“If tears were diamonds, I’d be a rich man now.” Barry Gibb, that famous falsetto still pitch-perfect, isn’t mincing his words on the solo album that, at the age of 70, he never expected to be left to make. Whether writing with the Bee Gees or his youngest brother Andy, Gibb’s songwriting has almost always been a collaborative affair - and so it’s hardly a surprise to see sons Stephen and Ashley show up with co-writing credits.Despite a title that suggests learning to live in the present moment as a central theme, In The Now finds Gibb in a not-unexpectedly sombre mood. The album is dedicated Read more ...

“In time, you’ll be mine,” sings Van Morrison in the opening song to his first new collection in four years. That line sets the tone for a warm bath of an album, a genial, reflective, though always finely honed stroll through the themes and styles of the last four decades. All but one of these are new songs, and the four years they have taken to write have been well spent, though we are, both musically and lyrically, looking backwards.   Stylistically, it’s a kind of tribute to the genres he’s mined over the years. There’s bluesy harmonica and piano on “Going Down to Bangor”, while Read more ...

It could be a book, film, TV or radio piece, essay or exhibition. If it’s about or based on The Beatles, the question is always the same: how on earth can anything new be said? In the case of Ron Howard’s Eight Days a Week: The Touring Years, surprisingly quite a lot, is the answer.Factually, there’s little with which the Apollo 13 and A Beautiful Mind director can grab even the most noddingly acquainted. Four boys from very modest backgrounds test themselves as a band in the early 1960s in Europe’s raciest city (Hamburg), get noticed in a scuzzy Liverpool basement by a posh shopkeeper (Brian Read more ...

The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.Before Capitol, Hite and Dorinda Morgan had brought them into a recording studio. The former was a music publisher known by Murry Wilson, the father of Beach Boys’ Brian, Carl and Dennis. When the Morgans first encountered the band, they were known as The Pendeltones. Without being asked, they were renamed The Beach Boys for the release of "Surfin Read more ...

“I don’t really care about reviews because if someone slags it off, they’ve missed the joke. How can they slag off a fictional character? It’s win-win. It’s pain-free. It’s bulletproof – commercially and critically.”Ricky Gervais there, talking about the album tie-in with his new film David Brent: Life on the Road. In many ways, he’s right: the songs, written in the guise of Gervais’ best comic creation, are meant to be bad, but entertainingly so, like, say, Spinal Tap. It's a comparison that Gervais doesn't shy away from: “Once you know the context, you can enjoy the songs without jokes, Read more ...

If you like the feeling of leaving a show, surrounded by the gently glowing faces of happy fellow audience members, then this is one for you. It’s a musical evening full of joyful singing – mixing classics by Mendelssohn and Bartok with a best-of chunk of the back catalogue from the Electric Light Orchestra’s Jeff Lynne – that transports you to a different world. Adapted by Billy Elliot author Lee Hall from the 1998 novel Sopranos by Alan Warner, it delights with its onstage music and raucous lust for life, and offers an exceptionally exhilarating explosion of swaggering joy and rampaging Read more ...

A two-bar flurry of guitar lays the table for a skip-along beat, handclaps, and an arrangement and melody akin to Martha and the Vandellas’ March 1964 single “In my Lonely Room”. This though was not a Motown production and did not tell the story of a girl so distraught at her boyfriend’s dalliances that all she could do was take to her lonely room and cry. On “The 81”, Candy & the Kisses sang of a dance craze for anyone “tired of doing the monkey, tired of doing the swing.”Despite being a knock-off of the Detroit sound, the irresistible “The 81” did not sound like a Motown record. It Read more ...

As the album featuring Simple Minds’ first Top Twenty single, “Promised You a Miracle”, 1982’s New Gold Dream (81-82-83-84) was aptly titled. After the success of the next single “Glittering Prize”, it hit number three in the album charts. Five albums in and three years after their first single, Simple Minds were indeed touching gold.Whether their breakthrough into the mainstream was a miracle or not depends on how the band is seen. The album preceding New Gold Dream (81-82-83-84) was actually issued as two separate records: Sons and Fascination and Sister Feelings Call. Each featured a Read more ...

The weight of expectation can be a terrible thing to bear. When Since I Left You, The Avalanches’ patchwork party debut, was released in 2000, there was no sense of how long it had taken to make, just a collective intake of breath at the dense layers and intricate detail. Plundering anything and everything in their bid to create this delightful decoupage, it was the sheer scale of the band’s collective imagination that thrilled. How could any follow-up possibly compare?Listening to their long-awaited comeback Wildflower, which has been 16 years in the making, it sounds like they've not given Read more ...

If last night made anything clear it's that some things are still some way beyond the reach of hipster reappropriation. The audience in Hyde Park for Carole King was 99% white and middle-aged, with the very few younger people scattered about appearing to be teenagers there with their parents. Within that, though, there was a broad spread of class, and – reflecting the appeal of King's Tapestry album at the time of its release – everyone from grizzled old hippies to a whole legion of straight-as-a-die mums and dads of the kind who have probably only bought half a dozen other albums since the Read more ...

The EU referendum isn’t the only thing causing polarised opinion over European issues. The question of what constitutes Balearic Beat looms large over the music community. For some, it’s a fixed point, namely celebrated DJ Alfredo’s record box in the mid-80s. For others it’s built on more shifting sands, a sentiment DJ and author Bill Brewster summarises with trademark élan: “Balearic Beat today is the same as it was in 2011, 1999 and 1984. It’s shit pop records and brilliant EBM records. It’s everything and nothing.”International Feel record label boss and producer Mark Barrott’s take is Read more ...

How does Hannah Georgas’s 98-year-old grandmother feel about her collaborations with Graham Walsh, her two-time producer better known as part of Canadian electronic quartet Holy Fuck? It is, one suspects, one of a few aspects of this rich, immersive record that the Evelyn of its title might raise an eyebrow at – but in its themes of family, longing, loyalty and resilience, particularly on the gorgeous not-quite-title track, there’s plenty for her to be proud of.It was obvious from their work together on her 2013 self-titled album that Walsh had a knack for drawing out the unexpected from Read more ...