Nazis
Laura Silverman
The Kander and Ebb musical Cabaret, inspired by the Berlin stories of Christopher Isherwood, is soon to return to the West End with Will Young. Its less well-known source is John Van Druten's 1952 play I Am a Camera. The title comes from the opening page of Goodbye to Berlin, Isherwood's memoirs published in 1939 inspired by his years in the capital of a country reeling from the last war and suffering from the global Depression: “I am a camera with its shutter open, quite passive, recording, not thinking.”The play focuses on Christopher's relationships with the people he meets in the city: Read more ...
ronald.bergan
It was Lenin who realised early in the Russian Revolution that “of all the arts, film is for us the most important” and Hitler and Goebbels perceived the immense propaganda potential of the Olympics through the medium of film. The 1936 Olympic Games took place in Berlin a few months after Hitler’s armies occupied the Rhineland. Hitler spared no expense in making it the best organised and most efficiently equipped in the history of the Olympics.After Triumph of the Will (1935), the documentary of the 1934 Nuremberg Rally, the director Leni Riefenstahl became established as Germany’s foremost “ Read more ...
howard.male
Rather unjustly, this underrated 1976 thriller is best remembered for the dental torture scenes in which Laurence Olivier’s shiny-headed, shiny-spectacled Nazi, Dr Christian Szell, repeatedly asks Dustin Hoffman’s petrified and pain-crazed Levy if it’s safe or not, and Levy has no idea if the answer required is yes or no. But the rest of this movie is a much subtler, more involving affair than is suggested by a scene that is truly painful to watch . As an Olympic event, the marathon is about endurance as much as speed. For poor Levy the whole of John Schlesinger’s film is a test of Read more ...
Jasper Rees
Did Magda Goebbels do her children a favour by murdering all six of them in the bunker? Her rationale, as reported in the film Downfall, was the impossibility of imagining a life after Hitler for anyone called Goebbels.Most descendants of the Nazi top brass were not afforded this ghastly reprieve, and survived into a conflicted adulthood. Not long ago a son of Reinhard Heydrich offered to fund the restoration of the Prague castle, now ruined, from which his father terrorised the Protectorate of Bohemia and Moravia. The city government was suspicious of his motives. It was his childhood home, Read more ...
Adam Sweeting
This much-rumoured independent movie has been in the works since 2006, and is improbably billed as a Finnish-German-Australian co-production. It's also unusual for being a project that grew out of the online self-supporting film-making community, Wreck-a-Movie.The premise is almost irresistible, and is summed up in the marketing tagline: "In 1945 the Nazis went to the Moon. In 2018 they're coming back." The action commences with the American "Liberty" space mission landing on our nearest galactic neighbour, but it transpires that it's essentially a promotional visit to boost the re-election Read more ...
fisun.guner
Rainer Werner Fassbinder, the wunderkind of New German Cinema, worked at a prodigious rate. By the time of his death in 1982, aged just 37, he’d made over 40 feature films and directed over half as many stage plays. He also made films specially commissioned for television, something that was certainly looked down upon by both mainstream and avant-garde film-makers in the Seventies. Treating his television projects with no less commitment, Fassbinder was an arthouse film-maker who broke the mould in many ways, though his output must be said to be of vastly variable quality.I Only Want You to Read more ...
Jasper Rees
The world has heard of Schindler’s Jews, who were saved from the gas ovens by the patronage of an enlightened German industrialist. Socha’s Jews are not quite so celebrated. There are number of reasons for that. For a start, many fewer Jews were saved in this narrative, and their story has not found its own Thomas Kenneally - nor until now its Steven Spielberg. But most importantly their saviour would never be mistaken for any sort of moral pin-up, being a burglar and black marketer who stashed his booty in the sewers of Lvov.A non-fiction book called In the Sewers of Lvov tells of Socha's Read more ...
Emma Dibdin
You remember Upstairs Downstairs – the lavish 2010 period drama-cum-soap based around servants and their masters that had the misfortune of not being named Downton Abbey. Making its entrance some three months after ITV’s series despite being filmed first, Upstairs played like the indignant, overshadowed elder sibling to Downton’s effervescent, effortlessly successful young upstart. After all, in a drama war between the BBC and ITV, there can’t be many who were betting on the latter coming out on top in either ratings or critical terms, especially given the 40-year-old pedigree of the Upstairs Read more ...
Adam Sweeting
The BBC's updated Upstairs Downstairs is not a lucky show. Its three-night debut in December 2010 brought unflattering comparisons to Downton Abbey, a fate also likely to greet the imminent series two thanks to Downton's booming national-treasure status. Worse, Upstairs... is reeling from the double blow of losing Eileen Atkins's Lady Maud and Jean Marsh as Rose Buck.Marsh, who suffered a stroke last October, was eventually able to appear in two of the six new episodes, but Atkins apparently wasn't happy with the direction the series was taking and baled out altogether. Screenwriter Heidi Read more ...
mark.hudson
That Anselm Kiefer is one of the great elder statesmen of contemporary art goes without saying. His work’s precise relevance to now is less clear. In the early 1980s, when he sprang to fame as part of the New Image Painting phenomenon (with Schnabel, Baselitz et al), the Berlin Wall was still up and the post-Holocaust Teutonic angst that Kiefer has relentlessly mined felt far more immediate and problematic than it does today. The great Monetarist showbiz-art wave hadn’t yet broken. It left Kiefer and his fellow New Imagers overshadowed and, in a paradox that is absolutely typical of the art Read more ...
Adam Sweeting
The archaeological documentary is becoming the obligatory format for tackling legendary tales of the British at war. Someone seems to recreate the Dam Busters raid every six months, the wrecks of battleships HMS Hood and the Bismarck have been tracked down in the ocean depths, and Time Team have excavated various subterranean artefacts from the Western Front.In Digging the Great Escape, we followed a team of historians, archaeologists and mining engineers to the site of the German Stalag Luft III prison camp in Silesia (now Poland), where 10,000 allied airmen were held captive during World Read more ...
fisun.guner
Albert Speer was Hitler’s most high-ranking war minister, but just how much was he complicit in Nazi atrocities? Thirty years after his death, and 16 after Gitta Sereny’s controversial biography, Albert Speer: His Battle with Truth, Speer remains a most enigmatic figure. Made in 2005 and now released on DVD, Speer and Hitler: The Devil’s Architect (dir: Heinrich Breloer; English subtitles) is an award-winning three-part docudrama that attempts to unravel that enigma.Sebastian Koch, who starred in the outstanding Lives of Others (dir: Florian Henckel von Donnersmarck; 2006), plays Speer as the Read more ...