Wembley
Adam Sweeting
Not the least interesting aspect of Give Us The Money, an examination of the effectiveness of famous pop stars campaigning to end poverty in Africa, was how historical it felt. Homing in specifically on Bob Geldof and Bono, who between then have spent decades hectoring the public, berating politicians and schmoozing billionaires with a view to alleviating the sufferings of millions of starving Africans, it was a glimpse into a lost world of stadium rock, furry non-HD video and political yesterday's men, like Gordon Brown and George W Bush.The commentary seemed to promise a controversial Read more ...
Kimon Daltas
Bon Iver’s eponymous second album is nearly a year-and-a-half old now, so its bigger, richer sound – compared to the homemade sparseness of the debut – is well established. Nevertheless, it was hard not to wonder how any band assembled by Justin Vernon would function in the hangar-like Wembley Arena. Would success claim another victim?Vernon’s approach is courage in numbers, and those initial qualms fall away when he leads eight musicians on stage and launches into "Perth", the opening track of Bon Iver. The sound builds to fill the space, the plaintive howl of Vernon’s falsetto soars above, Read more ...
Adam Sweeting
Sunderland-born Dave Stewart has embraced the life of a wandering troubadour virtually since he was born. He had a record deal with folk-rockers Longdancer at the start of the Seventies, though he didn't start to enjoy commercial success until the end of the decade, when he was with The Tourists. They're possibly best remembered for their cover of the Dusty Springfield hit "I Only Want To Be With You", but more importantly, it was the band which brought Stewart together with Annie Lennox.As Eurythmics, Stewart and Lennox became one of the Eighties' biggest acts, engulfing the planet with a Read more ...
Natalie Shaw
The X Factor has made it far easier for fans to connect with artists from the get-go - as far as the viewer is concerned, the life story of each auditionee starts at episode one. Following JLS from that first audition to a third sold-out arena tour in the space of just four years has instilled a sense of pride in even the youngest of fans. Unusually for the television talent contest, JLS arrived pre-formed - they stood before Simon, Cheryl, Dannii and Louis with matching outfits unprompted, four savvy members seemingly set on becoming the next Boyz II Men. In spite of their strengths, Read more ...
Natalie Shaw
The X Factor has been rewriting the Gregorian calendar since its inception in September 2004. It’s now more acceptable (nay, expected) for major label pop acts’ careers to fall like dominos after the first year, while at the other end of the scale we’re sped into an accelerated, broader-spanning nostalgia - a longing sensation triggered mere minutes after the ITV1+1 broadcast. It’s with this in mind that the staging and characterisation of The X Factor Live caused such intrigue.Last year’s finalists were largely paraded before us, styled exactly how we saw them on television and singing songs Read more ...
joe.muggs
And we're done. As you'd expect for a grand final, everything was pumped up yet further. A guest spot by Coldplay came over like a Nazi rally styled by kindergarten teachers who once took an E, all rainbow squiggles and brain-obliterating strobes. The fact that the TV sound mix revealed Chris Martin's vocal weaknesses and the flimsiness of the songs beneath the band's bombast couldn't ruin the gloriously dumb spectacle.And talking of gloriously dumb, the “roving reporters in the crowd” Caroline Flack and previous X Factor runner-up Olly Murs really pushed the boat out to make Dermot O'Leary Read more ...
Veronica Lee
It has been four years since Alan Carr toured with a live show, and he's been much missed from the circuit. From his first appearances at the Edinburgh Fringe when he entertained audiences with tales of his past life as a call-centre worker and being the woefully non-sporty son of a football-manager father, he was destined for stardom.Television appearances – game shows, quizzes and chat shows – followed, and despite his huge recent success I think producers have not yet managed to find the right vehicle for the ever-smiling and hugely engaging Carr. He follows in a line of a certain Read more ...
Jasper Rees
Not everyone likes Lee Evans and his bespoke brand of simian gurning and jerky rubberised motion. But he is very much to the taste of a majority of the comedy-going classes. Few other stand-ups – you can count them on one hand – could spend a season touring the UK’s soulless edge-of-town arenas and not have to worry about performing to empty banks of raised seating. Evans tore into two sets of an hour each last night at Wembley Arena without, apparently, a thought of conserving any energy for the five nights still to come and the long list of bookings beyond. Such is his hypnotic hold that Read more ...
Jasper Rees
Lee Evans (b 1964) has been doing his brand of unruly physical comedy on stage since his teens. In recent years, however, he has laid to rest the perception, held since he won the Perrier at Edinburgh in 1993, that he is an effing and blinding reincarnation of gormless Norman Wisdom. He has played Hamm in Endgame followed by Leo Bloom in The Producers and then one of the two gunmen in Pinter’s The Dumb Waiter. He surprised critics and audiences alike with the depth and subtlety of his acting and the mercurial brilliance of his gift for musical comedy. But his job, he insists, is stand-up, and Read more ...
graeme.thomson
Created in 2005 by its director Caroline Redman Lusher, the Rock Choir has become something of a populist phenomenon. It’s a “people’s choir”, which means the songbook leans more towards Robbie Williams than Vaughan Williams. Anyone is welcome to join. There are no auditions and no talent requirements, a fact which will scarcely surprise viewers who last night witnessed the Bristol Rock Choir inflicting a very vocal form of GBH on ABBA's “Waterloo”.Narrated with rather pained joie de vivre by Hugh Bonneville, The Choir That Rocks is a three-part series which follows several Rock Choirs as Read more ...
Russ Coffey
It’s often assumed that people who write about music just sit around listening to achingly hip bands and rare grooves. Not true. You’ll often catch me listening to such Jeremy Clarkson-endorsed combos as Genesis or ZZ Top. Meat Loaf? Certainly. Guilty pleasure? As charged. Phil Spector may have had his pocket symphonies for the kids, but Meat Loaf and Jim Steinman gave them six-minute operas. To my mind there hasn’t been a song written that conjures up the glorious tragedy of being 16 quite like “Two Out of Three Ain’t Bad”. The thing is though, the Loaf, he ain’t 16 anymore.He’s in his Read more ...
joe.muggs
Next time BBC2 want to do one of those periodic “what happened to the white working class” documentaries, they could do worse than come to a Pendulum gig. The crowd at Wembley Arena last night were defiantly not “studenty” as many for post-rave music acts can be, and neither were they multicultural; in fact, switch the haircuts and outfits around and you could pretty much transplant the same set of people back 30-odd years to an early Iron Maiden show. This was a 21st century heavy metal crowd through-and-through – not fashionable, not refined, but ready to get involved to the maximum extent Read more ...