Film
Ismene Brown
Young Adult is the category of fiction that teenagers read, and it’s where Charlize Theron’s extremely damaged character in this odd film has made her well-rewarded living (albeit as the ghost behind the name on a popular series of “young adult” fiction). In that literary genre teenagers’ love of contorted, messy living and big questions whose answer is likely to be “whatever” makes for frequent critical debates about what’s right, or what matters, and Jason Reitman’s film homes in a prime example of a not-that-young adult who’s never grown up and can't answer any of that.Mavis Gary is Read more ...
Peter Culshaw
At his studio near White City in West London (he did say it was Notting Hill) Ilan Eshkeri’s is adding a scratchy cello to a key moment in Ralph Fiennes film of Shakespeare’s Coriolanus. It’s the moment the inhabitants of Rome realise that Coriolanus, an exile, is about to attack them. It is, he says of the suitably ominous sound, “bent out of tune, weird – I’m getting into the sounds of breathing, I like a lot of dirt.” In the studio is his producer Steve McLaughlin, and there are a couple of assistants bustling around.Although not (yet, anyway) a household name, it’s a fair bet that you Read more ...
Jasper Rees
Stephen Frears is one of a trio of great old British lags who’ve been knocking out films for the past four decades. But while you know where you are with Mike Leigh and Ken Loach, with their deadly serious careers as auteurs, Frears is a more elusive figure. A directorial pragmatist, he has always unfussily followed the scent of a good story.And it’s a feature of his career that he often comes back for a second sniff, triumphantly with The Queen, which revisited the Tony Blair he and Michael Sheen first put on screen in The Deal. But sometimes the scent runs dry. After My Beautiful Laundrette Read more ...
fisun.guner
Fresh from the final Harry Potter, Daniel Radcliffe plays a grieving widower with a four-year-old son in this truly spine-tingling adaptation of Susan Hill’s 1983 gothic horror novel. Produced by the newly resurrected Hammer Films, written by Jane Goldman and ably directly by James Watkins, the film dispenses with the framing narrative device familiar to the genre, in which the story is related some time after the event. Instead we plunge straight in with our encounter with Arthur Kipps, the young solicitor sent up from London to a bleak coastal town to sort out the affairs of the recently Read more ...
emma.simmonds
Once again bringing to screen the seemingly unfilmable (see also Naked Lunch and Crash), the audacious David Cronenberg takes on Don DeLillo’s 2003 novel - a novel which in the last decade has become frighteningly pertinent. Respectfully retaining much of DeLillo’s original dialogue, Cosmopolis is a paranoid, loquacious nightmare, a sly, searing study of the alienated super rich, a meditation on greed, emptiness and jealousy. It’s set almost entirely within the comfortable cocoon of a stretch limousine which, in the hands of Cronenberg, becomes an almost science fiction-style space. Read more ...
Kieron Tyler
The press release for The Woman in the Fifth says it’s “a twisted and intense love story” that's about a “passionate and intense relationship”. It is, to a degree. But that undersells the film. As an oblique examination of mental breakdown, director Pawel Pawlikowski's film shares a lineage with Polanski’s Repulsion.The Woman in the Fifth adapts Douglas Kennedy’s novel. American author Tom Ricks (Ethan Hawke, sporting an excellent haircut) arrives in Paris to seek out his estranged wife and their daughter. Whatever barriers there are between them are insurmountable – she has a restraining Read more ...
Matt Wolf
There's nothing wrong with the film adaptation of the stage show Rock of Ages that more raunch and noise - oops, I meant noize - might not put right, assuming that an amiably dopy immersion in Eighties rock pop is your thing. One of those star-a-minute movies ("Look, there's Mary J Blige!"; "Wait, isn't that Catherine Zeta-Jones?") that may well have been more fun to make than it is to see, the director Adam Shankman enters into the flat-out silliness of the enterprise without fully embracing the correspondingly anarchic spirit. After all, how can you hope to deliver "Nothin' but a Good Time Read more ...
Emma Dibdin
From playing a blood-weeping Bond villain in 2006’s Casino Royale to his repeated collaborations with directors such as Nicolas Winding Refn (Drive) and Susanne Bier (After The Wedding), Danish-born actor Mads Mikkelsen has carved out a respected niche on both sides of the pond. He can come out of questionable blockbuster material unscathed – as his recent turns in Clash of the Titans and The Three Musketeers demonstrate – and elevate good material with his relentlessly compelling, peculiarly intense screen presence.He’s recently been confirmed to play a villain in the follow-up to Kenneth Read more ...
Adam Sweeting
Hailed in some quarters for its gruelling realism in the depiction of the work of the Paris-based Child Protection Unit (the French call it La Brigade de Protection des Mineurs), Polisse is another French cop drama but with tiresome pretensions of social concern plastered on top. Actor/writer/co-director Maïwenn spent time embedded with the real-life mineurs-protecting cops and was able to observe ongoing cases, but though these have given her plenty of horrific or hair-raising raw material, the finished film fails to achieve convincing documentary weight, and doesn't feel plausible as drama Read more ...