New music
Thomas H. Green
We did that whole state-of-things COVID/Brexit/anxiety/neurosis blah-blah in the end-of-year pieces last year. And, indeed, the year before (when Bozza was elected). Not this year. I’m over that. Let’s crack on. Live life. Own it. All that. An equivalent bullishness of tone, filtered through a defiantly feminine aesthetic, rules Marina Diamandis’s fifth album (she of Marina and the Diamonds). Or, at least, the parts of it that aren’t concerned with “highly emotional people” or mourning the end of her five year relationship with Clean Bandit’s Jack Patterson.It’s an outrageous album; Read more ...
Rachel Newton
I am fortunate to be one of the musicians involved in Spell Songs, a musical companion piece to both The Lost Words and The Lost Spells by acclaimed author Robert Macfarlane and award-winning illustrator and author Jackie Morris.There have been some truly magical moments since the project began back in 2018. When we gathered to make our first album, I remember watching as Jackie created the first of the beautiful paintings that went on to capture the essence of each musician, each of us painted as a bird with our musical instrument. The first was an egret perched on a harp, my Read more ...
Nick Hasted
José James regularly steps away from the straight jazz singer berthed for years at Blue Note, pining to be an R&B voice for broader black audiences. Covering both Freestyle Fellowship and Rashaan Roland Kirk on his debut The Dreamer (2008), his sensibility straddles sounds and eras which are anyway intimately linked.This Christmas album is, though, aimed straight at the easy listening heart. The Fifties of Nat “King” Cole, Ella and Sinatra at their most frictionless, as well as Blue Note’s more straightahead jazz moments, fill the grooves. The sublimated shadows Gregory Porter found on Read more ...
Liz Thomson
“I wanna hear the music play, I wanna dance and laugh and sway” sings Norah Jones on “Christmas Calling”, the opening track of this her first festive outing, “I wanna happy holiday for Christmas”. Doubtless when she recorded I Dream of Christmas, all that seemed easily possible, along with a smooch under the mistletoe. Now much of the world faces not a white Christmas but possibly another Covid Christmas – for many people sadly “a blue Christmas without you”, as the old chestnut has it.The Billy Hayes and Jay W Johnson song is well-covered, most famously by Elvis Presley, and it’s always hard Read more ...
Jasper Rees
To clarify: this is less a review, more a dispatch from a raucous wake. We all have a band that means something extra. Mine is The Men They Couldn't Hang, who I saw on Saturday night at the Powerhaus in Camden for the umpteenth time.I first came across the band when I was commissioned to go to Reykjavik with them in March 1989. They had been going for five years, were on the rise, their third album Waiting for Bonaparte was out, and they were warming up for a big tour. Beer had just been legalised in Iceland for the first time since the 1930s and I may well have ingratiated myself by buying a Read more ...
Thomas H. Green
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed releases, reissues and heritage fare that might make great presents. As ever, all musical life newly pressed to plastic is here. Dive in.VINYL OF THE FESTIVE SEASONPatrik Fitzgerald featuring Lemur No Santa Clauses (Crispin Glover)This year’s VINYL OF THE FESTIVE SEASON top pick is by long lost new wave troubadour Patrik Fitzgerald. It’s only his Read more ...
joe.muggs
Liverpudlian singer-songwriter Kathryn Williams has always had a literary bent. This doesn’t just manifest in overt ways, like writing a concept album about Sylvia Plath in 2015’s Hypoxia, but in perfectly potted narratives, microscopically brilliant turns of phrase, and even titles that make you double-take going all the way back to 1999’s “Dog Without Wings”. And this tendency is not just written into her lyrics, but her performance too. Her understated style and vocals which combine impossibly pure tone with conversational earthiness bring the fine detail of words to the surface, on Read more ...
Kieron Tyler
At the beginning of November 1964, a form of changing of the guard was evident in the UK’s singles chart. The Dave Clark Five sat at number 25 with “Anyway You Want it,” the highest placing for their follow-up to “Thinking of You Baby.” Although they were four places lower at 29, The Pretty Things would have been happy as “Don’t Bring me Down,” their second single, was rising up the charts. One band represented a primal interpretation of the recently popular R&B sound, the other an uncomplicated take on Beat Boom tropes.The DC5 wouldn’t have been bothered by their relatively poor UK chart Read more ...
Jonathan Geddes
According to local press, Yungblud’s fans had been queuing up outside the Barrowland throughout the day before each gig in his two-night Glasgow stint. If that was one indication of the reverence his following hold him in, another came early in this performance, when he briefly delayed “I Love You, Will You Marry Me” to allow an actual proposal to go ahead down at the front. If your songs are considered suitable for popping the question to, then you know you are connecting with people.That attachment is something that ran through this noisy, entertaining show, that veered between polished and Read more ...
Thomas H. Green
“It was the night before Christmas and all through the house not a creature was sober, especially my spouse.” So runs the giggly spoken word opening line of “Harlan County Coal”, the third song on Hell of a Holiday by American country trio Pistol Annies. A semi-rock number, it insists the titular lump of combustible sedimentary rock is what the man in each of their lives will receive if he doesn’t straighten up his act.This cheerfully sassy woman-powered attitude permeates the album… well, the parts that aren’t Jesus-lovin’ or simply old fashioned Christmas cheese.Pistol Annies are big in the Read more ...
Kieron Tyler
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. The opening cut is “Hung Fire,” a Band-esque, downtempo, soulful reflection beginning with the line “Things were bad for me, if I’m honest.” The song opens out to declare “it’s Christmas day, thank God we made it.” Next up is an interpretation of “O Come All Ye Faithful” which, arrangement-wise, is of a piece with “Hung Fire.”Three of the albums tracks are new songs by Taylor and, as well as “O Come Read more ...
Thomas H. Green
Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of teenagers are also in evidence on their own. They shout out. We all know what’s coming… a Madness song about school days… “Naughty boys in nasty schools, headmaster’s breaking all the rules…” And, we’re off again, jogging on the spot to perennial Eighties classic “Baggy Trousers”, a sea of shaven heads, red fez’s and porkpie hats bubbling with happy Read more ...