Mendelssohn
Ismene Brown
Norman Lebrecht, the seasoned and ever-alert musical commentator, thinks he and his readers may have uncovered someone making a very good stab at being Mozart. Three pieces have been discovered on the internet DIY-video channel being played by a pianist whose face can't be seen, all purporting to be new or obscure works by Mozart, Haydn and Mendelssohn.In a time when lost items are turning up quite regularly now - Vivaldi, Mozart and Beethoven pieces have recently been found in far-flung files and libraries - Lebrecht decided to take the "Ask the Audience" option, by putting the Mozart piece Read more ...
Ismene Brown
Oberon in Frederick Ashton’s The Dream was the hurdle at which the ferociously promising young Sergei Polunin refused when he quit the Royal Ballet last week, and whether it was the deceptive complexity and difficulty of it that caused his sudden exit, last night’s opening gave his replacement, the brilliant Steven McRae, such a run for his money that it wouldn’t be surprising if the role had indeed left Polunin in a blue funk.Ashton’s balletic reduction of Shakespeare’s A Midsummer Night’s Dream is almost 50 years old now and its charms and nimble wit seem enhanced every time one sees it. So Read more ...
david.cheal
It’s been a while since Tori Amos did something as straightforward as writing a bunch of songs, recording them, and then releasing them as a CD. Her releases over the past decade or so have been, for instance, “themed” into horticultural compartments (The Beekeeper), or 12 cover versions of songs originally written by men but sung by Amos from the perspectives of 12 different female personae (Strange Little Girls).Now comes Night of Hunters, a song cycle with solely orchestral and piano accompaniment, which tells the story of a woman at the fag-end of a relationship (already I can sense the Read more ...
igor.toronyilalic
Mendelssohn loved looking back. And nowhere more so than in his blockbuster oratorio, Elijah. But what was most striking about last night's monumental performance at the Proms was how much he was also clearly looking forward and outward, and how feeble an appellation oratorio seemed to be for what we were witnessing. We were being bombarded with pre-echoes of the adventure-laden Hollywood epics of the 1950s. We were being hit by a microclimate of such unstable energy that it could easily have registered on the Beaufort Scale. Prototype movie. Tropical hurricane. Last night's Elijah was Read more ...
Kieron Tyler
"Anyone for Demis?" wasn’t the only question posed by this trawl through some of the foreign – not American - popular music that’s been hugged to our collective bosom. That the large, hirsute, kaftan-shrouded Greek wonder that’s Demis Roussos was popular is obvious. He landed in the Top 10 in 1975 with “Happy to be on an Island in the Sun” and became a chart regular for the next two years. Everyone was for Demis. The other poser was the self-cancelling, “Now that pop music’s gone global, has the appeal of the foreign pop song gone forever?”Thankfully, this wasn’t the sniggersome jaunt through Read more ...
natalie.wheen
Getting to Mull is an improbably romantic journey to classical music-making. One can easily understand why Mendelssohn was so affected by his experiences in Scotland – and Mull. On the three-hour train journey from Glasgow one sheds the habits of everyday life: the train winds through thickets of Forestry Commission plantations, which suddenly open out into wild panoramas of mountains and lochs, or a dramatic ruined castle against the skyline. Then the ferry from Oban passes the heavily fortified Duart Castle on its crag guarding the Sound of Mull, which later will be the scene of elegant Read more ...
igor.toronyilalic
Could you get a more American string quartet than the Emersons? They dress like Yanks. They play like Yanks. They're even shaped like Yanks. There's Steve Martin on viola, Steve Buscemi on cello, Laurel and Hardy on violins. The night started in true Stateside fashion, an announcer indicating the Emersons would be conducting a Q&A session from the stage after the concert. I can't imagine anyone took them up on the offer. Because, for all the trials and tribulations of their recital last night at the Queen Elizabeth Hall (some good, some bad), this wasn't a performance that Read more ...
alexandra.coghlan
We are spoiled for choral choice in Britain. With the likes of The Sixteen, The King’s Singers, Polyphony and I Fagiolini just the start of the roster of talent, and an amateur choral scene of serious heft, the temptation is to look no further than the Channel for our choral kicks. Such is the growing presence of the Baltic nations however (and particularly Estonia, with its greatest musical champion, Arvo Pärt), that this rival tradition is increasingly making its presence felt. Greatest among a nation of choirs is unquestionably the Estonian Philharmonic Chamber Choir, who last night took Read more ...
edward.seckerson
The flurry of fanfares at the start of Magnus Lindberg’s Al largo (UK premiere) sounded almost Waltonian. Or maybe that was because the prospect of Osmo Vänskä in Walton’s First Symphony was such an enticing one that premonitions of its highly distinctive sound-world were already being suggested in the somewhat predictable pyrotechnics of the Lindberg. Lindberg is a great showman and an accomplished technician, but against Walton’s startling originality (circa 1935) he sounded, well, old hat - like a man rapidly losing his edge.Al largo (meaning offshore) is, not surprisingly, oceanic in Read more ...
edward.seckerson
Rossini provided the lively curtain-raisers to both halves of this Chamber Orchestra of Europe concert, streamed live to Aberdeen where Shell, the sponsors, have something of a vested interest in keeping their employees entertained. The liquid gold on this occasion was of the legato variety and not one but two Fischers ensured that it flowed freely and purposefully. Ivan Fischer is quite simply one of the most perceptive and persuasive conductors on the planet; Julia Fischer (no relation) is the epitome of German cool and precision. She plays the violin rather well, too. But first, The Read more ...
David Nice
There are still pockets of musical snobs who want to keep Elgar's two symphonies for the English, and off the worldwide roll call of orchestral masterpieces. Yet a steady line of international conductors - from Solti and Svetlanov to Haitink and Previn - has proved them the adventurous equal of anniversary composer Mahler's symphonic giants. Now Vladimir Ashkenazy joins the ranks. Elgar may not yet be quite in his bloodstream in the same way as Rachmaninov and Sibelius, but in yesterday afternoon's concert there was enough love for the complex composer's Read more ...
igor.toronyilalic
Piano ballades and fantasies are the repositories of dreams. They are the places where the mind is left to wander, to roam precipitously, unaided by known paths, undisturbed by familiar structures. The romantic fantasies and ballades of last night's Wigmore Hall recital plunge and soar, catch you by the feet and dangle you by the ankles. To cast the right spell, to heave the right ho, you need the right storyteller, one like the ancient Mariner: a glittering eye, a hoary beard, a man of myth and terror. In fact, you need what we got: the towering Paul Bunyan-like Russian, Nikolai Read more ...