stradbally, film in Venice, Warsaw and Cannes, opera in Bayreuth, Bregenz and Salzburg, dance in Avignon, Epidauros and Spoleto, contemporary arts in Istanbul and Zurich. This is the indispensable Read more ...
Graham Fuller
Fifteen years after I first saw Andrew Kötting’s Gallivant (1996), I’m still haunted by its depiction of the pilgrimage Kötting made around the coast of Britain with his 85-year-old grandmother Gladys and his seven-year-old daughter Eden (pictured together below right). Lyrical but not sentimentally scenic, it paid homage to folk customs that contain the spirit of ancient communal life while pointedly spurning the commercial culture that characterises resort towns.The best-known movie by the film-maker and installation/performance artist Kötting, it was a psychographic fin-de-siècle Read more ...
Graham Fuller
Andrea Arnold’s starkly naturalistic reboot of Emily Brontë’s masterpiece of 1847 isn’t the first costume drama of the last 20 years to scorn the heritage-culture approach. In 1995, Roger Michell’s Persuasion, one of the best but least fêted of the Jane Austen adaptations, put handheld camerawork, natural lighting and grainy images in the service of the downwardly mobile Elliot clan’s shabby gentility, making poor Anne’s Cinderella plight all the more affecting.Evocatively photographed by Robert Ryan, Wuthering Heights goes much further in its invoking of pathetic fallacy. There are times Read more ...
Nick Hasted
Immediately before Edgar Reitz (pictured below) made Heimat - the 52-hour film sequence begun in 1984 telling 20th-century German history in profound provincial detail - he was washed up, a New German cinema revolutionary who was no longer new, outpaced by Wenders, Herzog and Fassbinder. In his 80th year, Heimat has secured him a unique place in German culture, and now these first two releases in The Edgar Reitz Collection (both UK DVD debuts) excavate his own buried past.Lust for Life, his 1967 feature debut, begins as a nouvelle vague-beholden, breezily erotic romance between Elizabeth ( Read more ...
emma.simmonds
“Feel good” is a description applied far too frequently in reviews, often to movies which are formulaic and saccharine in the extreme. However, Le Havre is a film that’s begging to be described as just that, though it’s far from conventional or fluffy fare. This buoyantly beneficent and frequently hilarious picture combines artful absurdity and a neo-noir aesthetic with a pervasive sense of social justice and a laudable belief in the kindness of strangers. From Aki Kaurismäki, the writer, director and producer of The Man Without a Past and one of the world’s most distinctive film-makers, Le Read more ...