Romania
Tom Birchenough
Three hours is a testing length for any film. Directors may stretch to that because they’re telling a huge story with plenty of plots and characters, but in Aurora, Romania's Cristi Puiu pares down plot, such as it is, to an absolute minimum. Elements of semi-documentary set in, as we watch his hero Viorel (played by Puiu himself in his first screen role) move disaffectedly through contemporary Bucharest. He takes the first half to bring himself to action, the alienated coldness of which, when it comes, leaves us stuck in his troubled soul – and, by extension, the soul of his city.The only Read more ...
Kieron Tyler
Just as you think you’ve got Tuesday, After Christmas pegged as an Eric Rohmer-style relationship drama, it gradually becomes clear it’s something else. The impact left by this ambiguous, non-judgmental examination of the emotional crisis affecting a married man and those around him is a result of its measured approach and deft sensitivity. Less about the dialogue, it’s more about interaction and nuance.Paul Hanganu (Mimi Brănescu) is married to Adriana (Mirela Oprişor). They have a bright little daughter. He works in some unspecified role for a bank, Adriana works in law. Adriana doesn’t Read more ...
Peter Culshaw
The tourist bumf talks a lot about Bucharest being “Little Paris”. If you squint while walking down the grand boulevards, you see what they mean. The crumbling Byzantine churches, the Belle Époque restaurants, the odd palatial Beaux-Arts town houses among the brutalist blocks all evoke Paris. They even have their own Arc de Triomphe and Odéon Theatre here, built on Parisian models. But don’t make a habit of squinting your eyes, as you are liable to fall down one of the myriad holes in the pavement.What Paris can’t boast, though, is the absurdly pompous Casa Popurului (the House of the Read more ...
james.woodall
Katalin Varga was one of the finest films at the 2009 Berlinale. Directed by British auteur Peter Strickland, it was filmed, beautifully, in Romania: a heartbreaking story about rape, it was all, and really only, about the catastrophically unresolved - in Romanian official culture inadmissible - evils of the Ceauşescu past.Corneliu Porumboiu’s Police, Adjective is about the same thing. After his 2006 Cannes winner 12:08 East of Bucharest, nailing some of the so-called romance of the 1989 uprising against the then soon-to-be executed dictator, this low-key 2009 movie about a detective in Read more ...
sheila.johnston
When an unknown Romanian director won the Palme D'Or in Cannes, you might say that it upset the applecart. Mungiu had made one small previous feature, and his winning film, 4 Months, 3 Weeks And 2 Days, was written and shot in less than a year. His, truly, was a meteoric, overnight, astonishing success. But this was two years ago. What did Mungiu do next? Tales from the Golden Age provides an answer - of sorts.A collection of myths, some poignant, some comic, about life in the late Eighties under Nicolae Ceauşescu, the film is written and directed by various hands. Mungiu is the project's Read more ...