Wales
Owen Richards
How well do you know the person you love? Are they someone completely different when you’re not around? This is the central question Eve Myles (main picture) has to answer in the BBC’s latest mystery drama. Faced with the sudden disappearance of her seemingly lovely husband, she must piece together where he’s gone and what she’s been missing.Keeping Faith was broadcast in Welsh on S4C last November, and played on BBC Wales earlier this year, following a string of recent Welsh-made dramas. Like them, there’s your obligatory gorgeous scenery, but where Hinterland and Hidden went for Scandi-lite Read more ...
David Kettle
Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single Brit would invest (though he has German and Irish backers) – potential supporters were apparently too nervous of their names getting out.Have the values of Remain already become so ignored and so – well, unacceptable? Possibly. Which, of course, makes it all the more crucial that Wilkinson has provided Remainers with this platform to present their Read more ...
Adam Sweeting
Nordic shmordic. Why travel to Scandinavia to get your dark, disturbing mysteries when you can find them in Wales? You even get subtitles for an extra frisson of otherness.Hidden (or Craith in Welsh) stems from the same BBC Cymru Wales/S4C provenance as Hinterland, with whom it also shares the executive-producing fingerprints of Mark Andrew and Ed Talfan. Likewise, it echoes the eeriness and sense of isolation of its predecessor, exploiting spectacular but melancholy Snowdonia scenery to evoke a steady undertone of dread and horrors hidden in the undergrowth.There had to be a corpse to kick Read more ...
Barney Harsent
For his fifth solo album (not counting last year’s delayed soundtrack to Set Fire to the Stars) Welsh singer-songwriter and sometime Super Furry frontman Gruff Rhys inhabits an imaginary landscape in order to deal with issues that are all too real. Like its filmic predecessor, it has been a long time coming. The songs were recorded back in 2016 and, given the world's trajectory in the ensuing years, the dystopian landscape Rhys paints could easily be seen as visionary. The reason for the delay was not to encourage comparisons with Nostradamus but to ensure that composer Stephen McNeff Read more ...
Barney Harsent
There was a hint of what was to come in Gwenno Saunders’ debut, Y Dydd Olaf. It was, for the most part, a Welsh-language affair, save for the closing track “Amser”, a song sung in Cornish and the album’s dizzying slow dazzle. For her follow-up, Le Kov, Gwenno has chosen to record an entire album in this Brythonic language that has, in recent times, gamely rallied itself from UNESCO-declared death.Le Kov, then, exists as a document of a living language, albeit one that the majority of listeners will have no working knowledge of. In order to make real sense of the songs, we have to do the Read more ...
Tom Birchenough
Rungano Nyoni’s debut feature premiered at last year’s Directors' Fortnight in Cannes, and immediately marked the Lusaka-born, Wales-raised director down as a figure to watch. Putting her film into any category is more challenging, though, with its elements of fable and somewhat surreal satire, although “surreal” and any associated hints of the absurd risk saying more about the perspective of the observer than the world Nyoni herself depicts.But however you look at it, I Am Not a Witch is a startling, vibrant piece of filmmaking. Over a spare 90 minutes Nyoni follows her nine-year-old Read more ...
Katherine Waters
Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the ranks of white cubicles could belong to a jobs fair, except there’s a Miró round the corner. And it’s impossible not to price-perv, that sly flick of the eye down to the label just happens.Not so at Art UK. They’re the London Art Fair’s museum partner this year, and this is their first ever exhibition. Nothing’s on sale because they hold none of the works themselves. Instead, all the pieces on display are publicly owned, if seldom seen. They’re on Read more ...
graham.rickson
Jabberwocky is all the more enjoyable once you get past what it isn’t; Terry Gilliam’s 1977 directorial debut is a medieval romp starring Michael Palin and a short-lived Terry Jones, but audiences shouldn’t expect a Monty Python film. Gilliam and Palin’s bonus commentary is a joy, Gilliam describing his relief at “not having to be funny all the time,” free to let this baggy, rambling tale unfold at a more stately pace. There are many mirthsome moments, but Gilliam admits that Jabberwocky “is more quirky than funny.”The inspiration for Gilliam and screenwriter Charles Aveson was the nonsense Read more ...
Richard Bratby
Go west, opera-lover: Mid Wales Opera is back in business. In fact, it’s been back since spring this year, when it toured venues in Wales and England with a warmly reviewed Handel Semele and a striking (and impressively cast) Magic Flute inspired by 1970s British sci-fi. That was the first production under the company’s new artistic leadership of Jonathan Lyness and Richard Studer – a conductor/director team with considerable form and substantial ambitions. This spirited chamber staging of Walton’s 1967 “extravaganza in one act” The Bear – MWO’s third new production this year – is modest in Read more ...
Russ Coffey
Although primarily known for "Guns Don’t Kill People, Rappers Do", Goldie Lookin' Chain have actually been around longer than you'd imagine. The Welsh comedy collective was formed at the turn of the millennium, and Fear of a Welsh Planet is, staggeringly, their 20th LP. Back in the day, the boys would wear shell suits and rap about council estates. But that was years ago. Surely, by now, they've moved on?Not a bit of it. On the new album, the lads still sound like a Welsh version of Insane Clown Posse with added blue humour. The rudest track is "Sex People" which discusses "shooting each Read more ...
Dylan Moore
Port Talbot (population 38,000) is a town on the south Wales coast famous for two things: steel and actors. The birthplace of Richard Burton, Anthony Hopkins and Michael Sheen made a rare foray into the national consciousness at the beginning of last year when Tata Steel threatened to close the plant that employs 10% of the town. It had been making a loss of £1m a day, largely due to flooding of the global market by China. National Theatre Wales have returned to the scene of the greatest triumph in the company’s short history, the perhaps unsurpassable Passion (starring Sheen), for Read more ...
Rachel Trezise
I’ve always written alone. As a novelist, that’s what you do. Sit around in your pyjamas composing sentences that come almost entirely from your own imagination. It’s difficult sometimes to conjure the self-discipline required to complete a draft in a satisfactory period of time, but it is always safe. The first draft is supposed to be dross. Nobody’s going to see it. My first play was written that way, too. I wrote three drafts of Tonypandemonium in my spare room over two years, occasionally allowing the then artistic director at National Theatre Wales to read them and offer suggestions Read more ...