Paris
Saskia Baron
You Resemble Me is the very definition of a passion project, and all the better for it. First-time director Dina Amer was a journalist working for Vice News. She was sent to Paris to cover the 2015 terrorist attacks that left 130 people dead and hundreds more injured. Amer was on the scene when the police raided a flat where the terrorists were based. A young woman who died in the explosion was widely proclaimed to be France’s first female suicide bomber. The news was filled with lurid tales about Hasna Aït Boulahcen, a daughter of Moroccan immigrants who had swapped Read more ...
Helen Hawkins
First came Yasmina Reza’s 1994 long-runner Art; now another French hit, The Art of Illusion, has arrived after eight years in Paris. The two pieces couldn’t be more different: the former is a chatty spat between three sophisticated male friends (would producers use gender-fluid casting these days?); the new arrival, a larky, boisterous ensemble piece that plays with the theme of illusion and how much it contributes to what we have come to call “magic”.Thematically it’s stretched a little thin at times, but as a performance it’s a tonic. Its writer, Alexis Michalik, juggles three different Read more ...
mark.kidel
Only a Eurostar day-trip away, at least from London, the Louvre is hosting an exceptional exhibition, which makes the journey to Paris well worthwhile. Things – A History of Still Life (Les choses – une histoire de la nature morte) is one of those massive shows that explores a complex theme in a thoroughly original and adventurous way.The curator, Laurence Bertrand Dorléac, has been given free rein to author a vast and very personal survey of still lives and artists’ representation and evocation of "objects" that ranges from Prehistoric Europe to contemporary work by artists such as Nan Read more ...
mark.kidel
A tall African man stands alone in a pool of light. He has a cello and an immensely versatile voice. In a matter seconds, he holds the audience enchanted. He inhabits the stage as if it were by a campfire in the bush.The Bouffes du Nord, the Paris base for Peter Brook’s ritual-rich theatre for many years, the beautifully worn shell of a former music hall, with decaying walls in different tones of orange and red, has seen so many extraordinary performances. I, for one, will never forget Brook’s fulgurant Hamlet with Adrian Lester in the title role, and Isabelle Huppert, raw and present in Read more ...
David Nice
The sopranos are Ethiopian-Italian and Hispanic-American, the tenor Uzbek, the baritones South African (no EU principals, but it seems you can't have everything). This is opera at its best: the cream of international singers coming together to make a unified work of art under a director with a vision and a conductor who gives it all total security as well as freedom. It may be the tour, but it’s vintage Glyndebourne.Floris Visser’s concentrated take on Puccini’s note-perfect La bohème, revived here by Simon Iorio, premiered in the main festival earlier this year; Miranda Heggie Read more ...
Markie Robson-Scott
Mrs Harris Goes to Paris, based on Paul Gallico’s 1958 novel, is preposterous. But it’s as pretty as a pink cloud. The director, Anthony Fabian, knows that in these grim times, escapism is good box office.But still, would it hurt to get some things right? Why have a British charlady in 1957 saying, “You go, girl”? Never mind. It’s a mix of Mary Poppins and Emily in Paris (one of its stars, Lucas Bravo, plays a bespectacled, quasi-intellectual accountant here). You almost expect Dick Van Dyke to appear, bicycling through the smog. It’s sanitised and sweet, an Instagram dream, without a Read more ...
Nick Hasted
This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a forbidden, rekindled romance between Gustave Eiffel (Romain Duris) and Arlette Bourgès (Sex Education’s Emma Mackey).Director Martin Bourboulon evokes belle epoque Paris’s bustling modernity, suffused with a golden gaslit glow or fogged with shadow, as middle-aged widower and brilliant, honoured engineer Eiffel arrows through his working day. Already responsible for the Statue of Liberty’s internal structure, he now wants to build the Metro for the 1889 Read more ...
Boyd Tonkin
Take an opera newbie along to Opera Holland Park’s double bill of rarities and they may have both their worst fears and their highest hopes confirmed. Outlandish plotting, overwrought melodrama and preposterous, supernatural stage business abounds. At the same time, some gorgeous music, memorable singing and dramatic coups make the whole fanciful spectacle soar and glow. Ecstasy and absurdity join clammy hands. Served together in this way, Delius’s Margot La Rouge and Puccini’s Le Villi offer a kind of small-plate tasting menu from the late 19th-century lyric stage (although the Delius dates Read more ...
mark.kidel
Pickpocket regularly makes it into the list of best films of all times. It is a film-maker’s film, more of an essay on the art of cinema and a discourse on crime than a thriller. Much French art house cinema is characterised by serious intent and intellectual rigour, and Bresson may be, more than any other auteur, the pioneer of a cinema in which reflection and thought play as much of a part as the display of narrative or emotional excitement.Michel, played by the non-professional Martin LaSalle, is the thief who learns the tricks of his trade from a gang of professionals, and plays through Read more ...
Sarah Kent
Director Alice Diop read an article by Pierre Bergounioux in which he described how he began writing to draw attention to his overlooked neck of the woods – Correze, in central France. It was a lightbulb moment for her: “My approach as a film-maker suddenly became clear to me, I realised I’d been making films about the suburbs in an obsessive way for the past 15 years… to conserve the existence of ordinary lives, which would have disappeared without trace if I hadn’t filmed them.”We is a celebration of some of those ordinary lives – people who live alongside the RER railway line to and from Read more ...
mark.kidel
The Last Metro (Le dernier métro), from 1980, is without doubt one of François Truffaut’s best films: a story beautifully told, strong on character, sometimes funny and always profoundly moving. Most of the credit has gone to Truffaut and co-stars Catherine Deneuve and Gérard Depardieu, but there is a key member of the team whose name is barely known outside the world of French cinema history.There are echoes here of the director's 1973 La nuit américaine (aka Day for Night), a film also set behind the scenes of show business, whose strength derives to a large extent from the many Read more ...
Hannah Hutchings-Georgiou
“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut novel, Wet Paint, asks this question standing in front of Édouard Manet’s painting "A Bar at the Folies-Bergère" (1882). Yet she could easily be asking herself the same question.Unable to “pivot” in life, but at a pivotal stage, Eve goes from job to job, is thrown out of her flat, becomes increasingly reckless and then spirals downwards in an effort to stave off the memories of the past. Initially, art – the viewing and co-creation of it – keeps her afloat, but past traumas Read more ...